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      <image:title>Blog - Celebrating Italo Calvino on the Centenary of His Birth - Make it stand out</image:title>
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      <image:title>Blog - Celebrating Italo Calvino on the Centenary of His Birth</image:title>
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      <image:title>Blog - Celebrating Italo Calvino on the Centenary of His Birth - Make it stand out</image:title>
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      <image:title>Blog - Celebrating Italo Calvino on the Centenary of His Birth - Make it stand out</image:title>
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      <image:title>Blog - Celebrating Italo Calvino on the Centenary of His Birth - Make it stand out</image:title>
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      <image:title>Blog - Celebrating Italo Calvino on the Centenary of His Birth</image:title>
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      <image:title>Blog - Celebrating Italo Calvino on the Centenary of His Birth</image:title>
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      <image:title>Blog - Celebrating Italo Calvino on the Centenary of His Birth - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/3de29471-68f9-4b44-bf6b-deb421fd488d/CALVINO+ANNOUNCEMENT+-+Biblioteca+nazionale+centrale+di+Roma.jpeg</image:loc>
      <image:title>Blog - Celebrating Italo Calvino on the Centenary of His Birth - The Archaeologist’s Gaze: Calvino as Never Seen Before</image:title>
      <image:caption>(Mostra, Biblioteca Nazionale Centrale Roma, 18 ottobre 2023 - 26 gennaio 2024) La Biblioteca nazionale centrale di Roma festeggia i 100 anni di Italo Calvino The Archaeologist’s Gaze: Calvino as Never Before Seen (Exhibition, National Central Library of Rome, 18 October 2023 - 26 January 2024) The National Central Library of Rome celebrates the centenary of the birth of Italo Calvino.</image:caption>
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    <loc>https://www.prphbooks.com/blog/italianbooks3</loc>
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    <lastmod>2022-07-22</lastmod>
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      <image:title>Blog - Italian Books III: Summer 2022 - Make it stand out</image:title>
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  <url>
    <loc>https://www.prphbooks.com/blog/happy-birthday-boccaccio</loc>
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    <lastmod>2022-06-16</lastmod>
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      <image:title>Blog - Happy Birthday Boccaccio! - Make it stand out</image:title>
      <image:caption>Cristofano dell'Altissimo, Portrait of Giovanni Boccaccio, ca. 1568. Oil on panel. Galleria degli Uffizi. Public domain.</image:caption>
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  <url>
    <loc>https://www.prphbooks.com/blog/werner</loc>
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    <lastmod>2022-06-09</lastmod>
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      <image:title>Blog - Friedrich Bernhard Werner’s “La famosa e meritevole città di Firenze” - Make it stand out</image:title>
      <image:caption>Friedrich Bernhard Werner (1690-1776), La famosa e meritevole città di Firenze, cioè i più considerabili prospetti delle Chiese, Residenze, Pallazzi, Piazze e Ville, Augsburg, J. Georg Merz, 1735. Price available upon request.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1654737292253-Z3POW0FLCMGA962T71JK/Warner%2BArno.jpg</image:loc>
      <image:title>Blog - Friedrich Bernhard Werner’s “La famosa e meritevole città di Firenze” - Make it stand out</image:title>
      <image:caption>Friedrich Bernhard Werner, La veduta tra il ponte alla Caraja e di S.S. Trinita sopra Arno di rimpetto del Sig.re Marchese Corsini in Firenze, from La famosa e meritevole città di Firenze, Augsburg, Merz, 1735.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1654729681446-6AGBEW77WLUQQRMDPI4J/warner+duomo.jpg</image:loc>
      <image:title>Blog - Friedrich Bernhard Werner’s “La famosa e meritevole città di Firenze” - Make it stand out</image:title>
      <image:caption>Friedrich Bernhard Werner, La veduta della parte avanti del duomo con S. Giouanni in Firenze, from La famosa e meritevole città di Firenze, Augsburg, Merz, 1735.</image:caption>
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      <image:title>Blog - Friedrich Bernhard Werner’s “La famosa e meritevole città di Firenze” - Make it stand out</image:title>
      <image:caption>Friedrich Bernhard Werner, Prospettiva della Villa del Sig.re Marchesi Corsini Sotto la Pictraja fuori di Firenze, from La famosa e meritevole città di Firenze, Augsburg, Merz, 1735.</image:caption>
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      <image:title>Blog - Friedrich Bernhard Werner’s “La famosa e meritevole città di Firenze” - Make it stand out</image:title>
      <image:caption>Friedrich Bernhard Werner, Prospettiva della chiesa di S. Michelino di Lantinoro, con il palazzo Pasquale in Firenze, from La famosa e meritevole città di Firenze, Augsburg, Merz, 1735.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1654738236095-J4C1MDPNBLERSEXKL6OI/Warner+2.jpeg</image:loc>
      <image:title>Blog - Friedrich Bernhard Werner’s “La famosa e meritevole città di Firenze” - Make it stand out</image:title>
      <image:caption>Friedrich Bernhard Werner, Prospettiva della Chiesa e la Piazza di S. Croce in Firenze dove nel Carnevale vi si fa Pallegio, from La famosa e meritevole città di Firenze, Augsburg, Merz, 1735.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1654729719155-8LCCUSZDBRFXT0F2YGF2/Warner+palace+and+gardens.jpg</image:loc>
      <image:title>Blog - Friedrich Bernhard Werner’s “La famosa e meritevole città di Firenze” - Make it stand out</image:title>
      <image:caption>Friedrich Bernhard Werner, La Veduta dalla parte di dietro del medesimo Pallazzo col Cortile e Giardino in Firenze, from La famosa e meritevole città di Firenze, Augsburg, Merz, 1735.</image:caption>
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    <loc>https://www.prphbooks.com/blog/gozzi-favole</loc>
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    <lastmod>2022-06-01</lastmod>
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      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Gozzi, Gasparo (1713-1786). Favole esopiane di Gasparo Gozzi pubblicate nelle nozze Da Mula – Lavagnoli. Venice, Stamperia Pinelli, 1809. See a description of this copy here.</image:caption>
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    <image:image>
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      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Francesco Bartolozzi, Portrait of Gasparo Gozzi, ca. 1757, from Gasparo Gozzi, Opere in versi e in prosa (Venice, Occhi, 1758). Image from Rijksmuseum, Netherlands, CC0.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622074664051-ZNQ0U6S42GFZGCE8GZJY/Luisa_Bergalli.jpeg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Venetian school, Luisa Bergalli as the Arts, ca. 1735. Public domain.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622070096943-03FD4VE18UUEFC5RPKRF/Edme_Boursault.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Nicolas de Largilliere, Portrait of Edmé Boursault. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622070426696-3TIDUAN89TPR8FIMSEA5/Teatro_Sanangelo.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Venice’s Teatro S. Angelo. Closed in 1803, the theatre was changed to a warehouse and then demolished.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622070663928-LT8XFGV9ZNXKCPYSKCF2/Aesop+at+versailles.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Aesop’s fable of the Fox and the Crane, from Jacques Bailly's Le Labyrinthe de Versailles. Public domain.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622075971753-LA3PFMT2GBZPEJVV1QF6/Morelli+1.jpg</image:loc>
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      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622072223150-CRQ97IOXUTS6WXXLL3OY/Goldoni+c.+1757.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Alessandro Longhi, Portrait of Carlo Goldoni, ca. 1757. Ca Goldoni Venezia, Venice. CC 4.0.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622072005161-QXVYVKC8JHBZ7RNI3TQE/carlo+gozzi.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Frontispiece portrait of Carlo Gozzi in Carlo Gozzi, Le fiabe di Carlo Gozzi, volume I, Bologna, Nicola Zanichelli, 1884.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622068801596-IWVD7M9FNY0EVYYTFYYC/zatta.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Gozzi’s “Argomento” in Dante Alighieri, La Divina Commedia di Dante Alighieri Con varie Annotazioni, e copiosi Rami adornata... Tomo Primo [- Terzo]. Venice, Antonio Zatta, 1757. [Together with:] Idem. Prose, e rime liriche edite, ed inedite di Dante Alighieri, con copiose ed erudite aggiunte... Tomo Quarto Parte Prima [- Seconda]. Venice, Antonio Zatta, 1758. See a description of this copy here.</image:caption>
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      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Angelo Giordani, Bust of Gasparo Gozzi, 1847. Part of the Panteon Veneto preserved at the Palazzo Loredan di Campo Santo Stefano. Image courtesy of the Istituto Veneto di Scienze, Lettere ed Arti.</image:caption>
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    <image:image>
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      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Giuseppe Soranzo, Bust of Jacopo Morelli, 1891-1892. Part of the Panteon Veneto preserved at the Palazzo Loredan di Campo Santo Stefano. Image courtesy of the Istituto Veneto di Scienze, Lettere ed Arti.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/upcoming-event-voices-of-ukraine</loc>
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    <lastmod>2022-05-25</lastmod>
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  <url>
    <loc>https://www.prphbooks.com/blog/firstsitalia</loc>
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    <lastmod>2022-05-20</lastmod>
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      <image:title>Blog - PR &amp;amp; PH at Firsts Italia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - PR &amp;amp; PH at Firsts Italia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - PR &amp;amp; PH at Firsts Italia - Make it stand out</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - PR &amp;amp; PH at Firsts Italia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - PR &amp;amp; PH at Firsts Italia</image:title>
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      <image:title>Blog - PR &amp;amp; PH at Firsts Italia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1652908860387-JCCTWYZOGZ7OMEPI9A5J/Depero1932-4+B.jpg</image:loc>
      <image:title>Blog - PR &amp;amp; PH at Firsts Italia - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1652908943029-PM7Y8GB6S3E5JF0DME9G/Depero1932-2+B.jpg</image:loc>
      <image:title>Blog - PR &amp;amp; PH at Firsts Italia</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1652908943911-10XQ76RRAK5SAZSL2O5C/Depero1932-7+B.jpg</image:loc>
      <image:title>Blog - PR &amp;amp; PH at Firsts Italia</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1652909140121-M8G5EI3T0OFJ9XR63XCN/Depero1932-9+B.jpg</image:loc>
      <image:title>Blog - PR &amp;amp; PH at Firsts Italia</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1652909248443-ONYI0WV4FXOCNA1POQNM/Depero1932-3+B.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/piranesi-in-rome</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1652302104453-BNXGO0IVHPJMOKOQNI77/Piranesi+2+lr.jpg</image:loc>
      <image:title>Blog - Piranesi in Rome - Make it stand out</image:title>
      <image:caption>Piranesi, Carcere oscura con Antenna pel suplizio dè malfatori... (Dark prison with a courtyard for the punishment of criminals...), from Prima Parte di Architetture e Prospettive. Read more about this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1652301933777-BHMPC3XMXO47XBLSQFLW/Piranesi+1.jpg</image:loc>
      <image:title>Blog - Piranesi in Rome - Make it stand out</image:title>
      <image:caption>Piranesi, Idea delle antiche vie Appia e Ardeatina, an imaginative reconstruction of two streets on the outskirts of Ancient Rome. This is a reduced version of the large frontispiece to vol. II of the Antichità Romane, bound here with Piranesi’s Prima parte di Architettura e Prospettive. Read more about this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1652302233146-9RYWGQ9WK9S0DHLNWECM/PIRANESI+Pzza+Monte+Cavallo.jpg</image:loc>
      <image:title>Blog - Piranesi in Rome - Make it stand out</image:title>
      <image:caption>Piranesi. Veduta della Piazza di Monte Cavallo (View of the Piazza del Quirinale with the Statues of Horse Tamers in side view), from Vedute di Roma. Etching, ca. 1748–60, 395x545 mm. Third state (of six). Printed on thick Roman laid paper, untrimmed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1652302287193-SD1B3PM8BNCXRXEMPC9Q/PIRANESI+Fontana+Trevi.jpg</image:loc>
      <image:title>Blog - Piranesi in Rome - Make it stand out</image:title>
      <image:caption>Piranesi, Veduta in prospettiva della gran Fontana dell’Acqua Vergine detta di Trevi Architettura di Nicola Salvi (Perspective View of the Large Fountain of the Acqua Virgine, called the Trevi Fountain Architecture by Nicola Salvi), from Vedute di Roma. Etching, ca. 1773, 475x705 mm. First state (of three).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1652302339609-J9HCRECKMSODU3ZKMTJT/Piranesi+arch+with+shell+ornament+lr.jpg</image:loc>
      <image:title>Blog - Piranesi in Rome - Make it stand out</image:title>
      <image:caption>Piranesi, The Arch with a Shell Ornament, from Carceri d'Invenzione (Imaginary Prisons). Rome, [Bouchard], (c.1750). Etching, ca. 1749-50. 405x545 mm. First state (of seven, per Robinson; of three, per Hind).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/calcio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1651707505781-SLMFQIT6FHXAEMJ2B2J4/Zocchi+calcio.jpeg</image:loc>
      <image:title>Blog - Giuseppe Zocchi and Il Calcio Fiorentino - Make it stand out</image:title>
      <image:caption>Giuseppe Zocchi (1711/6-1767), Pl. XXIV. Veduta della Chiesa, e Piazza di S. Croce con La Festa del Calcio fatta L’anno 1738 alla Real presenza de Regnanti Sovranti (View of the church and piazza of Santa Croce on the occasion of the festival of Calcio in 1738 in the royal presence of sovereign kings) from Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze. Giuseppe Allegrini, 1744.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1651708229624-SQLILP9IQ3ZYUS5WYBOZ/Screen%2BShot%2B2022-05-04%2Bat%2B7.45.35%2BPM.jpg</image:loc>
      <image:title>Blog - Giuseppe Zocchi and Il Calcio Fiorentino - Make it stand out</image:title>
      <image:caption>Giuseppe Zocchi (1711/6-1767), Pl. VI. Veduta di una parte di Lung' Arno, e del Ponte a S. Trinità presa dal Palazzo del Sig. March. Ruberto Capponi (View along the Arno from the south bank towards the east with the Ponte S. Trinita in the foreground and the Ponte Vecchio behind), from Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze. Giuseppe Allegrini, 1744.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1651708719739-5R0AD3VMHFV9LYXHXHH7/Screen+Shot+2022-05-04+at+7.56.40+PM.png</image:loc>
      <image:title>Blog - Giuseppe Zocchi and Il Calcio Fiorentino</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1651708717992-KWK9IHWAJ5IQHK9RST4I/Screen+Shot+2022-05-04+at+7.57.19+PM.png</image:loc>
      <image:title>Blog - Giuseppe Zocchi and Il Calcio Fiorentino</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1651708732724-LOPG4COOJ31HZLFQ0C22/Screen+Shot+2022-05-04+at+7.56.13+PM.png</image:loc>
      <image:title>Blog - Giuseppe Zocchi and Il Calcio Fiorentino</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1651716721188-PEN1DD2K6J74UIQEMBDI/Screen+Shot+2022-04-28+at+3.18.42+AM.png</image:loc>
      <image:title>Blog - Giuseppe Zocchi and Il Calcio Fiorentino - Make it stand out</image:title>
      <image:caption>Jan Van der Straet (known as Giovanni Stradano; 1523-1605), Calcio in Santa Maria Novella in the Sala di Gualdrada, 1561-1562, fresco, Florence, Palazzo Vecchio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1651718584964-VR1J5DEXRA6VC1KN1Q5H/Calcio+detail</image:loc>
      <image:title>Blog - Giuseppe Zocchi and Il Calcio Fiorentino - Make it stand out</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1651724087331-1M6VGO07N5WMTUXUZAH9/Bardi+1580</image:loc>
      <image:title>Blog - Giuseppe Zocchi and Il Calcio Fiorentino - Make it stand out</image:title>
      <image:caption>View of a Calcio match in Piazza Santa Croce by an anonymous artist, from Giovanni da’ Bardi, Discorso sopra il giuoco del calcio fiorentino, Florence, Giunti, 1580.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1651722546909-CL8HFRTYTZGRXSZ2VJ3U/Discorso+1580+title.jpg</image:loc>
      <image:title>Blog - Giuseppe Zocchi and Il Calcio Fiorentino - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1651089644342-I4TT4VK9CXXSTQJA4SS3/Screen+Shot+2022-04-27+at+3.59.18+PM.png</image:loc>
      <image:title>Blog - Giuseppe Zocchi and Il Calcio Fiorentino - Make it stand out</image:title>
      <image:caption>Title page for Pietro di Lorenzo Bini (ed.), Memorie del calcio fiorentino tratte da diverse scritture e dedicate all'altezze serenissime di Ferdinando Principe di Toscana e Violante Beatrice di Baviera. Firenze, Stamperia di S.A.S. alla Condotta [1688].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1651064742768-TGV2R8WZHOP3M7ZSY99N/Pietro+di+Lorenzo+Bini+%28ed.%29%2C+Memorie+del+calcio+fiorentino+tratte+da+diverse+scritture+e+dedicate+all%27altezze+serenissime+di+Ferdinando+Principe+di+Toscana+e+Violante+Beatrice+di+Baviera%2C+Firenze%2C+Stamperia+di+S.A.S.+alla+Condotta+%5B1688%5D.jpeg</image:loc>
      <image:title>Blog - Giuseppe Zocchi and Il Calcio Fiorentino - Make it stand out</image:title>
      <image:caption>Alessandro Cecchini, “Veduta della piazza di S.ta Croce della città di Firenze nel atto di principare il gioco del calcio”, from Pietro di Lorenzo Bini (ed.), Memorie del calcio fiorentino tratte da diverse scritture e dedicate all'altezze serenissime di Ferdinando Principe di Toscana e Violante Beatrice di Baviera. Firenze, Stamperia di S.A.S. alla Condotta [1688].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1651131015667-L4B51KIQYMCK9AXGZN9J/Zocchi%2Bcalcio.jpg</image:loc>
