Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano Illustrated Books, Prints, Bindings, Great Provenance, 18th CenturyMargherita PalumboFebruary 17, 2021bindings, provenance, illustrated books and prints, 18th Century
The First 'Last Letters of Jacopo Ortis' 18th Century, 19th Century, LiteratureJulia Stimac and Margherita PalumboFebruary 10, 2021Literature, 18th Century, 19th CenturyComment
Thomas Baston’s Thoughts on Trade and the Early Stock Market 18th Century, Politics & EconomicsJulia Stimac and Margherita PalumboNovember 25, 2020politics, economics, 18th CenturyComment
Pino’s history of Leonardo’s ‘The Last Supper' A post on the first monograph devoted to this iconic artwork. Read More 15th Century, 18th Century, Art & ArchitectureMargherita PalumboOctober 14, 202018th Century, Art and Architecture, Art, Art History
Celebrating Piranesi 18th Century, Art & Architecture, PrintsJulia StimacOctober 7, 202018th Century, Art, Art and Architecture, Art History, Illustrated Books and Prints
Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters 18th Century, Illustrated Books, Art & ArchitectureJulia StimacMarch 18, 2020Tiepolo, illustrations, illustrated books and prints, 18th Century, Rococo, Art History, Art, Art and Architecture
Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano Illustrated Books, Prints, Bindings, Great Provenance, 18th CenturyMargherita PalumboNovember 20, 2019bindings, provenance, illustrated books and prints, 18th Century
“It is better to have a retouched painting than to no longer have the painting at all”: Pino’s history of Leonardo’s ‘The Last Supper’ 15th Century, 18th Century, Art & ArchitectureMargherita PalumboJuly 31, 201918th Century, Art and Architecture, Art, Art History