Gasparo Gozzi’s Favole Esopiane in a Changing Venice Celebrating VeniceJulia StimacJune 1, 2022Comment
The strange effect of a forged plaquette: A further note on a pair of Renaissance bindings 16th Century, Bindings, Great Provenance, Celebrating Venice Margherita Palumbo and Julia StimacJuly 7, 2021bindings, Bindings, great provenanceComment
On Girolamo Zanetti, Editor of the Oldest Chronicle of Venice 18th Century, Celebrating Venice, Great Provenance, Blue PaperJulia StimacJune 30, 2021Comment
The strange case of a genuine Renaissance Venetian binding and the modern allure of myth 16th Century, 19th Century, Bindings, Great Provenance, Celebrating VeniceMargherita PalumboJune 23, 2021bindings, VeniceComment
Gasparo Gozzi’s Favole Esopiane in a Changing Venice Celebrating VeniceJulia StimacMay 26, 2021Comment
Twelve Blue Caesars and Numismatic Imagery in Venice 18th Century, Blue Paper, Art & Architecture, Politics & Economics, Celebrating VeniceMargherita PalumboMay 19, 2021blue paper, blue books, history, Art History
"The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London 18th Century, Catalogues, Great Provenance, Celebrating VeniceMargherita PalumboMay 12, 2021collecting, Great Provenance, bibliography, bibliophilyComment
Orlando in Venice: Giolito, Valgrisi, and the Market for a Modern Classic Celebrating VeniceJulia Stimac and Margherita PalumboApril 14, 2021Comment