      <image:title>Blog - Giuseppe Zocchi and Il Calcio Fiorentino - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/il-natale-di-roma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1653341174148-9IK106HL2X29AJEIDUYA/Il+Natale+di+Roma+-+Celebrating+the+Eternal+City+on+its+2%2C775th+Birthday++-+revised+cover.png</image:loc>
      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday</image:title>
    </image:image>
    <image:image>
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      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
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      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
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      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1650481675696-SPCZFBGUHLB1HWD701FV/Meyer+title+page+-+nuovi+ritrovamenti.jpeg</image:loc>
      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1650482223053-5WVXJL6BC2YIBNKCGEEG/741px-Francesco_Borromini.jpeg</image:loc>
      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1650482474136-H9D4TM3X4PPP9LJVKUAH/Borromini_pl.+vi.jpg</image:loc>
      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1650483443757-J0986QIAMN1LWDHV7XF8/Svetonius%252B2.jpg</image:loc>
      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1650483590341-COODK163IKPA9INSWMEI/Nolli+map.jpg</image:loc>
      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1650483804898-GBSQ7GM5QAI3ZND0U4F9/Screen+Shot+2022-04-20+at+2.06.50+PM.png</image:loc>
      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1650484048751-584QK3FVPGQHKLJCGMXA/Piranesi+2.jpg</image:loc>
      <image:title>Blog - Il Natale di Roma: Celebrating the Eternal City on its 2,775th Birthday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/dialogues-on-war</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1649260234244-RCB2U2LIUEICZ2VNPBR7/PEN+Ukraine+%3A+Dialoguesonwar.jpeg</image:loc>
      <image:title>Blog - PEN Ukraine's Dialogues on War at the London Book Fair - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/gioacchino-da-fiore</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1648714021308-5V6130LZ43F9RXY5NR6C/Gioacchino%2Bda%2BFiore%2B2.jpg</image:loc>
      <image:title>Blog - Gioacchino da Fiore and the Rhetoric of Apocalypse - Make it stand out</image:title>
      <image:caption>(pseud-) Gioacchino da Fiore. Vaticinia Pontificum. Illustrated manuscript on grey-blue paper, in Italian. Italy, end of the sixteenth century. See the complete description of this manuscript here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1648700544337-62NZZOW569PKAP8NUXXU/Gioacchino+da+Fiore%2C+miniatura+sec.+XIV%2C+Codice+Chigiano%2C+Biblioteca+Apostolica+Vaticana%2C+Roma.jpeg</image:loc>
      <image:title>Blog - Gioacchino da Fiore and the Rhetoric of Apocalypse - Make it stand out</image:title>
      <image:caption>Gioacchino da Fiore, miniatura sec. XIV, Codice Chigiano, Biblioteca Apostolica Vaticana, Rome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1648701145420-V0URKQPWJEDHZ5XB86LD/Joachim+of+Fiore%2C+Liber+figurarum.</image:loc>
      <image:title>Blog - Gioacchino da Fiore and the Rhetoric of Apocalypse - Make it stand out</image:title>
      <image:caption>Gioacchino da Fiore, Liber figurarum, Tav. XI, with the Trinitarian Circles enclosing the Tetragrammaton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1648712058584-TSP4QYTAZUBC0SU4PJJM/fol.+18v-+a+pope+being+crowned+by+an+angel+%28%E2%80%98Pro+honoratione%E2%80%99%29%3B++fol.+19r-+a+pope+enthroned+and+surrounded+by+angels+%28%E2%80%98Occisione+bona%E2%80%99%29.jpg</image:loc>
      <image:title>Blog - Gioacchino da Fiore and the Rhetoric of Apocalypse - Make it stand out</image:title>
      <image:caption>(pseud-) Gioacchino da Fiore. Vaticinia Pontificum. Illustrated manuscript on grey-blue paper, in Italian. Italy, end of the sixteenth century. Fol. 18v, a pope being crowned by an angel (‘Pro honoratione’), and fol. 19r: a pope enthroned and surrounded by angels (‘Occisione bona’).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1648712204724-WXE9AKT0YYBEUVDNA05D/Joachim+ms+castle.jpg</image:loc>
      <image:title>Blog - Gioacchino da Fiore and the Rhetoric of Apocalypse - Make it stand out</image:title>
      <image:caption>(pseud-) Gioacchino da Fiore. Vaticinia Pontificum. Illustrated manuscript on grey-blue paper, in Italian. Italy, end of the sixteenth century. Fol. 16v, a pope with a fox and flagstaffs (‘Con bona gratia cessara la Symonia’), and fol. 17r, view of a city (‘La potestate sera unitate’).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1648710590741-24RCZPIMLXX91HAL4XCZ/Joachim+ms+4.jpg</image:loc>
      <image:title>Blog - Gioacchino da Fiore and the Rhetoric of Apocalypse - Make it stand out</image:title>
      <image:caption>(pseud-) Gioacchino da Fiore. Vaticinia Pontificum. Illustrated manuscript on grey-blue paper, in Italian. Italy, end of the sixteenth century. Fol. 6v: Iohannes XXIII (‘Elatione’), and fol. 7r: Benedictus XIII (‘Li homini forti sara orbati de la Inuidia’).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1648710669419-9MOQLHJK25Z7T12P1LFT/Joachim+ms+5.jpg</image:loc>
      <image:title>Blog - Gioacchino da Fiore and the Rhetoric of Apocalypse - Make it stand out</image:title>
      <image:caption>(pseud-) Gioacchino da Fiore. Vaticinia Pontificum. Illustrated manuscript on grey-blue paper, in Italian. Italy, end of the sixteenth century. Fol. 7v: Clemens V (‘Mobile, et immobile se fara, et assai mati guastata’); fol. 8r: Innocentius VII (‘Le decime seranno dissipate in la effusione del sangue’), and fol. 8v: Gregorius XII (‘La penitentia, tenera le vestigie de Simon Mago’);</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1648712466857-Q7DKW7V1TGDXAFH9P76C/fol.+12v-+Innocentius+VI+%28%E2%80%98Il+lupo+habitata+con+lo+agnello%2C+et+parimente+cibaransi%E2%80%99%29%3B++fol.+13r-+Urbanus+V+%28%E2%80%98Questo+sole+aprira+il+libro+scritto+con+il+dito+de+Dio+viuo%E2%80%99%29.jpg</image:loc>
      <image:title>Blog - Gioacchino da Fiore and the Rhetoric of Apocalypse - Make it stand out</image:title>
      <image:caption>(pseud-) Gioacchino da Fiore. Vaticinia Pontificum. Illustrated manuscript on grey-blue paper, in Italian. Italy, end of the sixteenth century. Fol. 12v: Innocentius VI (‘Il lupo habitata con lo agnello, et parimente cibaransi’), and fol. 13r: Urbanus V (‘Questo sole aprira il libro scritto con il dito de Dio viuo’).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1648713101445-B1OC0ASYR8HRPKQ8GMK3/fol.+19v-+a+pope+with+Nabuchodonosor+as+a+monstrous+creature+%28%E2%80%98Reuerentia%E2%80%99%29.jpg</image:loc>
      <image:title>Blog - Gioacchino da Fiore and the Rhetoric of Apocalypse - Make it stand out</image:title>
      <image:caption>(pseud-) Gioacchino da Fiore. Vaticinia Pontificum. Illustrated manuscript on grey-blue paper, in Italian. Italy, end of the sixteenth century. Fol. 19v: a pope with Nabuchodonosor as a monstrous creature (‘Reuerentia’).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1648717656648-NEJEE4YYJC9TX419OR3G/Joachim+ms+1a.jpg</image:loc>
      <image:title>Blog - Gioacchino da Fiore and the Rhetoric of Apocalypse - Make it stand out</image:title>
      <image:caption>(pseud-) Gioacchino da Fiore. Vaticinia Pontificum. Illustrated manuscript on grey-blue paper, in Italian. Italy, end of the sixteenth century. Fol. 1v: a friar at a lectern – evidently Joachim of Fiore – preaching to his confreres;</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1648713436049-W71KNBG55B528WES1RKJ/Joachim+ms+2.jpg</image:loc>
      <image:title>Blog - Gioacchino da Fiore and the Rhetoric of Apocalypse - Make it stand out</image:title>
      <image:caption>(pseud-) Gioacchino da Fiore. Vaticinia Pontificum. Illustrated manuscript on grey-blue paper, in Italian. Italy, end of the sixteenth century. Fol. 4v: monk with a halo giving books to four monks and four nuns, and fol. 5r: Onorius IV (‘Dure fatiche sustinerà del corpo’).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1648699916555-IBKVW76Z9P2YDQT93GBP/A+1573+fresco+depicting+Gioacchino+da+Fiore%2C+in+the+Cathedral+of+Santa+Severina%2C+Calabria%2C+Italy.jpeg</image:loc>
      <image:title>Blog - Gioacchino da Fiore and the Rhetoric of Apocalypse - Make it stand out</image:title>
      <image:caption>A 1573 fresco depicting Gioacchino da Fiore, in the Cathedral of Santa Severina, Calabria, Italy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/manet-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616623516597-3OCQLOXDGFSMRU0PULPY/Manet+Fantin.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Henri Fantin-Latour. Heliogravure of Édouard Manet, from the cover of Manet. Trente eaux-fortes originales. Paris, A. Strölin, 1905. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616627820562-VG0QR4LEAMP0IFQMZC5J/280.%252BManet.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Le Guitarrero (The Spanish Singer), 1861. Etching based on Manet’s eponymous painting, exhibited at the Salon in 1861.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616610492635-87T24WXQ953LUS2E0IQ9/Manet+Olympia.jpeg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Olympia, 1863. Oil on canvas. Musée d'Orsay, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616624437910-6OKPGQZCHB1M14YA1PUK/Manet%252B-%252BOlympia%252Blarge%252Bplate.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Olympia, large plate, 1867.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616624499292-J9NAVKNG8FSTUZMYWV2I/Manet%2B-%2BOlympia%2Bsmall%2Bplate.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Olympia, small plate, 1867.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616611062195-P8Z3A7FV0ZNHBED8SZIU/Manet%252B-%252BMorisot%252Betching.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Portrait of Berthe Morisot, 1872-74.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616609965371-68D9DIUAZRT8MVPH8YDJ/Berthe+Morisot+with+a+Bouquet+of+Violets.jpeg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Berthe Morisot with a Bouquet of Violets, 1872. Oil on canvas. Musée d'Orsay, Paris. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616627900222-KVOQIWK4K9HMSEOY2UHB/Infanta.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, The Infanta Marguerita after Velázquez, 1862-64.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616615968226-TON17R6KVAI6N8UT0SDU/1134px-MANET_-_Mu%CC%81sica_en_las_Tulleri%CC%81as_%28National_Gallery%2C_Londres%2C_1862%29.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Manet, Music in the Tuileries, 1862. Oil on canvas. Hugh Lane Gallery, Dublin. Public Domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616625052757-HWL75H2US5D05KZ9F1UV/manet%2Bbaudelaire.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Charles Baudelaire, 1862.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616626984759-FGV1BDLDBPN0IJRC6QEG/butcher%2Blines.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Line in Front of the Butcher Shop, 1870-71.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616625757702-PPT9Q956CE8YK5EGLYQT/Manet%2Bcats.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Cats, 1868-69.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616620685244-ZR988Q9BTGHARPF093K0/Manet+-+Jeanne+painting.jpeg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Jeanne (Spring), 1881. Oil on canvas. The J. Paul Getty Museum, Digital image courtesy of the Getty’s Open Content Program.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616626390931-EO37BKI3VD1U6A3UUJKN/Jeanne.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Jeanne, 1882.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/the-new-patronage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647448322732-LO38DD3T7P0K36T75FQW/squisito+al+selz.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647448406587-TCWLL6OF1URRRHC1G9WP/Deporo+2.png</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>See the catalogue of the exhibition Italia Geniale. Design Enables here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647449591684-KXNI8Y431KCQVZ90WZ3L/Deporo+3.png</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647457447042-PLJXYPD2PIVNT1IPW5TF/Campari+and+Depero+portraits.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Davide Campari (left) and Fortunato Depero (right), portraits by unidentified artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647457574119-CST0ODB2JZ50XH1HWJUW/Depero+4.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647459057085-OUF8NDC17SAJU15OTJLC/Depero%2B5.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Saggio futurista 1932. Plate showing the tapestry ‘Mucca in montagna’, created by Depero in 1926.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647454567377-L395R0HZHF3L6GMY3IL6/con+boccioni.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647459125362-VHHZOYFMVYDS7PNVXAYK/Klop.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647457946337-9FPW1LMD7WGFA8A3KKID/Saggio%2Bfuturista%2B1932%2Bcover.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647457912604-62TJVOPUEZ9C5IGPFDFZ/Saggio%2BFuturista%2B1932%2Blower%2Bcover.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647458055873-GXISDUG4SYZJF2VUN6VS/squisito+al+selz.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647455125030-J9XH0WUJ3I12JEYEA417/bitter+cordial+campari.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647455164548-8E2CYTIZU8HIXUCVOZFA/Campari+ad.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647455215324-IPLXY9VZBOIJKVIKK5QX/AAAAA.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647458219582-ATEFGJEBC4ZXDJQ5I2Z1/Saggio+Futurista+title+page.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647458282380-MOUCEJ8UJA00MX4DDHH6/Marinetti+portrait.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647458466826-RZ7WBEWRXRW4T59MRU6Y/Film+vissuto.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647458512159-BUYVM8IDQTPR8NR3428E/subway.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1647458550106-CQ56OUA9GMA61C4YHJ6E/dediction+detail.jpg</image:loc>
      <image:title>Blog - The New Patronage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/voicesofukraine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-06</lastmod>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/ukraine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1646247434262-11ESLGWRQEN7DO19TGFV/Screen+Shot+2022-03-02+at+1.56.54+PM.png</image:loc>
      <image:title>Blog - Standing with Ukraine - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1646248796423-K8O2D3GDFYXTMOOTPEJK/Screen+Shot+2022-03-02+at+2.19.29+PM.png</image:loc>
      <image:title>Blog - Standing with Ukraine - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1646247596923-0IAUHMMPO2PQOHLUA1VR/Monuments+it+for+Ukraine.jpg</image:loc>
      <image:title>Blog - Standing with Ukraine - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1646248365492-H51S0K172NYW4S6T46KS/28160-Lviv.jpeg</image:loc>
      <image:title>Blog - Standing with Ukraine - Make it stand out</image:title>
      <image:caption>The Ukrainian flag flying on the Lviv Theatre of Opera and Ballet with the statue of Glory. Credit: xiquinhosilva, CC 2.0</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/bacon-peiresc-gassendi-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1645644147024-1C929M3QSEAS78H6ZTDC/binding%2Bcover.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592247463737-DTT6EFDRMNMO46A9P708/image-asset.png</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
      <image:caption>Portrait of Nicolas-Claude Fabri de Peiresc. Engraving by Claude Mellan, 1637.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592408858921-9MUPPJPX7ZHFKLH7M5O0/GalileoBarberini%25284%2529.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
      <image:caption>Galileo Galilei, Il Saggiatore nel quale con bilancia esquisita e giusta si ponderano le cose contenute nella Libra astronomica e filosofica di Lotario Sarsi Sigensano... Rome, Giacomo Mascardi, 1623. Title-page portrait of Galileo within a fine engraved architectural border by Francesco Villamena (ca. 1566-1626). This is one of only a few copies printed on thick paper, bound for the Barberini Family. See the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592247536076-FI26HW8N4IDVQBWB36XE/Picture3.png</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
      <image:caption>Portrait of Francis Bacon, Viscount St Albans. Line engraving by J. Houbraken, 1738.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592409406923-K640QI4XQ5XXL1HYYCBG/bacon%2Btitle%2Bpage.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
      <image:caption>Bacon, Francis (1561-1626). De dignitate et augmentis scientiarum, Libri ix. Ad Regem suum. Iuxta Exemplar Londini Impressum. Paris, Pierre Mettayer, 1624. See the complete description of this extraordinary association copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592248242094-B9623ANUWTW2F8PNCFME/binding+cover.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592243463388-DX2V3K57K6XEFX76AZSM/191+Bacon.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592248325369-E6IY17QTQG1OIZ04O5GP/inscription.png</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592408722610-1QDZX7TO758ZMAHVLPEJ/Picture1.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/croce1818</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644963834316-QSKKD2Z8IS9AV3VEU3WY/Croce+title+woodcut.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1645024499473-SETPIK8JR3JW3CVVE27S/Croce+34.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Croce, Giulio Cesare (1550-1609). [New Greek] Bios tou Bertoldinou diou tou panourgiou Mpertoldou, kai ai geloiótatai aito aplótetes. Venice, Nikolaos Glykys the Younger, 1818. Read the description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644964449213-14RS32NK5MWJU9R6YXU4/Giulio+Cesare+Croce.jpeg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Giulio Cesare Croce, after the title woodcut in his Pronostico perpetuo et infallibile (Bologna, Bartolomeo Cochi, 1611).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1645024727021-F2WD5NWVH30MZJG5GQ6V/Glykys+device.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>The bee-shaped printer’s device used by Nikolaus Glykys during his activity as a printer in Venice. The Greek word ‘Glykys’ means ‘sweet’. It is therefore a speaking-device, ‘sweet as honey produced by the bee’.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644966640447-1FTQIT9BFIKYVAM9O4G6/Croce+title+detail.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644963601802-BYD1YUCYRRHEACX8PWU6/Croce+title.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644967459252-6D1NCLDSWVEGG36ZB9TA/Croce+in+greco+38.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644968426001-EHII4PT9JL0YWFM7NZZ3/Croce+in+greco+64.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644970821674-FEN3IMGP1164E9IR945N/Gaster+stamp.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644970886164-3RAWOHTPVY0EUS7YMCXK/Moses+Gaster+in+1904.png</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Moses Gaster in 1904.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644973114097-AMMXO2GAO6BC8IIXBZM0/Chrestomatie+Romana.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644973690149-DJQITPTQG77WGJKNKWBP/Gaster+LXXX.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644969292172-0RHV063TWGUUQ0AF8YKL/Croce+in+greco+90.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1645025243517-A8PPKIXED38CNYKE4F5U/Gaster+excerpt.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644986295771-67YZR9LYGGGG81KTCG0R/Croce+inscription.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644963834316-QSKKD2Z8IS9AV3VEU3WY/Croce+title+woodcut.jpg</image:loc>
      <image:title>Blog - A scarce New Greek version of Croce’s Bertoldino (Venice 1818) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/courtlylove</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581548492655-4ISBKGLI50D6NIJGPDI7/IMG_6558.JPG</image:loc>
      <image:title>Blog - Adventures in Courtly Love</image:title>
      <image:caption>Dante Alighieri (1265-1321). La Divina Commedia di Dante Alighieri Con varie Annotazioni, e copiosi Rami adornata... Tomo Primo [- Terzo]. Venice, Antonio Zatta, 1757. [Together with:] Idem. Prose, erime liriche edite, ed inedite di Dante Alighieri, con copiose ed erudite aggiunte... Tomo Quarto Parte Prima [-Seconda]. Venice, Antonio Zatta, 1758.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581534949457-670RSZ6ERIBZKB59SXG5/Sonetti+e+canzoni.jpg</image:loc>
      <image:title>Blog - Adventures in Courtly Love</image:title>
      <image:caption>Dante Alighieri (1265-1321). Sonetti e’ Canzoni di diuersi antichi Autori Toscani in dieci libri raccolte. Di Dante Alaghieri Libri quattro. Di M. Cino da Pistoia Libro uno. Di Guido Cavalcanti Libro uno. Di Dante da Maiano Libro uno. Di Fra Guittone d’Arezzo Libro uno. Di diuerse Canzoni e’ Sonetti senza nome d’autore Libro uno. Florence, Filippo Giunta's heirs, 6 July 1527. Read the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581538201761-1ZNSPWL950FJ5B8WN4EH/boccaccio+2.jpg</image:loc>
      <image:title>Blog - Adventures in Courtly Love</image:title>
      <image:caption>Giovanni Boccaccio (1313-1375). La Theseide... Innamoramento piaceuole, &amp; honesto di due Giouani Thebani Arcita &amp; Palemone; D’ottaua Rima nuouamente ridotta In Prosa per Nicolao Granucci di Lucca. Aggiuntoui un breve Dialogo nel principio e fine dell’Opera diliteuole, &amp; vario. Lucca, Vincenzo Busdraghi for Giulio Guidoboni, 1579. Read the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581568802486-O7E9EDNEMPAW64MVLNM8/Boiardo%2B1.jpg</image:loc>
      <image:title>Blog - Adventures in Courtly Love</image:title>
      <image:caption>Matteo Maria Boiardo (ca. 1441-1494). Orlando innamorato. I tre libri dello innamoramento di Orlando... Tratti dal suo fedelissimo essemplare. Nuovamente con somma diligenza revisti, e castigati. Con molte stanze aggiunte del proprio auttore, quali gli mancavano. Insieme con gli altri tre Libri compidi. Venice, Pietro Nicolini da Sabbio, March-April 1539. Read the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581571316614-6JNEFRNA3TXSQC7EE66Q/Blue+ariosto.jpg</image:loc>
      <image:title>Blog - Adventures in Courtly Love</image:title>
      <image:caption>Ludovico Ariosto (1474-1533). Orlando furioso... nouißimamente alla sua integrita ridotto &amp; ornato di varie figure. Con alcune stanze del S. Aluigi Gonzaga in lode del medesimo. Aggiuntoui per ciascun Canto alcune allegorie, &amp; nel fine una breue espositione et tauola di tutto quello che nell’opera si contiene... Venice, Gabriele Giolito de’ Ferrari, 1546. [together with:] Dolce, Lodovico (1508-1568). L’Espositione di tutti i vocaboli, et luoghi difficili, che nel Libro si trouano; Con una brieue Dimostratione di molte comparationi &amp; sentenze dell’Ariosto in diuersi auttori imitate. Raccolte da M. Lodouico Dolce.... Venice, Gabriele Giolito de' Ferrari, 1547. Read the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581546490171-NE1M6QJBF578FESL1JGW/masuccio.jpg</image:loc>
      <image:title>Blog - Adventures in Courtly Love</image:title>
      <image:caption>Masuccio Salernitano (1410-1475). Nouella di Marioto Senese. [Italy, 1530s?].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1644462964407-NRD06554TQVZ88CCOQLC/Zani+Ovid.jpeg</image:loc>
      <image:title>Blog - Adventures in Courtly Love - Make it stand out</image:title>
      <image:caption>Ovidius Naso, Publius (43 BCE-17/18 CE). Epistole Heroides Ouidii cum com[m]netariis Antonii Volsci Et Ubertini Clerici Crescentinatis. Cum gratia et privilegio. Venice, Bartolomeo Zani, 20 December 1507. Read the full description of this copy in our forthcoming Italian Books III.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/ulysses100</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643826962576-3HZY1G4TKDJRA5VDOI8W/joyce+cover.jpg</image:loc>
      <image:title>Blog - Traveller through the Ages: Joyce's Ulysses Turns 100 - Make it stand out</image:title>
      <image:caption>James Joyce (1882-1941). Ulysses. Paris, Shakespeare and Company, 1922.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643821599384-SZ15T8FO6YSHRURY1RVL/Sylvia+Beach+at+Shakespeare+%26+Co.%2C+Paris%2C+c.+1920.jpeg</image:loc>
      <image:title>Blog - Traveller through the Ages: Joyce's Ulysses Turns 100 - Make it stand out</image:title>
      <image:caption>Sylvia Beach at Shakespeare and Company, Paris, ca. 1920.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643827165756-QWOYV6238651F9R8DNCP/49+Joyce+dedication+%281%29.jpg</image:loc>
      <image:title>Blog - Traveller through the Ages: Joyce's Ulysses Turns 100 - Make it stand out</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643827358193-W664MSH3X0S3J0OLFR6O/49+Joyce+photo+%281%29.jpg</image:loc>
      <image:title>Blog - Traveller through the Ages: Joyce's Ulysses Turns 100 - Make it stand out</image:title>
      <image:caption>James Joyce and Sylvia Beach, in her Paris office, 1921.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643789886398-589PMWJVP8JD31P3IAET/49+Joyce+type+%281%29.jpg</image:loc>
      <image:title>Blog - Traveller through the Ages: Joyce's Ulysses Turns 100 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643828357098-KY6ECTEZ2NY2OIDTHUZ7/Joyce+lots+at+sothebys.jpg</image:loc>
      <image:title>Blog - Traveller through the Ages: Joyce's Ulysses Turns 100 - Make it stand out</image:title>
      <image:caption>Extraordinary Joyce lots at Sotheby’s, The Library of an English Bibliophile, 20 October 2011.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/stendhal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643144600982-3AQBST48GSMQ1J3NH8WM/271.+Stendhal.jpg</image:loc>
      <image:title>Blog - Stendhal, Italy, and La Chartreuse de Parme - Make it stand out</image:title>
      <image:caption>Stendhal [pseud. of Marie-Henri Beyle, 1783-1842]. La chartreuse de Parme. Par l’autheur de Rouge et Noir. Paris, Ambroise Dupont, 1839. Read the complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643179721564-TPVBEGPL77SNH5C6QS4O/Chartreuse+title+page.jpeg</image:loc>
      <image:title>Blog - Stendhal, Italy, and La Chartreuse de Parme - Make it stand out</image:title>
      <image:caption>Stendhal [pseud. of Marie-Henri Beyle, 1783-1842]. La chartreuse de Parme. Par l’autheur de Rouge et Noir. Paris, Ambroise Dupont, 1839. Read the complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643238796176-SRZZB8HBQQ8L1H7AD0B7/Pope+Paul+III+by+Titian.jpeg</image:loc>
      <image:title>Blog - Stendhal, Italy, and La Chartreuse de Parme - Make it stand out</image:title>
      <image:caption>Titian, Portrait of Pope Paul III Farnese, 1543. National Museum of Capodimonte, Naples, Italy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643255322209-JXP1ONUQ7VSKKRZHPJLN/Stendhal+consul.jpeg</image:loc>
      <image:title>Blog - Stendhal, Italy, and La Chartreuse de Parme - Make it stand out</image:title>
      <image:caption>Silvestro Valeri (1814-1902), Stendhal en uniforme de consul, c. 1835-1836. Musée Stendhal, Grenoble, France.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643255092272-JTTZ0V1NOTLLV7O9IEDO/Correggio+Parma.jpeg</image:loc>
      <image:title>Blog - Stendhal, Italy, and La Chartreuse de Parme - Make it stand out</image:title>
      <image:caption>Antonio da Correggio, Assumption of the Virgin, 1526-1530. Cathedral of Parma, Parma, Italy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643144522220-JF35X2NJMXQAU3UTGE0I/Olof+Johan+So%CC%88dermark+%281790%E2%80%931848%29%2C+Portrait+of+Stendhal%2C+1840.+Palace+of+Versailles%2C+France.+.jpeg</image:loc>
      <image:title>Blog - Stendhal, Italy, and La Chartreuse de Parme - Make it stand out</image:title>
      <image:caption>Olof Johan Södermark (1790–1848), Portrait of Stendhal, 1840. Palace of Versailles, France.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/arturo-pregliasco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1642543964654-314SPDBSX9YXGN6VUH0N/Arturo+Pregliasco.jpeg</image:loc>
      <image:title>Blog - Arturo Pregliasco (1931-2022):  He went looking for the never-ending library - Make it stand out</image:title>
      <image:caption>Arturo Pregliasco (1931-2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1642712188980-YDATKSVBE0P2KIC3LHRR/Arturo+2+photos+2.jpg</image:loc>
      <image:title>Blog - Arturo Pregliasco (1931-2022):  He went looking for the never-ending library - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/eco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1641972492829-1REBHAS25AXKMFR0WRFF/Eco-90.jpg</image:loc>
      <image:title>Blog - From Eco to Portinari: A Dedication Copy of Eco’s “Il problema estetico in San Tommaso”</image:title>
      <image:caption>Umberto Eco (1932-2016). Il nome della rosa. Milano, Bompiani, 1980. A first edition copy (not for sale) of Eco’s masterpiece, dedicated to Umberto’s father Arturo Pregliasco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1642031287512-1FSA5PAQ36T9X7RQRW9F/Eco+inscription.jpeg</image:loc>
      <image:title>Blog - From Eco to Portinari: A Dedication Copy of Eco’s “Il problema estetico in San Tommaso” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/happy-holidays</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1639605820747-FF971MQH57SU5RTHH6A1/Christmas+sign-off.jpg</image:loc>
      <image:title>Blog - Happy Holidays! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/not-only-italian-books</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638949870896-SGD4N8QJ8IXM2T7PVP1F/20.+Regiomontanus+cropped.jpg</image:loc>
      <image:title>Blog - Not only Italian Books! - Make it stand out</image:title>
      <image:caption>Regiomontanus, Johannes (1436-1476). Kalendarium. Venice, Bernhard Maler, Peter Loeslein and Erhard Ratdolt, 1476. Read the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638950561230-D6GVP80YULG0A07FJ4NI/54.+Cinderella.jpg</image:loc>
      <image:title>Blog - Not only Italian Books! - Make it stand out</image:title>
      <image:caption>[Cinderella]. Geiler von Kaysersberg, Johannes (1445-1510). Das irrig Schaf. Sagt von kleinmuetikeit und verzweiflung... mit sampt den nachvolgenden tractaten.... Strasbourg, Matthias Schürer, [ca. 1510]. Read the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638950638607-NWKDJ2ZLOGW0N8JSG95Q/98+Gersdorff+5.jpg</image:loc>
      <image:title>Blog - Not only Italian Books! - Make it stand out</image:title>
      <image:caption>Gersdorff, Hans von (ca. 1455-1529). Feldtbuch der Wund Artzney, sampt vilen Instrumenten der Chirurgey dem Albucasi contrafayt. Chiromantia Jo...Strasbourg, Johann Schotten, 3 December 1540. Read the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638950723387-1ZL79IQWXM6J3R2K3D18/mattioli+2.jpg</image:loc>
      <image:title>Blog - Not only Italian Books! - Make it stand out</image:title>
      <image:caption>Mattioli, Pietro Andrea (1501-1578). Commentarii in sex libros Pedacii Dioscoridis Anazarbei de Medica materia... Adiectis magnis, ac nouis plantarum, ac animalium Iconibus, supra priores editiones longe pluribus, ad uiuum delineatis....Venice, Vincenzo Valgrisi, 1565. Read the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638950823160-MV4IBPFG744YCVDXXFI1/flittner+1.png</image:loc>
      <image:title>Blog - Not only Italian Books! - Make it stand out</image:title>
      <image:caption>Flittner, Johann (fl. 1st half of the 17th century) - Murner, Thomas (1475-1537). Nebulo Nebulonum... Frankfurt am Main, Jakob de Zetter, 1620. Read the complete description here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/venice-1600-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638390538472-ZQCP5R4P5G9QF6P5A82E/IMG_6309+2.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637691366191-T9IPOJ6GU3RPTOZJKTI2/Nov+24+1.jpeg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>Venice, the Ducal Palace. Photograph by Margherita Palumbo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637691551015-YMG8PVVBVCAVC29IWWL2/Nov+24+post+2.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638343946497-VMXSBD3S8Z0736NVDMZZ/biennale+poster.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638390576046-TZDO21POC6VLFN3Y3SAP/IMG_6304+2.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>Room 2. Venice as Justice, wooden statue adorning the prow of the Bucintoro, ca. 1526 (Venice, Museo Storico Navale).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637692398408-MF1G7OXIAS8NSNDNPCTZ/IMG_6316.JPG</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>Room 8. Women’s, men’s, and children’s dress of the 17th and 18th centuries (Venice, Museo di Palazzo Mocenigo); Harlequin costume, ca. 1950 (Venice, Museo Casa di Carlo Goldoni). At the centre, a model of the Bucintoro of 1700.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638351031756-WQN767ROIFQK286DTNPQ/woman+hailing.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>Room 7. Domenico Tintoretto, Venice supplicating the Virgin to Intercede with Christ to End the Plague, 1631, oil on canvas (Venice, Church of San Francesco alla Vigna), detail.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638351256050-OZKUD17AZM5OA9AODK8X/Paolo+Veronese.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>Room 6. Paolo Caliari (called Veronese), Dialectic or Industry, 1575-1578, oil on canvas (Venice, Palazzo Ducale).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638351526285-ZQFLZ2GYZMTLH2OZC538/portrait+of+Doge+Leonardo+Loredan+attributed+to+Vittore+Carpaccio.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>Room 5. Vittore Carpaccio (attr.), Doge Leonardo Loredan, 1501-1505, oil on panel (Venice, Museo Correr).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638345743748-U7W3Z8UI6BML3996PQZ7/Sarpi+binding.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>A spectacular dogale binding made for Paolo Sarpi. [Aristoteles (384-322 A.C.)]. Ethicorum Nicomachiorum paraphrasis. Leiden, Jan Paedts Jacobszon, 1607. This item is sold, but the description is available to read in the 2009 catalogue The First 49 Stories about Books (number XLIV).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637694107019-B30DEHIH7UQNH9W08D5C/IMG_6310+copy.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638346195926-YNKPUNI0WE5HFJSIS6PC/Aldine+anchor.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>The Aldine anchor and dolphin device, from Aldus’s 1505 edition of Bembo’s Gli Asolani (see the description here).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637692295288-AQRDBQVSI89MLVWLB8TT/IMG_0729.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>A cruise ship in Venice in May 2016. Photograph by Margherita Palumbo.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637694168952-9P304OYZDYF06CI9AAYX/IMG_6310.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638352481758-7JBC3HBSRRLX4MFWZ3KR/room+7.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>Room 7. Two loose sheets containing orders issued by the ‘Provveditori alla Sanità’ (Venice, Biblioteca del Museo Correr).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638347534552-NTKJLIP1N8QID2M2B4HJ/The+deserted+Ponte+of+Rialto%2C+November+2020%2C+19.00+pm+%28by+Margherita+Palumbo%29%29.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>The deserted Ponte of Rialto, November 2020, 19.00 pm. Photograph by Margherita Palumbo.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638347592842-X0RTMHMWFYPKBK0MSCHS/The+incredibly+still+view+of+Grand+Canal+from+the+Ponte+dell%E2%80%99Accademia%2C+November+2020%2C+at+noon+%28by_Margherita+Palumbo%29.jpg</image:loc>
      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
      <image:caption>The incredibly still view of Grand Canal from the Ponte dell’Accademia, November 2020, at noon. Photograph by Margherita Palumbo.</image:caption>
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      <image:title>Blog - The Births and Rebirths of Venice: A fine exhibition at Palazzo Ducale - Make it stand out</image:title>
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  <url>
    <loc>https://www.prphbooks.com/blog/thanksgiving</loc>
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    <lastmod>2021-11-24</lastmod>
    <image:image>
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      <image:title>Blog - Happy Thanksgiving to All! - Make it stand out</image:title>
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  <url>
    <loc>https://www.prphbooks.com/blog/borromini</loc>
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    <lastmod>2021-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637167273515-WI8UNP269KCGGSUVLV4Y/MARGHERITA+BIENNALE+%281%29.jpg</image:loc>
      <image:title>Blog - Publishing Borromini's Masterpieces of the Baroque - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637167204409-MJ595BSAE9GECBMT7GSU/741px-Francesco_Borromini.jpeg</image:loc>
      <image:title>Blog - Publishing Borromini's Masterpieces of the Baroque - Make it stand out</image:title>
      <image:caption>Portrait engraving of Francesco Borromini from the Opus Architectonicum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637180966449-XMZTF3QGEBOQLEI1BVZG/S.+Ivo.jpg</image:loc>
      <image:title>Blog - Publishing Borromini's Masterpieces of the Baroque - Make it stand out</image:title>
      <image:caption>Sant'Ivo alla Sapienza (1643-1664) in Rome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637186999224-NHNE5NXHT5UJKIXRK88J/Borromini_00001scontorn2+%281%29.jpg</image:loc>
      <image:title>Blog - Publishing Borromini's Masterpieces of the Baroque - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637171552630-B56HKS6CGKX07Z5P15Q7/1651px-Sant%27Ivo_alla_Sapienza_%28Roma%29_-_Dome_interior.jpeg</image:loc>
      <image:title>Blog - Publishing Borromini's Masterpieces of the Baroque - Make it stand out</image:title>
      <image:caption>Interior of the dome at Sant'Ivo alla Sapienza.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637170944050-M1HTHC2O4OLD40V0AGDV/Giannini+pl+x.jpg</image:loc>
      <image:title>Blog - Publishing Borromini's Masterpieces of the Baroque - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637182870971-QFXRLKI2NYTRPJQFQ7PN/Oratorio+dei+Filippini+Rome.jpg</image:loc>
      <image:title>Blog - Publishing Borromini's Masterpieces of the Baroque - Make it stand out</image:title>
      <image:caption>The Oratorio dei Filippini (1637-1650) in Rome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637171389373-KRJARWZ8M0MW6JJAAWL0/relazione.jpg</image:loc>
      <image:title>Blog - Publishing Borromini's Masterpieces of the Baroque - Make it stand out</image:title>
      <image:caption>Borromini and Spada’s “Piena relatione della fabbrica” as printed by Giannini in the 1725 Opus Architectonicum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637181947753-SGMT7STY9UFBFGS68U0T/pl+v+opus.jpg</image:loc>
      <image:title>Blog - Publishing Borromini's Masterpieces of the Baroque - Make it stand out</image:title>
      <image:caption>Plate V of Opus Architectonicum, showing the façade of the Oratorio dei Filippini in Rome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637167204409-MJ595BSAE9GECBMT7GSU/741px-Francesco_Borromini.jpeg</image:loc>
      <image:title>Blog - Publishing Borromini's Masterpieces of the Baroque - Make it stand out</image:title>
      <image:caption>Portrait of Francesco Borromini included in both the Opera and the Opus Architectonicum, printed in Rome by Sebastiano Giannini in 1720 and 1725, respectively.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1637189202251-AXKWGP2ZJ2HQKYA8KXXF/palladio+portrait.jpeg</image:loc>
      <image:title>Blog - Publishing Borromini's Masterpieces of the Baroque - Make it stand out</image:title>
      <image:caption>Portrait of Andrea Palladio from an unidentified edition of Architecture de Palladio, revised by Giacomo Leoni and translated by Nicholas du Bois, 1716. Metropolitan Museum, public domain.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/salonedellacultura</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1636565074171-OQHSIC4NDM1CVO667401/sallone+della+cultura+logo+tall.jpeg</image:loc>
      <image:title>Blog - Upcoming: Philobiblon at Milan's Salone della Cultura - Make it stand out</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/bordone-revisted</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635986007876-5MBQHTVTGIIT76R5IKM4/37.+Lucianus.jpg</image:loc>
      <image:title>Blog - The cover of our Italian Books catalogue series: A masterpiece of early Venetian woodcut borders revisited - Make it stand out</image:title>
      <image:caption>Lucianus Samosatensis (125–after 180 BC). Vera historia. Tr: Lilius (Tifernas) Castellanus. Add: De asino aureo; Philosophorum vitae; Scipio; Tyrannus; Scaphidium (Dialogus de funerali pompa); Palinurus; Charon; Diogenes; Terpsion; Hercules; Virtus dea; In amorem; Timon; Sermo de calumnia; Laus muscae. Ed: Benedictus Bordonus; Maephus Vegius: De Felicitate et miseria. Venice, Simon Bevilaqua, for Benedetto Bordone, 25 August 1494. Read the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635986127782-K65BMFVSN1CBE1T6QZSC/Hieronymus+Bordone+border.jpg</image:loc>
      <image:title>Blog - The cover of our Italian Books catalogue series: A masterpiece of early Venetian woodcut borders revisited</image:title>
      <image:caption>Hieronymus, Sophronius Eusebius (347-420). Commentaria in Bibliam. Ed: Bernardinus Gadolus. Venice, Johannes and Gregorius de Gregoriis, de Forlivio, 1497 - 25 August 1498.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635961062632-BSHP2PWM9K1OR930RHLQ/Colona.jpg</image:loc>
      <image:title>Blog - The cover of our Italian Books catalogue series: A masterpiece of early Venetian woodcut borders revisited - Make it stand out</image:title>
      <image:caption>Colonna, Francesco (ca. 1433-1527). La Hypnerotomachia di Poliphilo, cioe pugna d’amore in sogno. Dou’egli mostra, che tutte le cose humane non sono altro che Sogno: &amp; doue narra molt’altre cose degne di cognitione. Venice, Sons of Aldo Manuzio, 1545. Read the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635976357853-RY4P8XHYWNPY21EF07Y2/Regiomontanus+initials.jpeg</image:loc>
      <image:title>Blog - The cover of our Italian Books catalogue series: A masterpiece of early Venetian woodcut borders revisited - Make it stand out</image:title>
      <image:caption>Regiomontanus, Johannes (1436-1476). Kalendarium. Venice, Bernhard Maler, Peter Loeslein and Erhard Ratdolt, 1476. Read the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635973353865-Z1TEUVA3GO31GQRXJAVW/20.+Regiomontanus.JPG</image:loc>
      <image:title>Blog - The cover of our Italian Books catalogue series: A masterpiece of early Venetian woodcut borders revisited - Make it stand out</image:title>
      <image:caption>Regiomontanus, Johannes (1436-1476). Kalendarium. Venice, Bernhard Maler, Peter Loeslein and Erhard Ratdolt, 1476. Read the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635973419024-GZKBPBC08U1YF4JEYR0Q/Marsilio+Ficino.jpg</image:loc>
      <image:title>Blog - The cover of our Italian Books catalogue series: A masterpiece of early Venetian woodcut borders revisited - Make it stand out</image:title>
      <image:caption>Ficino, Marsilio (1433-1499). De vita libri tres (De triplici vita); Apologia; Quod necessaria sit ad vitam securitas. Add: Poem by Amerigus Corsinus. Florence, Antonio di Bartolommeo Miscomini, 3 December 1489. Read the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1565124252833-BRT1YZTOKU3Z30LR1MTP/Lucian+1494+Redgrave.jpg</image:loc>
      <image:title>Blog - The cover of our Italian Books catalogue series: A masterpiece of early Venetian woodcut borders revisited</image:title>
      <image:caption>Gilbert Richard Redgrave’s inscription regarding Bordone’s splendid border.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/forza</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635400627547-VTPACEP4KXUFLZQKJ0JA/218.+David.jpg</image:loc>
      <image:title>Blog - Truth and Perspective in Domenico David's "La forza della virtù" - Make it stand out</image:title>
      <image:caption>Carlo Antonio Buffagnotti (1660-ca. 1715), Salone, Act III, Scene XV, after scenography by Marcantonio Chiarini (ca. 1652-1730). From Domenico David (d. 1698), La forza della virtù drama per musica da rappresentarsi nel Teatro Malvezzi l’anno m.dc.xciv... Dedicato all’Eminentissimo, e Reverendissimo Sig. Cardinale Marcello Durazzo Legato di Bologna.... Bologna, Antonio Pisarri's heirs, 1694. Read the complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635400712459-Z054NOR6QVA94NHWQIEV/Teatro+San+Giov.+Grisostomo.jpeg</image:loc>
      <image:title>Blog - Truth and Perspective in Domenico David's "La forza della virtù" - Make it stand out</image:title>
      <image:caption>Vincenzo Maria Coronelli, Teatro Grimani a San Giovanni Grisostomo, 1709. Biblioteca del Civico Museo Correr (public domain). The theatre is known today as the Teatro Malibran.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635394117967-HCN9X7EZWHVT8EE9DVO4/One+of+Torelli%E2%80%99s+designs+for+The+Wedding+of+Pelee+and+Thetis%2C+as+etched+by+Israel+Silvestre+in+1654%2C+features+layers+upon+layers+of+clouds.+METROPOLITAN+MUSEUM+OF+ART%3APUBLIC+DOMAIN.jpeg</image:loc>
      <image:title>Blog - Truth and Perspective in Domenico David's "La forza della virtù" - Make it stand out</image:title>
      <image:caption>Israel Silvestre, etching after a design by Torelli for The Wedding of Pelee and Thetis, 1654. Metropolitan Museum of Art (public domain).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635394428576-HIKEJRZ8YAV4HPB964WK/La+forza+della+virtu%CC%80+%281693%29+.png</image:loc>
      <image:title>Blog - Truth and Perspective in Domenico David's "La forza della virtù" - Make it stand out</image:title>
      <image:caption>Frontispiece of La forza della virtù, Venice, Nicolini, 1693.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635396577971-GI1282VRYIF2POFI8R8G/forza+comp.jpg</image:loc>
      <image:title>Blog - Truth and Perspective in Domenico David's "La forza della virtù" - Make it stand out</image:title>
      <image:caption>Domenico David (d. 1698), La forza della virtù drama per musica da rappresentarsi nel Teatro Malvezzi l’anno m.dc.xciv... Dedicato all’Eminentissimo, e Reverendissimo Sig. Cardinale Marcello Durazzo Legato di Bologna.... Bologna, Antonio Pisarri's heirs, 1694. Read the complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635356036961-SICV45I1W7RVPET78S4Z/DAVID+3.jpg</image:loc>
      <image:title>Blog - Truth and Perspective in Domenico David's "La forza della virtù" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635355976928-YA4PYKK5HEBQH1328KTT/David+1.jpg</image:loc>
      <image:title>Blog - Truth and Perspective in Domenico David's "La forza della virtù" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635397210098-RXOHL050WZG0X14BZ3H7/De+Artificiali+perspectiva%E2%80%A6+Jean+Pe%CC%81le%CC%81rin+1505+printed+by+Toul%2C+P.+Jacques%2C+Paris.jpeg</image:loc>
      <image:title>Blog - Truth and Perspective in Domenico David's "La forza della virtù" - Make it stand out</image:title>
      <image:caption>Diagram from Jean Pélérin, De Artificiali perspectiva… Paris, Toul, P. Jacques, 1505.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1638215472331-OBE91LSC2M5WVYUV7U0T/Forza+della+virtu%CC%80+-+prison+plate.jpg</image:loc>
      <image:title>Blog - Truth and Perspective in Domenico David's "La forza della virtù" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635399356699-Z3JTWY5SGADLKB7F475F/las+meninas.jpeg</image:loc>
      <image:title>Blog - Truth and Perspective in Domenico David's "La forza della virtù" - Make it stand out</image:title>
      <image:caption>Diego Velázquez, Las Meninas, 1656. Oil on canvas. Museo del Prado in Madrid (public domain).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1635355996806-PRRSKYUP0W6QH29E06R2/David+2.jpg</image:loc>
      <image:title>Blog - Truth and Perspective in Domenico David's "La forza della virtù" - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/italianbooksiii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634748518614-1ZP8HAJK7EMZJF66RRXK/Italian+Books+III+blog+announcement.jpg</image:loc>
      <image:title>Blog - Catalogue Announcement: Italian Books III - Make it stand out</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/celestina</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634149775475-Q6NAFVVG3KKAD46YU3GH/Celestina%2Bcomp.jpg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Rojas, Fernando de (d. 1541). Celestina tragicocomedia [sic] di Calisto e Melibea nuovamente tradotta de spagnolo in italiano idioma. Venice, Bernardino Bindoni, 1543. Read the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634124668619-RGSL3K4KIKIWF4GPJSXM/Engraving+of+act+IX+of+the+Burgos+edition+%281499%29.jpeg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Fadrique de Basilea and anonymous engraver, “Engraving of act IX of the Burgos edition (1499),” CelestinaVisual.org, http://celestinavisual.org/items/show/132.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634096306426-57MB89XL7620F1EIY44F/Celestina+1543+act+8+-+less+sharp.jpg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Engraving for act VIII of Bindoni’s 1543 Venice edition.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634148916838-0IO91BPZCA6WO4NV9QV6/Celestina+1543+title.jpg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Title-page of the 1543 Venice edition</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634152108817-DSD6FPMI5NWVRINDLCHX/Seville+1523+title+page.jpeg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Title-page of the 1523 Seville edition</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634128293442-4R9ECC7LZI4L2I53AZ9A/seville+1511.jpeg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Jacobo Cromberger and anonymous illustrator, “Portada de Sevilla, 1511 (1502),” CelestinaVisual.org, http://celestinavisual.org/items/show/379.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634124366298-GLUGDP42Q6BMAXCAJUPC/Engraving+of+act+I+of+the+Valencia+edition+%281514%29.jpeg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Juan Joffre and anonymous engraver, “Engraving of act I of the Valencia edition (1514),” CelestinaVisual.org, http://celestinavisual.org/items/show/141.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634124099267-H32E2N2JKD4EM0T7RHA3/Illustration+of+Act+IV+from+the+Paris+edition+%281527%29.png</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Nicolas Cousteau, Galliot Du Pré and anonymous illustrator, “Illustration of act IV of the Paris edition (1527),” CelestinaVisual.org, http://celestinavisual.org/items/show/1850.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634125706944-3TL86T64M9NIDWF1ITHO/Engraving+of+act+XVIII+of+the+Seville+edition+%281523%29.jpeg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Engraving of act XVIII of the Seville edition (1523)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634125774383-6D9Q7MFHU4N5OQ8VBUM3/Celestina+1543+-+act+18.jpg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Engraving of act XVIII of the Bindoni Venice edition (1543)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634125942374-WDDZA45CLX9PIO0MGD5N/ENGRAVING+OF+ACT+XVIII+OF+THE+VENICE+EDITION+%281534%29.jpeg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Engraving of act XVIII of the Stefano da Sabio Venice edition (1534)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634120077941-62DVX4SA1RBAY8LR5COD/Illustration+of+act+XVIII+from+the+Venice+edition+%281541%29.jpeg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Engraving of act XVIII of the Nicolini da Sabio brothers Venice edition (1541)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634120282994-3COKG5BF93PWWVY9LXJ5/1534+cover.jpeg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Cover of the Venice edition of 1534.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634114229664-NBNWGML6M49RZR9BTBPG/Seville%2B1523%2Btitle%2Bpage.jpg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Cover of the Seville edition of 1523.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634127446648-01NG0TU3BW2BVPI6MQV9/da+Sabio+1534+-+1st+illustration.jpg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Act I from the 1534 Venice edition.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634127275963-0P5JQPNTWCWHAVV6BCL3/Illustration+for+act+1+1541.jpeg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Act I from the 1541 Venice edition.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634127329558-TFIOA8Z61A619XDL1FX9/act+1+1523.jpeg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Act I from the 1523 Seville edition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634128408375-KVS854N29APGPHCKWCO9/Celestina+B+-IX.jpg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Act I from the 1543 Venice edition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634128877906-A81TLC0P91DVRG3DZ4QL/calisto%2Bclimbing%2B1523.jpg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Callisto climbing the wall of Melibea's garden accompanied by Sosia and Tristán while Melibea and Lucrecia wait inside. From the 1523 Seville edition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634128558647-429M3VWCV1YHDR8K095I/Engraving+of+act+XIV+of+the+Venice+edition+%281534%29.jpeg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Callisto climbing the wall of Melibea's garden accompanied by Sosia and Tristán while Melibea and Lucrecia wait inside. From the 1534 Venice edition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634096257188-MZQ5DXKV09EDMT7QL9S6/Celestina+1543+act+15.jpg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Callisto climbing the wall of Melibea's garden accompanied by Sosia and Tristán while Melibea and Lucrecia wait inside. From Bindoni’s 1543 Venice edition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1634103218554-AHMZHPGG17OAJY1W2F3Q/celestina+1543+-+act+18+full+spread.jpeg</image:loc>
      <image:title>Blog - Playing with figures between Spain and Venice: on an early translation of La Celestina - Make it stand out</image:title>
      <image:caption>Engraving of act XVIII from Bindoni’s 1543 edition of Ordoñez’s translation of La Celestina.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/dante-counterfeit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1633535805603-VKOWQRDVAZXLQKTE6KWE/dante%2Bcounterfeit%2Btitle%2Bpage%2B%25282%2529.jpg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
      <image:caption>Dante, Le terze rime de Dante con sito, et forma de lo Inferno novamente in restampito. [Venice, Gregorio de’ Gregori, after August 1515]. The first illustrated Aldine Dante counterfeited by a Venetian printer. See the complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590597019164-INKFY6MITUAYVN9JHFNG/288%2BF.jpg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
      <image:caption>Dante, Le terze rime, Venice, Aldus Manutius, Venice 1502. Presented in the 2016 catalogue Raccolta di Edizioni dantesche, n. 4.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590597142447-9AG6ICKVPWY4JUU5OG19/image-asset.jpeg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
      <image:caption>Dante, Le terze rime, Venice, Aldus Manutius, Venice 1502. Presented in the 2016 catalogue Raccolta di Edizioni dantesche, n. 4.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590597248048-GDR31A2VT7PSMOQY7PMG/double%2Bpage%2Bwoodcut.jpg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
      <image:caption>Sito et forma della valle inferna (‘Site and shape of the infernal valley’), from de’ Gregori’s counterfeit of the Aldine Dante.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590597339977-5L3LXFDX3QGU80P2VGDX/Dante%2B1515%2Bcircles.jpg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
      <image:caption>Categories of sins punished in Purgatory, from de’ Gregori’s counterfeit of the Aldine Dante.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590597405278-S6A8V4AVMF8IBKPVQMYO/dante%2Bcounterfeit%2Btitle%2Bpage%2B%25282%2529.jpg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
      <image:caption>Title page of de’ Gregori’s counterfeit of the Aldine Dante.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590597669335-HSO5Y46HY1GVLHJNY6DC/text%252B1%252Bsq.jpg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
      <image:caption>From de’ Gregori’s counterfeit of the Aldine Dante.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590598019461-RKS68FRD7D85JICLH5MV/Picture1.jpg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
      <image:caption>J.-C. Brunet, Manuel du libraire et de l’amateur de livres, vol. 1, Paris 1814, p. 388.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590597886566-BAQ731BQGJD4V6TZYTGE/Picture2.jpg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
      <image:caption>A.-A. Renouard, Catalogue de la Bibliothèque d’un amateur, avec notes bibliographiques, critiques et littéraires, vol. 3, part 2, Paris 1819, p. 76.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590595859240-BU9EO61TW3QCZ58J2J95/IMG_7764%2B%25281%2529.jpg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
      <image:caption>The third and definitive edition of Renouard’s Annales de l’imprimerie des Alde, Paris 1834.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590594661723-CLCU546CT6J1JOOEYRQ0/quaritch+cover.jpg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590601104256-R0RFW3VVZSTHJ4I1F36V/QUARTICH%2BALDINE%2Bcounterfeit%2Bsection.jpg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590605314786-61LZ9MCY549V5WLOJVYE/Picture6.jpg</image:loc>
      <image:title>Blog - The first illustrated Aldine Dante counterfeited by a Venetian printer</image:title>
      <image:caption>Dante, Le terze rime, Venice, Aldus Manutius, Venice 1502. Presented in the 2016 catalogue Raccolta di Edizioni dantesche, n. 4.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/giustiniani</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1632956101846-IO8QWUBOCE8EIZEFE2JH/Giustiniani+comp+1.jpg</image:loc>
      <image:title>Blog - Bernardo Giustiniani’s influential History of Venice, in an unusual case-study edition - Make it stand out</image:title>
      <image:caption>Giustiniani, Bernardo (1408-1489). De origine urbis Venetiarum, rebusque a Venetis gestis libri quindecim […] Adiecta insuper divi Marci euangelistae vita, ac eius translatione […] Venetiis, [Antonio Brucioli], 1534 (Colophon: Impressum Venetiis, per Bernadinum Benalium, [1493]) See more information about this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1632940035970-7F3EX0HXWFHOY211MCZ0/Giustiniani++doc00181020210205171148_001.jpg</image:loc>
      <image:title>Blog - Bernardo Giustiniani’s influential History of Venice, in an unusual case-study edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1632939972171-69IH09YF2IZI1GA9ZRR1/Giustiniani++doc00181120210205171210_001.jpg</image:loc>
      <image:title>Blog - Bernardo Giustiniani’s influential History of Venice, in an unusual case-study edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1632940066183-VC4JGCKAWWTRSXPU6R9J/Giustiniani++doc00180920210205171128_001.jpg</image:loc>
      <image:title>Blog - Bernardo Giustiniani’s influential History of Venice, in an unusual case-study edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1632940408998-MH0T79PF6U4G8INAVOP4/View+of+Venice%2C+first+state%2C+1500%2C+Minneapolis+Institute+of+Art.jpeg</image:loc>
      <image:title>Blog - Bernardo Giustiniani’s influential History of Venice, in an unusual case-study edition - Make it stand out</image:title>
      <image:caption>Jacopo de' Barbari, View of Venice (first state), 1500. Woodcut print. Minneapolis Institute of Art (Public domain).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/stampa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1632323153645-9SU0UFJFD3I5MVJXS9SJ/Stampa+comp.jpeg</image:loc>
      <image:title>Blog - One of the Greatest Female Poets of the Renaissance: Gaspara Stampa and Her Rime - Make it stand out</image:title>
      <image:caption>Gaspara Stampa (?1523 – 1554). Rime. Plinio Pietrasanta, Venice, 1554. See more information about this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1632323193176-MNWXRXJWY0ALLGKBY92O/Stampa+++doc00476620210907102209_001.jpg</image:loc>
      <image:title>Blog - One of the Greatest Female Poets of the Renaissance: Gaspara Stampa and Her Rime - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1632323219219-IG5J77RSUVSZB3F48V4X/Stampa+++doc00476820210907102303_001.jpg</image:loc>
      <image:title>Blog - One of the Greatest Female Poets of the Renaissance: Gaspara Stampa and Her Rime - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1632323268639-XPCJYORT11ZI6M4PQ8R0/Gaspara+Stampa.jpeg</image:loc>
      <image:title>Blog - One of the Greatest Female Poets of the Renaissance: Gaspara Stampa and Her Rime - Make it stand out</image:title>
      <image:caption>Portrait of Gaspara Stampa, 1738, by Daniel Antonio Bertoli/Felicitas Sartori. Österreichische Nationalbibliothek. Public Domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1632326215863-5M7XKSW3VBSGY27WWB80/Collalto+portrait.jpg</image:loc>
      <image:title>Blog - One of the Greatest Female Poets of the Renaissance: Gaspara Stampa and Her Rime - Make it stand out</image:title>
      <image:caption>Portrait of Collaltino Collalto by Daniel Antonio Bertoli/Felicitas Sartori. Österreichische Nationalbibliothek. Public Domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1632324548913-2YPY6WQHOSLX8QPFSH6U/Stampa+++doc00476420210907102112_001.jpg</image:loc>
      <image:title>Blog - One of the Greatest Female Poets of the Renaissance: Gaspara Stampa and Her Rime - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.prphbooks.com/blog/veniceinblue</loc>
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    <lastmod>2021-09-15</lastmod>
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      <image:title>Blog - Venice in Blue: An Online Exhibition by the University of St Andrews - Make it stand out</image:title>
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      <image:title>Blog - Venice in Blue: An Online Exhibition by the University of St Andrews - Ariosto, Ludovico (1474-1533). Orlando furioso... Venice, Gabriele Giolito de’ Ferrari, 1546.</image:title>
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      <image:title>Blog - Venice in Blue: An Online Exhibition by the University of St Andrews - Svetonius Tranquillus, Gaius (70-126). Le vite de’ dodici Cesari...  Venice, Francesco Piacentini, 1738</image:title>
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      <image:title>Blog - Venice in Blue: An Online Exhibition by the University of St Andrews - Ioannes, Diaconus (ca. 965-1018). Chronicon Venetum. H. Fr. Zanetti Al. F. Venice, 1765.</image:title>
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      <image:title>Blog - Venice in Blue: An Online Exhibition by the University of St Andrews - Gozzi, Gasparo (1713-1786). Favole esopiane di Gasparo Gozzi pubblicate nelle nozze Da Mula – Lavagnoli. Venice, Stamperia Pinelli, 1809.</image:title>
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      <image:title>Blog - Venice in Blue: An Online Exhibition by the University of St Andrews - Make it stand out</image:title>
      <image:caption>Serlio, Sebastiano (1475-1554). Il terzo libro... Venice, Francesco Marcolini, February 1540 (bound with:) Idem. Regole generali di architettura... Venice, Francesco Marcolini, February 1540.</image:caption>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/summer2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1626277233873-UTQZ2DUPT1AK7CZKN26L/break+cover.jpeg</image:loc>
      <image:title>Blog - Happy summer reading! - We’re taking a break from updating the blog for the summer but will be back in September with new content. In the meantime, check out our archive!</image:title>
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  <url>
    <loc>https://www.prphbooks.com/blog/apolloapendix</loc>
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    <lastmod>2021-07-14</lastmod>
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      <image:title>Blog - The strange effect of a forged plaquette: A further note on a pair of Renaissance bindings - Make it stand out</image:title>
      <image:caption>Plutarchus, La prima [- seconda] parte delle Vite... nuouamente da M. Lodouico Domenichi tradotte, Venice, Gabriele Giolito de’ Ferrari and Brothers, 1555, vol. 1 (spine) and vol. 2 (cover). See the full description of these volumes here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1625676319246-T4X7D4ZENAVLYQBG2HL6/plutarch+first+cover+with+medallion.jpg</image:loc>
      <image:title>Blog - The strange effect of a forged plaquette: A further note on a pair of Renaissance bindings - Make it stand out</image:title>
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      <image:title>Blog - The strange effect of a forged plaquette: A further note on a pair of Renaissance bindings - Make it stand out</image:title>
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      <image:title>Blog - The strange effect of a forged plaquette: A further note on a pair of Renaissance bindings - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1625678513541-9H9DXLDHC41CCGTFNJOA/Hobson+combo+2.jpg</image:loc>
      <image:title>Blog - The strange effect of a forged plaquette: A further note on a pair of Renaissance bindings - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.prphbooks.com/blog/zanetti</loc>
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    <priority>0.5</priority>
    <lastmod>2021-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1625121384969-JORQ6XEUS6K77UO18YLP/242.+Sagornino.jpg</image:loc>
      <image:title>Blog - On Girolamo Zanetti, Editor of the Oldest Chronicle of Venice - Make it stand out</image:title>
      <image:caption>Ioannes, Diaconus (ca. 965-1018). Chronicon Venetum omnium quae circumferuntur vetustissimum et Johanni Sagornino vulgo tributum e Mss. codice Apostoli Zeno V.Cl. nunc primum Cum Mss. Codicibus Vaticanis collatum, Notisque illustratum in lucem profert. H. Fr. Zanetti Al. F. Venice, 1765. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1625084598877-Z5TMDB5EP3Y8YIW4BBMF/Girolamo+Zanetti+-+Carriera.jpg</image:loc>
      <image:title>Blog - On Girolamo Zanetti, Editor of the Oldest Chronicle of Venice - Make it stand out</image:title>
      <image:caption>Rosalba Carriera, Portrait of Girolamo Zanetti, from Antonio Muñoz, Pièces de choix de la collection du Compte Grégoire Stroganoff, Rome 1912, v. II, p.49, pl. XXXIV.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1625038686259-VGFDNN05HQFZ6G8ANCAT/Portrait+of+Anton+Maria+Zanetti+the+Elder+ca.+1725.jpeg</image:loc>
      <image:title>Blog - On Girolamo Zanetti, Editor of the Oldest Chronicle of Venice - Make it stand out</image:title>
      <image:caption>Giovanni Antonio Faldoni after Rosalba Carriera, Portrait of Anton Maria Zanetti the Elder, ca. 1725, Metropolitan Museum, New York, Public Domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1625090769246-WNF0EFEB8RFXGASRT0J7/Screen+Shot+2021-06-30+at+6.04.49+PM.png</image:loc>
      <image:title>Blog - On Girolamo Zanetti, Editor of the Oldest Chronicle of Venice - Make it stand out</image:title>
      <image:caption>Anton Maria Zanetti the Younger, Anton Maria Zanetti the Elder, and Girolamo Zanetti, Delle antiche statue Greche e Romane: che nell' antisala della libreria di San Marco, e in altri luoghi pubblici di Venezia si trovano, vol. II, Venice 1743.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1625074228160-8MAZYWF0HGSVD984BMEL/Smithiana.jpg</image:loc>
      <image:title>Blog - On Girolamo Zanetti, Editor of the Oldest Chronicle of Venice - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1625074051738-ZWHVOLP0UGAIDAZKOODR/Memorie+per+servire+alla+storia+letteraria+e+civile_.jpg</image:loc>
      <image:title>Blog - On Girolamo Zanetti, Editor of the Oldest Chronicle of Venice - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1625063971261-J7H6CL9U5AF780EFVJN3/Portrait+of+Anton+Maria+Zanetti.jpeg</image:loc>
      <image:title>Blog - On Girolamo Zanetti, Editor of the Oldest Chronicle of Venice - Make it stand out</image:title>
      <image:caption>Rosalba Carriera, Portrait of Anton Maria Zanetti, ca. on or before 1700. National Museum, Stockholm. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1625084598877-Z5TMDB5EP3Y8YIW4BBMF/Girolamo+Zanetti+-+Carriera.jpg</image:loc>
      <image:title>Blog - On Girolamo Zanetti, Editor of the Oldest Chronicle of Venice - Make it stand out</image:title>
      <image:caption>Rosalba Carriera, Portrait of Girolamo Zanetti, from Antonio Muñoz, Pièces de choix de la collection du Compte Grégoire Stroganoff, Rome 1912, v. II, p.49, pl. XXXIV.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/apollo-and-pegasus</loc>
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    <priority>0.5</priority>
    <lastmod>2021-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624647077553-KX98AGBUWKBDEZZR0OPF/Plutarch+title+pages+combined.jpg</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624395331009-5FRRFTWKYRYJUY50TN7W/plutarch1.jpg</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Plutarchus, La prima [- seconda] parte delle Vite... nuouamente da M. Lodouico Domenichi tradotte, Venice, Gabriele Giolito de’ Ferrari and Brothers, 1555, vol. 1 (spine) and vol. 2 (cover). See the full description of these volumes here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624413747195-B3I2A677I5PF9BTKYGEJ/Screen+Shot+2021-06-22+at+10.01.08+PM.png</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Diagram from Ilse Schunke, “Antonius Lodoicus Flander ligavit Venetiis”, Fund og Forskning 3 (1956), 142-161.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624414200212-CKQOCDCMHEPC80A6A7YT/Screen+Shot+2021-06-22+at+10.06.52+PM.png</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Image from Ilse Schunke, “Antonius Lodoicus Flander ligavit Venetiis”, Fund og Forskning 3 (1956), 142-161.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624399210310-YOL6X01ID04P8Y9MWZCA/plutarch+two+bindings.jpg</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Plutarchus, La prima [- seconda] parte delle Vite... nuouamente da M. Lodouico Domenichi tradotte, Venice, Gabriele Giolito de’ Ferrari and Brothers, 1555, vols. 1 (left) and 2 (right).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624399591413-MVP3IS1YZ83YQWXXXSQ2/Plutarch+pegasus.png</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Plutarchus, La prima [- seconda] parte delle Vite... nuouamente da M. Lodouico Domenichi tradotte, Venice, Gabriele Giolito de’ Ferrari and Brothers, 1555, vol. 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624643464228-1EHCQQY0H6QSRC8CGHC8/apollo+medallion+on+plutarch+first+cover.jpg</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624400944344-UMQ4KABO4U0RBBTB4WI1/pindarus.jpg</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Pindarus, Olympia Pythia Nemea Isthmia, Basel, Andreas Cratander, 1535, binding (see the full description of this copy here).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624405722923-L5ZXA7DQF0G65E4AUEZX/Screen+Shot+2021-06-22+at+7.47.40+PM.png</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624646484237-PMJ25IEFXERWKR5PZXPD/plaquette+comparison+2.jpg</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Comparison of an authentic ‘Apollo and Pegasus’ medallion on the binding of Pindarus, Olympia Pythia Nemea Isthmia, Basel, Andreas Cratander, 1535 (left) and the later “fake” medallion applied to the sixteenth-century binding of Plutarchus, La prima [- seconda] parte delle Vite... nuouamente da M. Lodouico Domenichi tradotte, Venice, Gabriele Giolito de’ Ferrari and Brothers, 1555, vol. 1 (right).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624466336908-0E2FZTGBUT9J8DCN09TD/de+marinis+cover.jpg</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624466452009-P1D0I0UGACULO1IHH6A9/Plutarch%252Bpegasus.jpg</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Plutarchus, La prima [- seconda] parte delle Vite... nuouamente da M. Lodouico Domenichi tradotte, Venice, Gabriele Giolito de’ Ferrari and Brothers, 1555, vol. 1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624403700042-CG0BD4JQ69PS6O2V1P0T/De+Marinis+319.jpg</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Librarie Ancienne T. De Marinis &amp; C., Manuscrits Autographes et Livres rares, Florence 1911, plate for lot 319.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624404223934-YO5C2UB0B6A8GIKW5ARZ/de+marinis+catalogue+entry+319.jpg</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>Librarie Ancienne T. De Marinis &amp; C., Manuscrits Autographes et Livres rares, Florence 1911, lot 319.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624466585581-A14MB114O3MPOZNAP6W7/De+Marinis++3148.jpg</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>T. De Marinis, La legatura artistica in Italia nei secoli XV e XVI, Milano 1960, vol. 3, pl. I4.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1624466868305-1B9OLTJJLVWW63GPUXCF/De+Marinis+3146+entry.jpg</image:loc>
      <image:title>Blog - The strange case of a genuine Renaissance Venetian binding and the modern allure of myth - Make it stand out</image:title>
      <image:caption>T. De Marinis, La legatura artistica in Italia nei secoli XV e XVI, Milano 1960, vol. 3, no. 3146.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/pregliasco-anniversary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1623873091783-7EBU2I6V21U230IHUMGN/postcard.jpg</image:loc>
      <image:title>Blog - Celebrating Pregliasco - Make it stand out</image:title>
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      <image:title>Blog - Celebrating Pregliasco - Make it stand out</image:title>
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      <image:title>Blog - Celebrating Pregliasco - Make it stand out</image:title>
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  <url>
    <loc>https://www.prphbooks.com/blog/rialto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1623271949371-XYK76ZJ0T68Q6CUV3WXP/Vittore+Carpaccio%2C+Miracle+of+the+Relic+of+the+Cross+at+the+Ponte+di+Rialto%2C+ca.+1496.+Gallerie+dell%27Accademia%2C+Venice.jpg</image:loc>
      <image:title>Blog - On the Rialto Bridge - Make it stand out</image:title>
      <image:caption>Vittore Carpaccio, Miracle of the Relic of the Cross at the Ponte di Rialto, ca. 1496. Gallerie dell'Accademia, Venice. Public domain.</image:caption>
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      <image:title>Blog - On the Rialto Bridge - Make it stand out</image:title>
      <image:caption>Canaletto, The Rialto Bridge from the South, ca. 1727. The Earl of Leicester and Trustees of the Holkham Estate, CC BY-SA 4.0</image:caption>
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      <image:caption>Canaletto, The Rialto Bridge from the North, ca. 1726-1727. Royal Collection, UK. Public domain.</image:caption>
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      <image:title>Blog - On the Rialto Bridge - Make it stand out</image:title>
      <image:caption>Domenico Cunego, after Jacopo Bassano, Effigies incognita (portrait of Antonio da Ponte), 1769. British Museum, CC BY-NC-SA 4.0.</image:caption>
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      <image:title>Blog - On the Rialto Bridge - Tolomei, Claudio. Il Cesano, dialogo di M. Claudio Tolomei...Venice, Gabriel Giolito de’ Ferrari &amp;amp; Brothers, 1555.</image:title>
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      <image:title>Blog - On the Rialto Bridge - Dolce, Lodovico. Dialogo... Nel quale si ragiona del modo di accrescere et conseruar la memoria.... Venice, Giovanni Battista &amp;amp; Melchiorre Sessa, 1562.</image:title>
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      <image:title>Blog - On the Rialto Bridge - Apollonius Pergaeus. Apollonii Pergei Philosophi, Mathematicique excellentissimi Opera....Venice, Bernardino Bindoni for Giambattista Memmo, 1537.</image:title>
      <image:caption />
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      <image:title>Blog - On the Rialto Bridge - Make it stand out</image:title>
      <image:caption>Israel Silvestre, Veuë du pont de Realte de Venize invente par Michel Ange, ca. 1640. Rijksmuseum, CC0 1.0.</image:caption>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/venice-album</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622675549627-FIV68T7HCUWYIC9TN6CI/arlequin%2C+isabella%2C+franquatripa.jpg</image:loc>
      <image:title>Blog - A Souvenir of Venice - Make it stand out</image:title>
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      <image:title>Blog - A Souvenir of Venice - Make it stand out</image:title>
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      <image:title>Blog - A Souvenir of Venice - Make it stand out</image:title>
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  <url>
    <loc>https://www.prphbooks.com/blog/gozzi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622068736433-5NHDJXQXB7NYQIEYSS1A/Gozzi+cover+3.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Gozzi, Gasparo (1713-1786). Favole esopiane di Gasparo Gozzi pubblicate nelle nozze Da Mula – Lavagnoli. Venice, Stamperia Pinelli, 1809. See a description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622074620525-KR8OL1J0K9FTBQLG69JI/Gozzi.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Francesco Bartolozzi, Portrait of Gasparo Gozzi, ca. 1757, from Gasparo Gozzi, Opere in versi e in prosa (Venice, Occhi, 1758). Image from Rijksmuseum, Netherlands, CC0.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622074664051-ZNQ0U6S42GFZGCE8GZJY/Luisa_Bergalli.jpeg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Venetian school, Luisa Bergalli as the Arts, ca. 1735. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622070096943-03FD4VE18UUEFC5RPKRF/Edme_Boursault.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Nicolas de Largilliere, Portrait of Edmé Boursault. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622070426696-3TIDUAN89TPR8FIMSEA5/Teatro_Sanangelo.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Venice’s Teatro S. Angelo. Closed in 1803, the theatre was changed to a warehouse and then demolished.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622070663928-LT8XFGV9ZNXKCPYSKCF2/Aesop+at+versailles.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Aesop’s fable of the Fox and the Crane, from Jacques Bailly's Le Labyrinthe de Versailles. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622075971753-LA3PFMT2GBZPEJVV1QF6/Morelli+1.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622038116818-DAGSFH0TA8098MF78ZC7/Gozzi+Foscarini.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622072223150-CRQ97IOXUTS6WXXLL3OY/Goldoni+c.+1757.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Alessandro Longhi, Portrait of Carlo Goldoni, ca. 1757. Ca Goldoni Venezia, Venice. CC 4.0.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622072005161-QXVYVKC8JHBZ7RNI3TQE/carlo+gozzi.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Frontispiece portrait of Carlo Gozzi in Carlo Gozzi, Le fiabe di Carlo Gozzi, volume I, Bologna, Nicola Zanichelli, 1884.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622068801596-IWVD7M9FNY0EVYYTFYYC/zatta.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Gozzi’s “Argomento” in Dante Alighieri, La Divina Commedia di Dante Alighieri Con varie Annotazioni, e copiosi Rami adornata... Tomo Primo [- Terzo]. Venice, Antonio Zatta, 1757. [Together with:] Idem. Prose, e rime liriche edite, ed inedite di Dante Alighieri, con copiose ed erudite aggiunte... Tomo Quarto Parte Prima [- Seconda]. Venice, Antonio Zatta, 1758. See a description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622075261940-SC0F8C9EC7Q58V22JEP3/zatta.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622069190528-3OH4HWMEFBWJ3JJSHN5U/Bust+of+Gozzi.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Angelo Giordani, Bust of Gasparo Gozzi, 1847. Part of the Panteon Veneto preserved at the Palazzo Loredan di Campo Santo Stefano. Image courtesy of the Istituto Veneto di Scienze, Lettere ed Arti.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622075494587-ZWNTGTY6TUVKRGYBG1TO/Bust_of_Jacopo_Morelli._Panteon_Veneto%3B_Istituto_Veneto_di_Scienze%2C_Lettere_ed_Arti.jpg</image:loc>
      <image:title>Blog - Gasparo Gozzi’s Favole Esopiane in a Changing Venice - Make it stand out</image:title>
      <image:caption>Giuseppe Soranzo, Bust of Jacopo Morelli, 1891-1892. Part of the Panteon Veneto preserved at the Palazzo Loredan di Campo Santo Stefano. Image courtesy of the Istituto Veneto di Scienze, Lettere ed Arti.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1622038643346-Y3GWUL85MX588PMPDAHQ/fbce3456-34db-4f88-aa26-61bdd4e04fe6.jpg</image:loc>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/caesars</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1603260720168-798E64MHFYM778U6P40D/231.%2BSvetonius.jpg</image:loc>
      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1603303467272-INFLK3DPO4WV10XAHD80/IMG_9461.jpg</image:loc>
      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1603228341653-I2CXFTYKZQKA7K7BZ5XY/Anthonis+Moor.+Portrait+of+Hubert+Goltzius.jpg</image:loc>
      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
      <image:caption>Anthonis Moor. Portrait of Hubert Goltzius, 1573-74. Bruxelles, Musées Royaux des Beaux Arts de Belgique (public domain).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1603299124699-I79FUEDGLGRSF5DEQ4UN/medal%2B1.jpg</image:loc>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
      <image:caption>From Canaletto’s Vedute Altre prese da i Luoghi altre ideate da Antonio Canal.</image:caption>
    </image:image>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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  <url>
    <loc>https://www.prphbooks.com/blog/pinelliana</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620756880557-AZKSLEC0PZGSL0KYMCOW/250.+Bibliotehca+Pinelliana.jpg</image:loc>
      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London</image:title>
      <image:caption>Campo Santa Maria Formosa, Venice. November 2020.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620659457952-OYQJ15FQH8VW6UU0ZMJ8/Pinelliana+post+1.jpeg</image:loc>
      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London</image:title>
      <image:caption>The Rio de’ Greci and the Greek Orthodox Church of San Giorgio, Venice. February 2021.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620777308359-YGNP76WBP6N62X38GDN2/pinelli+printer+device.jpg</image:loc>
      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London - Make it stand out</image:title>
      <image:caption>The Pinelli printer’s device generally used for books issued for the Greek market.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620799962254-IWT981V90MDLHU28LG9W/Catalogo+di+quadri+raccolti+dal+fu+Signor+Maffeo+Pinelli+ed+ora+posti+in+vendita.jpg</image:loc>
      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London - Make it stand out</image:title>
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      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620779109726-813HSDAQUGH9074BT6NE/Pinelli+title+with+frontispiece.jpg</image:loc>
      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620777499874-30K4C7ITHJG127ADHVZV/Pinelli+title+2+autocolor+correct.jpg</image:loc>
      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620777626292-AJ15OHDNSCTDY7XBTP3D/Pinelli+312-313.jpg</image:loc>
      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620777668069-EQZ2BV95GVIDLAK17XFV/Pinelli+324-325.jpg</image:loc>
      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620802271302-H4JUJ3NCXU16OL1VL3NN/Wellcome+Pinelliana+catalogue.jpeg</image:loc>
      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620777771707-39IPSLDRRPKB0KBY6YMU/pinelli+headpiece.jpg</image:loc>
      <image:title>Blog - "The book-treasures of the far-famed Pinelli Collection": The Bibliotheca Pinelliana and its Catalogue, from Venice to London - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/bembo-venice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619577894252-8LDMDDHBSFV1A1I4PZ63/Bembo+medal.jpg</image:loc>
      <image:title>Blog - Pietro Bembo and the Literary Vernacular</image:title>
      <image:caption>Valerio Belli, Cast bronze medal for Pietro Bembo, 1532. British Museum, London, 1875,1004.10. © The Trustees of the British Museum; CC BY-NC-SA 4.0.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620226897717-UQZ7TYFSEDGCHUZUYO83/Hans+Memling%2C+Portrait+of+a+Man+with+a+Roman+Medal+%28possibly+Bernardo+Bembo%29%2C+c.+1480.+Koninklijk+Museum+voor+Schone+Kunsten+Antwerpen.+Public+domain..jpeg</image:loc>
      <image:title>Blog - Pietro Bembo and the Literary Vernacular</image:title>
      <image:caption>Hans Memling, Portrait of a Man with a Roman Medal (possibly Bernardo Bembo), c. 1480. Koninklijk Museum voor Schone Kunsten Antwerpen. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620252004762-UWWH82IHX52DMJDPEO2V/Hypno.jpeg</image:loc>
      <image:title>Blog - Pietro Bembo and the Literary Vernacular</image:title>
      <image:caption>Colonna, Francesco (ca. 1433-1527). La Hypnerotomachia di Poliphilo, cioe pugna d’amore in sogno. Dou’egli mostra, che tutte le cose humane non sono altro che Sogno: &amp; doue narra molt’altre cose degne di cognitione. Venice, Sons of Aldo Manuzio, 1545. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620252280204-EQQ52Y9MMEPMAO36KXM4/Bembo+Asolani+IMG_0780.jpeg</image:loc>
      <image:title>Blog - Pietro Bembo and the Literary Vernacular</image:title>
      <image:caption>The Aldine anchor and dolphin device, from Aldus’s 1505 edition of Bembo’s Gli Asolani. See a description of this work here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620183615377-DAN8FJO5QEYX97IM7C4R/Raphael+Portrait+of+Pietro+Bembo.jpeg</image:loc>
      <image:title>Blog - Pietro Bembo and the Literary Vernacular</image:title>
      <image:caption>Raphael, Portrait of Pietro Bembo, ca. 1504. Museum of Fine Arts, Budapest. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620253254565-8HJTSKB152NQEVQ16QX8/petrarch+1.jpg</image:loc>
      <image:title>Blog - Pietro Bembo and the Literary Vernacular</image:title>
      <image:caption>Petrarca, Francesco (1304-1374). Le cose vulgari di Messer Francesco Petrarcha. [Lyon, ca. 1502]. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620253923554-0IM0U56VNCKR56WWIMMM/Bembo+Asolani+IMG_0780.jpeg</image:loc>
      <image:title>Blog - Pietro Bembo and the Literary Vernacular</image:title>
      <image:caption>Bembo, Pietro (1470-1547). Gli Asolani di Messer Pietro Bembo. Venice, Aldo Manuzio, March 1505. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620248006915-YIJCTD9Q78PYEXYMSCJL/7.+Bembo+second+photo.jpg</image:loc>
      <image:title>Blog - Pietro Bembo and the Literary Vernacular</image:title>
      <image:caption>This wide-margined copy of the first edition, in its first issue, was also once held in the library of Count Leonardo Vitetti (1894-1973), Italian Ambassador to the United Nations.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620253836617-LW7W3OB14PFW0BJRSLH9/60.+Bembo.JPG</image:loc>
      <image:title>Blog - Pietro Bembo and the Literary Vernacular</image:title>
      <image:caption>Bembo, Pietro (1470-1547). Gli Asolani di messer Pietro Bembo. Venice, Alessandro Paganini, April 1515. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620248683020-8D47L08GHVZ17PVWN1MI/Dantino.jpeg</image:loc>
      <image:title>Blog - Pietro Bembo and the Literary Vernacular</image:title>
      <image:caption>Alighieri, Dante (1265-1321). Dante col sito, et forma dell’Inferno. [Venice, Alessandro Paganini, ca. 1516]. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1620183792501-YPBXDTO2M5BZPL6KYQL4/Portrait+of+Cardinal+Pietro+Bembo+c.%E2%80%891540.jpeg</image:loc>
      <image:title>Blog - Pietro Bembo and the Literary Vernacular</image:title>
      <image:caption>Titian, Portrait of Cardinal Pietro Bembo, ca. 1540. National Gallery of Art, Washington D.C. Public domain.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/navagero</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619628258747-JRV7EIQKDSDF1XU79CZF/Navagero+colophon+partial+2.jpg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619625900988-M1D4GRBDTTX031J1G121/Navagero%283%29+title.jpg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619632331626-41CJLQ1O2C2MVH8748NY/Bembo+Asolani+IMG_0780.jpeg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
      <image:caption>The famous Aldine anchor device, from Pietro Bembo’s Gli Asolani (Venice, Aldo Manuzio, March 1505). See a complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619453915009-OPNJUYTEIFBGEUBWZH9B/Raphael+portrait+of+Navagero.jpeg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
      <image:caption>Raphael, Portrait of Andrea Navagero (left) and Agostino Beaziano (right), 1516.. Galleria Doria Pamphili, Rome. Image in the public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619626487765-G96VPTI68SXLCROTBBTO/Navagero+title+2.jpg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619624401218-K6P5Z5Q6MP9N83HAP10L/Navagero+colophon.jpg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619624648767-FT61PEPI2Z0HYIC5FD8X/Navagero+Lectori.jpg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619624687376-XFNMC10FAZ3L97UW4RHC/Navagero+vignette.jpg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619455295448-UZ3TVJ8VIHBE0OFAHR0P/Coin%2C+British+Museum.jpeg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
      <image:caption>Trajan sestertius, copper alloy coin, Rome, 104-111 AD. With a bust of Trajan, laureate, on the observe and the river god (the Genius of the Aqua Traiana) reclining on rocks on the reverse. British Museum, London, R. 11961. © The Trustees of the British Museum; CC BY-NC-SA 4.0.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619577894252-8LDMDDHBSFV1A1I4PZ63/Bembo+medal.jpg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
      <image:caption>Valerio Belli, Cast bronze medal for Pietro Bembo, 1532. British Museum, London, 1875,1004.10. © The Trustees of the British Museum; CC BY-NC-SA 4.0.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619452842691-NX4AF69ZN9QW31XU3K74/86.+Navagero.jpg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619579757069-QFZ83MX3QPEPE3GDB7VC/Navagero+frontal.jpg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619582791980-AFF1OC3M80SOGGTJLVTC/Navagero+frontal.jpg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619582832772-KLXPAEAVT7NWZRSEDMRM/Navagero+frontal.jpg</image:loc>
      <image:title>Blog - Impraessum Venetiis amicorum cura</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/happy-birthday-rome</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1619029423169-G6AM7WNIRNYAVN9ENGT0/Fori+Romani%2C+taken+on+Easter.+.jpeg</image:loc>
      <image:title>Blog - Happy Birthday, Rome!</image:title>
      <image:caption>Rome’s Fori Romani. Photo taken by Margherita Palumbo over Easter weekend, 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/orlando</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1618428457399-81F09B5DXKIFCDRCCTWM/Giolito+portrait.jpeg</image:loc>
      <image:title>Blog - Orlando in Venice: Giolito, Valgrisi, and the Market for a Modern Classic</image:title>
      <image:caption>Titian, Gabriele Giolito de' Ferrari, 1554. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1618437097205-81OCS6L01EXWQOOI6X16/Blue+Ariosto.jpeg</image:loc>
      <image:title>Blog - Orlando in Venice: Giolito, Valgrisi, and the Market for a Modern Classic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1618436880994-BCVT0KHTX2OGWS7NX0L7/106.%252BAriosto.jpg</image:loc>
      <image:title>Blog - Orlando in Venice: Giolito, Valgrisi, and the Market for a Modern Classic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1618435670282-2XXDDFVYXGMJQZRUW6Z7/Orlando+Valgrisi+1568</image:loc>
      <image:title>Blog - Orlando in Venice: Giolito, Valgrisi, and the Market for a Modern Classic</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/venice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1617835940905-I6M5813ASY8R2T5Z13Y4/227.+Graevius.jpg</image:loc>
      <image:title>Blog - Happy 1600th birthday, Venice!</image:title>
      <image:caption>The magnificence of Venice. Graevius, Johann Georg (1632-1703). Splendor Magnificentissimae Urbis Venetiarum Clarissimus; E Figuris elegantissimis, &amp; accurata Descriptione emicans; In Duas Partes distributus.... Leiden, Peter Van der Aa, 1722. See a complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1617835877354-I2449DSLK6OVEX74DOSJ/diaconus.jpeg</image:loc>
      <image:title>Blog - Happy 1600th birthday, Venice!</image:title>
      <image:caption>Ioannes, Diaconus (ca. 965-1018). Chronicon Venetum omnium quae circumferuntur vetustissimum et Johanni Sagornino vulgo tributum e Mss. codice Apostoli Zeno V.Cl. nunc primum Cum Mss. Codicibus Vaticanis collatum, Notisque illustratum in lucem profert. H. Fr. Zanetti Al. F. Venice, 1765. See the complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1617230991741-E8FK6MHZT2SZMQPZNMY2/20.+Regiomontanus.JPG</image:loc>
      <image:title>Blog - Happy 1600th birthday, Venice!</image:title>
      <image:caption>Regiomontanus, Johannes (1436-1476). Kalendarium. Venice, Bernhard Maler, Peter Loeslein and Erhard Ratdolt, 1476. See the complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1617843041519-P8UGDBN5SVQMX11L053W/45.+Catullo.jpg</image:loc>
      <image:title>Blog - Happy 1600th birthday, Venice!</image:title>
      <image:caption>Catullus, Gaius Valerius (ca. 84-ca. 54 BC) – Tibullus, Albius (ca. 55-19 BC) – Propertius, Sextus Aurelius (47-14 BC). Catullus. Tibullus. Propetius. Venice, Aldo Manuzio, January 1502. (bound with:) Lucanus, Marcus Anneus (35-65). Lucanus. Venice, Aldo Manuzio, April 1502. See the complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1617843169296-B2ZW2N8KQNRTYBPZ8BVN/Bembo%252B-%252BPaganini.jpg</image:loc>
      <image:title>Blog - Happy 1600th birthday, Venice!</image:title>
      <image:caption>Bembo, Pietro (1470-1547). Gli Asolani di messer Pietro Bembo. Venice, Alessandro Paganini, April 1515. See a complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1617835627090-MVRU5OK0ZGBF8ZNWKJON/Hypnerotomachia.jpg</image:loc>
      <image:title>Blog - Happy 1600th birthday, Venice!</image:title>
      <image:caption>Colonna, Francesco (ca. 1433-1527). La Hypnerotomachia di Poliphilo, cioe pugna d’amore in sogno. Dou’egli mostra, che tutte le cose humane non sono altro che Sogno: &amp; doue narra molt’altre cose degne di cognitione. Venice, Sons of Aldo Manuzio, 1545. See the complete description here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/easter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1617231165467-4VV4CZVGIYYX0XLM9FLW/Regiomontanus+initials.jpeg</image:loc>
      <image:title>Blog - Regiomontanus and the "True" Easter</image:title>
      <image:caption>Regiomontanus, Johannes (1436-1476). Kalendarium. Venice, Bernhard Maler, Peter Loeslein and Erhard Ratdolt, 1476. See the complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1617245168879-16W1PZJW69M76J6DQ2P8/17.Regiomontanus+ms.JPG</image:loc>
      <image:title>Blog - Regiomontanus and the "True" Easter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1617230991741-E8FK6MHZT2SZMQPZNMY2/20.+Regiomontanus.JPG</image:loc>
      <image:title>Blog - Regiomontanus and the "True" Easter</image:title>
      <image:caption>Regiomontanus’s Kalendarium is also the first book to include a title page.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1617231048512-WE4OU07SA90T09VDEL0M/20.+Regiomontanus+binding.JPG</image:loc>
      <image:title>Blog - Regiomontanus and the "True" Easter</image:title>
      <image:caption>See more information on this copy here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/manet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616623516597-3OCQLOXDGFSMRU0PULPY/Manet+Fantin.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Henri Fantin-Latour. Heliogravure of Édouard Manet, from the cover of Manet. Trente eaux-fortes originales. Paris, A. Strölin, 1905. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616627820562-VG0QR4LEAMP0IFQMZC5J/280.%252BManet.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Le Guitarrero (The Spanish Singer), 1861. Etching based on Manet’s eponymous painting, exhibited at the Salon in 1861.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616610492635-87T24WXQ953LUS2E0IQ9/Manet+Olympia.jpeg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Olympia, 1863. Oil on canvas. Musée d'Orsay, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616624437910-6OKPGQZCHB1M14YA1PUK/Manet%252B-%252BOlympia%252Blarge%252Bplate.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Olympia, large plate, 1867.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616624499292-J9NAVKNG8FSTUZMYWV2I/Manet%2B-%2BOlympia%2Bsmall%2Bplate.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Olympia, small plate, 1867.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616611062195-P8Z3A7FV0ZNHBED8SZIU/Manet%252B-%252BMorisot%252Betching.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Portrait of Berthe Morisot, 1872-74.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616609965371-68D9DIUAZRT8MVPH8YDJ/Berthe+Morisot+with+a+Bouquet+of+Violets.jpeg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Berthe Morisot with a Bouquet of Violets, 1872. Oil on canvas. Musée d'Orsay, Paris. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616627900222-KVOQIWK4K9HMSEOY2UHB/Infanta.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, The Infanta Marguerita after Velázquez, 1862-64.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616615968226-TON17R6KVAI6N8UT0SDU/1134px-MANET_-_Mu%CC%81sica_en_las_Tulleri%CC%81as_%28National_Gallery%2C_Londres%2C_1862%29.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Manet, Music in the Tuileries, 1862. Oil on canvas. Hugh Lane Gallery, Dublin. Public Domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616625052757-HWL75H2US5D05KZ9F1UV/manet%2Bbaudelaire.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Charles Baudelaire, 1862.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616626984759-FGV1BDLDBPN0IJRC6QEG/butcher%2Blines.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Line in Front of the Butcher Shop, 1870-71.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616625757702-PPT9Q956CE8YK5EGLYQT/Manet%2Bcats.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Cats, 1868-69.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616620685244-ZR988Q9BTGHARPF093K0/Manet+-+Jeanne+painting.jpeg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Jeanne (Spring), 1881. Oil on canvas. The J. Paul Getty Museum, Digital image courtesy of the Getty’s Open Content Program.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616626390931-EO37BKI3VD1U6A3UUJKN/Jeanne.jpg</image:loc>
      <image:title>Blog - Manet and the Etching Revival</image:title>
      <image:caption>Édouard Manet, Jeanne, 1882.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/rosary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615936217785-AMH8FT35XNS4Y8H3LCRA/confraternity+octagon.jpg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615837710814-WXUZLXQIYMSB5DELAUS5/Cosimo+Rosselly+%28attr.%29%2C+The+Virgin+of+Rosary+%28ca.+1490%29.+Gema%CC%88ldegalerie%2C+Berlin..jpg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
      <image:caption>Cosimo Rosselli (attr.), The Virgin of the Rosary (ca. 1490). Gemäldegalerie, Berlin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615956400186-9JGHPTKX8300HYQ6D4VG/Rosary%2B-%2B1485.jpg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615953939669-YCNGHZ1AW4VX179F5BW6/rosary%252Bunit%252Bfull.jpg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615933315704-AE5R3HDF4CH3HIS095VL/28.+Confraternity+a2.jpg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615934760827-8DU3IHSF0AJ8ISKSKAYZ/right+side+woodcut+crop.jpg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615957465233-WGTA3RSBZ4Y7IWPSX0CJ/red%2Btext.jpg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615935423910-6ECFR0AXF78J1RS05II7/emblem+side+half+crop.jpg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615935687066-F9V6T2ELUSQN68N85SQD/black+text.jpg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615957301644-STA3VBOUKIUNU36I0LTK/R+S+M.jpeg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615956566261-19J8ZPEDOSK5U0HCKDZS/woodcut%2Bcomparison.jpg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615943701260-FQTVVX4HPQH8E0OQAO19/rosary%252Bunit%252Bfull.jpg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615954518907-GR7XTUNVSBZZO5B8N2UW/Rosary%2Btrio%2Bline.jpg</image:loc>
      <image:title>Blog - Praying (and embroidering) by number</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/lombroso</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615421811753-0PWKZX6RIY7ARQIDQJOU/Wellcome+Lombroso.jpg</image:loc>
      <image:title>Blog - Lombroso's Criminal People</image:title>
      <image:caption>Photogravure of Cesare Lombroso (1835-1909). Credit: Wellcome Collection. Attribution 4.0 International (CC BY 4.0)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615410397410-WBVCYG9TQZSO7OP5TOFE/Lombroso+l%27uomo+1.jpg</image:loc>
      <image:title>Blog - Lombroso's Criminal People</image:title>
      <image:caption>Lombroso, Cesare (1835-1909). L’uomo delinquente studiato in rapporto alla antropologia, alla medicina legale ed alle discipline carcerarie. Milan, Ulrico Hoepli, 1876. See the complete description of this presentation copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615410464754-6ZWDHARHE4ICW7G2H4SW/Lombroso+l%27uomo+2.jpg</image:loc>
      <image:title>Blog - Lombroso's Criminal People</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615410668374-3KGRL0VJ431E71GARM46/Lombroso+donna+1+.jpg</image:loc>
      <image:title>Blog - Lombroso's Criminal People</image:title>
      <image:caption>Lombroso, Cesare (1835-1909). La donna delinquente. La prostituta e la donna normale. Turin-Rome, L. Roux, 1893. See the complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615420691526-0EJGXQID1TFF2RL2J57E/Lombroso%2Bdonna%2B4.jpg</image:loc>
      <image:title>Blog - Lombroso's Criminal People</image:title>
      <image:caption>Physiognomies of Russian prostitutes in Lombroso’s La donna delinquente.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1615410397410-WBVCYG9TQZSO7OP5TOFE/Lombroso+l%27uomo+1.jpg</image:loc>
      <image:title>Blog - Lombroso's Criminal People</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/gardens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1614800434699-F1859VXCNVGCQHKUWW46/Palazzo+Pamphili.jpg</image:loc>
      <image:title>Blog - A Literary and Visual Stroll Through the Renaissance Garden</image:title>
      <image:caption>Simon Felice, Secondo prospetto per fianco del palazzo con diversa veduta del giardino del Bel respiro...Pamphilio, from I Giardini di Roma. Con le loro Piante Alzate e Vedute in Prospettiva.... Roma, Giovanni Giacomo De Rossi, [ca. 1680].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1614809426709-5YU1Q9VCP7XBBOKIO8MF/Marcolini+garden.jpg</image:loc>
      <image:title>Blog - A Literary and Visual Stroll Through the Renaissance Garden</image:title>
      <image:caption>Marcolini, Francesco (ca. 1500-1559). Le Sorti. Intitolate Giardino dei Pensieri. Venezia, Marcolino 1540. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1614817003512-F27UUD48BXPS2QOBGP59/falda%252B2.jpg</image:loc>
      <image:title>Blog - A Literary and Visual Stroll Through the Renaissance Garden</image:title>
      <image:caption>Falda, Giovan Battista (1643-1678), Prospettiva del Giardino Pontificio sul Quirinale, from I Giardini di Roma. Con le loro Piante Alzate e Vedute in Prospettiva.... Roma, Giovanni Giacomo De Rossi, [ca. 1680].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1614809814791-0FGPZTV7JZQ2DH8XUL6W/Hypnerotomachia.jpg</image:loc>
      <image:title>Blog - A Literary and Visual Stroll Through the Renaissance Garden</image:title>
      <image:caption>Colonna, Francesco (ca. 1433-1527). La Hypnerotomachia di Poliphilo, cioe pugna d’amore in sogno. Dou’egli mostra, che tutte le cose humane non sono altro che Sogno: &amp; doue narra molt’altre cose degne di cognitione. Venice, Sons of Aldo Manuzio, 1545. See the full description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1614819815077-KAV5C6Z666IBMY1X8G4N/17th%2Bc%2Bfalda.jpg</image:loc>
      <image:title>Blog - A Literary and Visual Stroll Through the Renaissance Garden</image:title>
      <image:caption>Falda, Giovan Battista (1643-1678). Gli Esperidi I Romani (The Garden of the Hesperides), from I Giardini di Roma. Con le loro Piante Alzate e Vedute in Prospettiva.... Roma, Giovanni Giacomo De Rossi, [ca. 1680].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1614820341050-DZ6J8OLSUISJZE6YCXGJ/Mattei.jpg</image:loc>
      <image:title>Blog - A Literary and Visual Stroll Through the Renaissance Garden</image:title>
      <image:caption>Falda, Giovan Battista (1643-1678), Prospettiva del Giardino dell'Eccellentis: mo Signor Duca Mattei alla Nàvicella su'l Monte Celio, from I Giardini di Roma. Con le loro Piante Alzate e Vedute in Prospettiva.... Roma, Giovanni Giacomo De Rossi, [ca. 1680].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1614806700014-2IBPIJJ8ENG2CO9AJYZ8/Veduta+del+Giardino+di+Belvedere+del+Palazzo+Pontificio+in+Vaticano.jpg</image:loc>
      <image:title>Blog - A Literary and Visual Stroll Through the Renaissance Garden</image:title>
      <image:caption>Falda, Giovan Battista (1643-1678), Veduta del Giardino di Belvedere del Palazzo Pontificio in Vaticano, from I Giardini di Roma. Con le loro Piante Alzate e Vedute in Prospettiva.... Roma, Giovanni Giacomo De Rossi, [ca. 1680].</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/derothschild</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1576087933143-L374XKT20MRJDETQKRJV/Charlotte_Rothschild%2C_by_Jean-Le%CC%81on_Ge%CC%81ro%CC%82me.jpg</image:loc>
      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
      <image:caption>Jean-Léon Gérôme, La baronne de Nathaniel Rothschild, 1866. Musée d'Orsay. Image in the public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1576088327968-H0I3IGMN6QYMEKBKGOMX/Jean_auguste_dominique_ingres_baronne_james_de_rothschild.jpg</image:loc>
      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
      <image:caption>Jean Auguste Dominique Ingres, Baronne de Rothschild, 1848. Private collection. Image in the public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1614183174047-XINFGLRW5MM6237ABM6Q/Rothschild%2B3.jpg</image:loc>
      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1614183943290-O2JAHVF9ALFHFT9CLOZM/Rothschild%2Btitle.jpg</image:loc>
      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1614183718097-44RQIQ4351SYGV6NA6J2/Rothschild%2B2.jpg</image:loc>
      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1576104428081-0ZWALEX8PM2AN55O5QUM/274.+Rothschild%284%29.jpg</image:loc>
      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/bayardi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574280003213-ECHJ7NV8CZM1K8EVPY3U/IMG_4691.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574285374649-3OAEVE3J1PBROODFM014/237.+Bayardi.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616085917564-WLK6XWSO6N3KHQNII437/Baiardi%2Btitle%2Bpage.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574281853254-RFD5Z84GB4GJKBUR1OQH/Bayardi%2B5.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1616085966402-4CDLCIKTWNGNW5XGZN14/Bayardi%252B3.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
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      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574284685992-FV003L7QK47IAAWOHS0Z/IMG_7171.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574280787081-3UBTC8RPNHW7B555VWSU/Bayardi+catalogue+title+pages.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574281284027-WCWT1BOQ6FMI43A9IQ16/Bayardi%252B4.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574278371847-ORHH75FYBFZETSP6E3MO/IMG_0390.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574268338913-GTW880AOJ0OV6CHRJ33Y/Albrecht+Kasimir+August+von+Sachsen-Teschen+in+Albertina.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
      <image:caption>Albrecht Kasimir August von Sachsen-Teschen, by an unknown painter (1777). Albertina, Vienna.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574268602550-IYDFOIK2TRJV9M4FWTHO/Maria+Christina+of+Austria.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
      <image:caption>Detail of The young Maria Christina of Austria, by Martin van Meytens (1750). Magyar Nemzeti Múzeum, Budapest.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574269990083-U6J7G43SI3VIWAVRP7W9/Sir+William+Hamilton%2C+by+Joshua+Reynolds+.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
      <image:caption>Sir William Hamilton, by Joshua Reynolds (1776). National Gallery, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574270351391-852379JJX8BJU7F1LTQP/Albrecht+Kasimir+August+von+Sachsen-Teschen+and+his+wife+Maria+Christina.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
      <image:caption>Detail of Albrecht Kasimir August von Sachsen-Teschen and his wife Maria Christina, by Friedrich Heinrich Füger (1776). Schloss Belvedere, Vienna.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574270665867-PI5JZWDWY8P89LN4DJ93/binding.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1574270948367-E2J5M4XTT39CI1JK41TO/Anacreon.jpg</image:loc>
      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/ortis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1612995131676-JDUEJYTL415JZ0M8JTFJ/foscolo%2B1.jpg</image:loc>
      <image:title>Blog - The First 'Last Letters of Jacopo Ortis'</image:title>
      <image:caption>Foscolo, Ugo (1778-1827). Vera storia di due amanti infelici, ossia Ultime lettere di Jacopo Ortis.… [Bologna, Jacopo Marsigli, 1799]. See the full description of this copy here.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1612995055683-FO57C3GDIHBJYY5K4LGK/foscolo%2B1.jpg</image:loc>
      <image:title>Blog - The First 'Last Letters of Jacopo Ortis'</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1612995568073-EJ3D6EA0O72I0P4418CD/Foscolo%2Bbinding.jpg</image:loc>
      <image:title>Blog - The First 'Last Letters of Jacopo Ortis'</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/beccaria</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1612290258351-NWBSDGXPND261OFLIACX/240.+Beccaria.jpg</image:loc>
      <image:title>Blog - The 'dangerous' Dei delitti e delle pene: Cesare Beccaria’s forbidden work on penal reform</image:title>
      <image:caption>First edition of Beccaria’s Dei delitti e delle pene, containing the extremely rare errata leaf. This copy, currently available, was gifted by Ferdinando Bosi, lawyer for the British writer Osbert Sitwell, to the great collector, legal scholar, and co-founder of the British Institute in Florence, Walter Ashburner, and was later owned by the historian and politician Luigi Firpo. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1612392449295-GFD41DAPRUKGN0XVM8XL/BECCARIA+cover.jpg</image:loc>
      <image:title>Blog - The 'dangerous' Dei delitti e delle pene: Cesare Beccaria’s forbidden work on penal reform</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1612373409946-4QSFJWABAG0509LVUPI8/Antonio+Perego+Accademia_dei_Pugni.jpg</image:loc>
      <image:title>Blog - The 'dangerous' Dei delitti e delle pene: Cesare Beccaria’s forbidden work on penal reform</image:title>
      <image:caption>Antonio Perego, L'Accademia dei Pugni, c. 1766. Public domain. From left to right: Alfonso Longo (back), Alessandro Verri, Giambattista Biffi, Cesare Beccaria, Luigi Lambertenghi, Pietro Verri and Giuseppe Visconti di Saliceto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1612373342733-STG4H61ZLK7I5J016TS7/Cesare_Beccaria+portrait.jpg</image:loc>
      <image:title>Blog - The 'dangerous' Dei delitti e delle pene: Cesare Beccaria’s forbidden work on penal reform</image:title>
      <image:caption>Cesare Beccaria (1738-1794).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/tiber</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611727922593-LU4D1JHWLL9K5OK4LDMH/Vedute%2Bdel%2BTevere%2Bin%2BRoma%2Bprima%2Bdella%2Bsua%2BSistemazione.jpg</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>The two-volume Vedute del Tevere in Roma prima della sua Sistemazione, now in the Bibliotheca Hertziana, seated in Palazzo Zuccari, Rome (for the history, mission and images of the seat of this Library, at Palazzo Zuccari see https://www.biblhertz.it)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611729317071-N7HQEU1E725XBXTFOPW5/IMG_1965.jpg</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>A plaque on the façade of the Basilica of Santa Maria sopra Minerva. It is dated 8 October 1530, when the water rose 18.95 meters above sea level.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611729446474-Q40DG4LI75VXDWBHSSEA/IMG_1963.jpg</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>Flood markers on the on the façade of the Basilica of Santa Maria sopra Minerva.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611772220374-C4WQW6RLLACSUFSQ16IM/1598+plaque.jpg</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>A plaque at the Basilica of Santa Maria sopra Minerva marking the flood of 1598, Rome’s worst ever.</image:caption>
    </image:image>
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      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>The Ponte Rotto, i.e. the Broken Bridge, near Tiber Island.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611777314227-1AVISX8SY865MRHQ7801/IMG_1947.jpg</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>A ‘floating’ Fatebenefratelli Hospital: in recent days, intense rain has caused the river’s water to rise high again, completely submerging Tiber Island’s distinctive travertine platform.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611722862862-38TPRJ59QGS45AWXM6DZ/Veduta+del+Porto+di+Ripetta.png</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>Giovanni Battista Piranesi, Veduta del Porto di Ripetta, ca. 1750, engraving. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611723071954-D95Q9UQG6AK6UPJAFSC1/The+Ripetta+Port+column%2C+marking+various+floods+.jpg</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611723168906-YIBFEHFY8RUZJPTJVZRM/Other+picture+of+Ripetta+Port+column.jpg</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>Columns with flood markers from the old Porto di Ripetta, now located at the Piazza del Porto di Ripetta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611723671866-9Y308SAGHIABSXJ5I9VO/Meyer+1.jpg</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>Meyer, Cornelius (1629-1701). L’Arte di restituire à Roma la tralasciata Navigatione del suo Tevere. Divisa in tre parti.... Rome, Giacomo Antonio de Lazzari Varese, 1685. See more about this work here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611723219083-06HJ94AHPV2MCSCT8JU0/19th+century+hygrometer+at+via+dell%27Arancio.jpg</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>A hydrometer in Via dell’Arancio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611729727112-YA7ZNMT4N9CP0PC4A4CG/IMG_1959.jpg</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>A plaque recording the water level during the ‘Great Flood’ of 1870, when the water reached 17.22 meters above sea level.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611732540958-NP4UE5P0QR6FX3F0W66N/Rome+left+embankment.JPG</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>View of the Lungotevere of the left embankment. The Lungotevere (Tiber waterfront) was built to control the restless waters of the Tiber river.</image:caption>
    </image:image>
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      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>Daily life on the Lungotevere.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611725630863-86TFCRC5RIIPIZO5I70S/lungotevere+1.JPG</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611723108194-O1ANW12I5QFOTX3S0G1Q/The+fountain+and+two+columns%2C+remains+of+Ripetta+Port.jpg</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>Remains from the old Porto di Ripetta, now located at the Piazza del Porto di Ripetta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611732961185-Y50M70FTB4C9I85QJ640/IMG_1941.jpg</image:loc>
      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
      <image:caption>View of the right embankment with the Great Synagogue of Rome (1901-1904). One of the largest synagogues in Europe, it was built in the area of the old Roman Ghetto, which was largely demolished during the construction of the embankment walls.</image:caption>
    </image:image>
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      <image:title>Blog - The Mighty Tiber, Past and Present</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/pilgrim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611252192400-3VM4JFYQ67ARBG1ZR4OG/Dod%2Btitle.jpg</image:loc>
      <image:title>Blog - Inauguration Day and the Pilgrim Press</image:title>
      <image:caption>[Pilgrim Press]. Dod, John (ca. 1549-1645) [and Cleaver, Robert (fl. 16th-17th century)]. A plaine and familiar exposition of the tenne commandements. With a methodicall short catechime, containing briefly all the principall grounds of Christian religion. According to the last corrected and inlarged copie by the authour, Mr. Iohn Dod. To which is now prefixed three profitable tables. [Leyden, William Brewster], 1617. See a full description of this copy here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611252276666-SW7N1HP6FCY74SYXT2DU/pilgrim%2Bpress%2B4.jpg</image:loc>
      <image:title>Blog - Inauguration Day and the Pilgrim Press</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1611187098815-UPFNC9CGFL7UV74CATOY/pilgrim%2Bpress%2B3.jpg</image:loc>
      <image:title>Blog - Inauguration Day and the Pilgrim Press</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/rops-catalogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1608174863596-E1UXG8BOTA0QSSJHMMTX/cover3+wide.jpg</image:loc>
      <image:title>Blog - New Catalogue: Prints by Félicien Rops</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1607536369215-C9U085VUVGVJONA51MXU/Screen+Shot+2020-12-09+at+12.52.17+PM.png</image:loc>
      <image:title>Blog - New Catalogue: Prints by Félicien Rops</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/rops-intro</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1607536369215-C9U085VUVGVJONA51MXU/Screen+Shot+2020-12-09+at+12.52.17+PM.png</image:loc>
      <image:title>Blog - Catalogue Preview: Introduction to Prints by Félicien Rops</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1607535407054-GEE59NNI5ZC093PEV21J/image.jpg</image:loc>
      <image:title>Blog - Catalogue Preview: Introduction to Prints by Félicien Rops</image:title>
      <image:caption>La Bûcheronne or La Ramasseuse de fagots (The Firewood Collector), 1874. Etching and drypoint on thick paper with full margins. (285x190; 425x295 mm). Rouir 943 II / II. Signed in red crayon lower right.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1607535120064-IPSFILYI5J5T4BH3CS4O/Rops%2Bstill%2Bavailable%2B%2528from%2BMannelli_WEB%2Bhr%2529.jpg</image:loc>
      <image:title>Blog - Catalogue Preview: Introduction to Prints by Félicien Rops</image:title>
      <image:caption>Le dernier des romantiques, (The Last of the Romantics), 1891. Photogravure, soft-ground etching, drypoint and aquatint on thick paper (228x167; 315x235). Rouir 825 IV/IV.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1607535615393-WGNREOAHWTDBOHK8Z297/3e%2Bdarwinique.jpg</image:loc>
      <image:title>Blog - Catalogue Preview: Introduction to Prints by Félicien Rops</image:title>
      <image:caption>Transformisme n.3, or Troisième darwinique, le prédécesseur, 1890 ca. Drypoint and aquatint on papier japon with wide margins (111x170; 273x350). Rouir 427 II/II.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1607535048389-I79ONNKGJPD63GO5H218/Holocaust.jpg</image:loc>
      <image:title>Blog - Catalogue Preview: Introduction to Prints by Félicien Rops</image:title>
      <image:caption>Holocauste, (Holocaust), 1895. Photogravure and drypoint on papier japon. (238x156; 290x205). Rouir 843 III/IV.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/rops-announcement</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1606931303514-UMTSFG06N87IE3XI06MI/Chansons%2Bbadines%2Bde%2BColle%25CC%2581%252C%2B1880%2Bca..jpg</image:loc>
      <image:title>Blog - Catalogue Announcement: Prints by Félicien Rops</image:title>
      <image:caption>Félicien Rops, Chansons badines de Collé, ca. 1880. Heliogravure retouched with drypoint on papier Japon with full margins (139x86; 320x250 mm). Rouir 530, only state. Monogrammed in red crayon in the lower center, collection stamp in ink on the reverse. From the Heinrich Stinnes collection (Rouir 52; L. 1376a), sold at auction in Berlin on 10 November 1936.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/baston</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1606357841372-B1BDYV2LCP2FPSB52EA8/baston%252B2.jpg</image:loc>
      <image:title>Blog - Thomas Baston’s Thoughts on Trade and the Early Stock Market</image:title>
      <image:caption>Baston, Thomas (fl. 18th century). Thoughts on Trade, and a Publick Spirit. Consider’d under the Following Heads, viz. I. Companies in Trade. II. Stock-jobbers. III. Projectors. IV. Corruptions in the Law and Public Offices. V. Of a Public Spirit.... London, Printed for the Author, 1716. See the complete description here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1606348072279-C2OI2AZ5BNA1MXLZIIFD/Baston+1.jpg</image:loc>
      <image:title>Blog - Thomas Baston’s Thoughts on Trade and the Early Stock Market</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/stpetersbasilica</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605716690827-UOZYOKWQ3KWAZOBR2K1V/image-asset.jpeg</image:loc>
      <image:title>Blog - On This Day: Consecrations of The Old and New Basilicas of Saint Peter</image:title>
      <image:caption>Photo of Saint Peter’s Basilica and Piazza taken by Margherita Palumbo from the gardens of the Congregation for the Evangelization of Peoples (Vatican City). 5 November 2020.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605718469621-H2TGFBZ3B6RXZS58ZL4J/cutaway+of+Old+St+Peters.jpg</image:loc>
      <image:title>Blog - On This Day: Consecrations of The Old and New Basilicas of Saint Peter</image:title>
      <image:caption>Fresco showing a cutaway interior view of the Old Saint Peter's Basilica as it looked in the fourth century. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605659777210-WWAN9ZDJK6ID5M1G36CY/Basilica_di_San_Pietro_1450.jpg</image:loc>
      <image:title>Blog - On This Day: Consecrations of The Old and New Basilicas of Saint Peter</image:title>
      <image:caption>A conjectural view of the Old Saint Peter’s Basilica ca. 1483-1506 by H. W. Brewer, 1891. Public domain.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605719697948-N7G30GXQ9S7FV3GWL70Y/Raphael+Pope_Julius_II.jpg</image:loc>
      <image:title>Blog - On This Day: Consecrations of The Old and New Basilicas of Saint Peter</image:title>
      <image:caption>Raphael, Portrait of Pope Julius II, 1511–12. Oil on wood. National Gallery, London. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605720207831-8H1EZ24L3M2RIJL6SD0B/Bramanta+plan.png</image:loc>
      <image:title>Blog - On This Day: Consecrations of The Old and New Basilicas of Saint Peter</image:title>
      <image:caption>Bramante’s plan for the new Saint Peter's Basilica, 1506.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605658120835-H2RVZKTZZSZWDT6F8ML0/Boissard+photo.jpg</image:loc>
      <image:title>Blog - On This Day: Consecrations of The Old and New Basilicas of Saint Peter</image:title>
      <image:caption>Boissard, Jean-Jacques (1528-1602). Romanae Urbis Topographiae &amp; Antiquitatum… Frankfurt, Johann Feyrabend for Theodor de Bry, 1597-1602. See the full description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605730531360-IUPKDY4JPE1QD3U0PUBN/IMG_5015-18-11-20-20-42.JPG</image:loc>
      <image:title>Blog - On This Day: Consecrations of The Old and New Basilicas of Saint Peter</image:title>
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      <image:title>Blog - On This Day: Consecrations of The Old and New Basilicas of Saint Peter</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605721158331-JIHXSNU9AK45JJIXJ341/falda%2B2.jpg</image:loc>
      <image:title>Blog - On This Day: Consecrations of The Old and New Basilicas of Saint Peter</image:title>
      <image:caption>Falda, Giovan Battista (1643-1678). I Giardini di Roma. Con le loro Piante Alzate e Vedute in Prospettiva.... Roma, Giovanni Giacomo De Rossi, [ca. 1680]. See the full description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605723233355-S1IMX61NPCQIF69V4HTX/Vasi_full.jpg</image:loc>
      <image:title>Blog - On This Day: Consecrations of The Old and New Basilicas of Saint Peter</image:title>
      <image:caption>Vasi, Giuseppe (1710-1782). Prospetto dell 'Alma Cittá di Roma visto dal Monte Gianicolo, 1765. Complete suite of twelve joined etchings on wove paper, total platemark approx. 1015 x 2625 mm. (40 x 103 1/4 in), good margins, carefully dissected and mounted on linen, framed and under glass.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605658017490-T20GV50VV4VQPXE6F7BR/Vasi_St_Peters.jpg</image:loc>
      <image:title>Blog - On This Day: Consecrations of The Old and New Basilicas of Saint Peter</image:title>
      <image:caption>Detail showing the new Saint Peter’s Basilica with the Piazza created by Bernini, from Giuseppe Vasi (1710-1782), Prospetto dell 'Alma Cittá di Roma visto dal Monte Gianicolo, 1765.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605716653932-LEYF8E9IZM9OW10EDI4G/Palumbo+St+Peters+3.jpg</image:loc>
      <image:title>Blog - On This Day: Consecrations of The Old and New Basilicas of Saint Peter</image:title>
      <image:caption>Photo of Saint Peter’s Basilica and Piazza taken by Margherita Palumbo from the gardens of the Congregation for the Evangelization of Peoples (Vatican City). 5 November 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/pignoria</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605139156513-WTS5AVKERXE49UU6RLBL/pignoria%2Btitle.jpg</image:loc>
      <image:title>Blog - Pignoria’s ‘Mensa Isiaca’ and Early Egyptology</image:title>
      <image:caption>Detail of title page by Abraham Blotelingh, for Lorenzo Pignoria (1571-1631), Mensa Isiaca, qua sacrorum apud Aegyptios ratio &amp; simulacra subjectis tabulis aeneis simul exhibentur &amp; explicantur. Accessit ejusdem authoris de Magna Deum matre discursus, &amp; sigillorum, gemmarum, amuletorum aliquot figurae &amp; earundem ex Kirchero Chisletioque interpretatio. Nec non Jacobi Philippi Tomasini Manus Aenea, &amp; de vita rebusque Pignorij dissertatio. Amsterdam, Andreas Fries, 1669.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605139026515-FL9NEL2EF49LJHQ4AC70/1024px-Mensa_Isiaca.png</image:loc>
      <image:title>Blog - Pignoria’s ‘Mensa Isiaca’ and Early Egyptology</image:title>
      <image:caption>Fragment of the Mensa Isiaca. (Public Domain).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605040416454-Y89U8D5DZEGX7CA6M7NM/Kircher+-+Hall+Bembine_Table_of_Isis.png</image:loc>
      <image:title>Blog - Pignoria’s ‘Mensa Isiaca’ and Early Egyptology</image:title>
      <image:caption>The Bembine Table of Isis from Kircher’s Oedypus Aegyptiacus, reprinted in Manly P. Hall’s The Secret Teachings of All Ages (1928).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605040612696-1S1J4LW9LF1W5DIJXGEZ/pignoria+engraving.jpg</image:loc>
      <image:title>Blog - Pignoria’s ‘Mensa Isiaca’ and Early Egyptology</image:title>
      <image:caption>One of 11 folding engravings included in the 1669 edition of Pignoria’s Mensa Isiaca.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1605136149009-LZNZC1FMOWRCRKMA151K/Screen+Shot+2020-11-11+at+6.07.39+PM.png</image:loc>
      <image:title>Blog - Pignoria’s ‘Mensa Isiaca’ and Early Egyptology</image:title>
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      <image:title>Blog - Pignoria’s ‘Mensa Isiaca’ and Early Egyptology</image:title>
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      <image:title>Blog - Pignoria’s ‘Mensa Isiaca’ and Early Egyptology</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/marmitta</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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      <image:title>Blog - Bookbindings on Show</image:title>
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  <url>
    <loc>https://www.prphbooks.com/blog/compleat-fencing-master</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1603921072699-A42QBZJEHJFLCMYQMNGB/Hope+title+page.jpg</image:loc>
      <image:title>Blog - Hope’s The Compleat Fencing-Master</image:title>
      <image:caption>William Hope (1660-1724), The Compleat Fencing-Master: in which is fully describ’d all the guards, parades and lessons belonging to the small-sword; as, also the best rules for playing against either Artists or others, with blunts or sharps. Together With Directions how to Behave in Single Combat on Horse-Back: Illustrated with Figures Engraven on Copper-Plates, representing the most necessary Postures... The third edition. London, W. Taylor, [1687]-1710. See the complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1603921177509-RTVFQS209JHORN90G474/IMG_2650%2B2.jpg</image:loc>
      <image:title>Blog - Hope’s The Compleat Fencing-Master</image:title>
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      <image:title>Blog - Hope’s The Compleat Fencing-Master</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1603321701098-FVI8AD7GB0MYGQVH6CFM/IMG_6140+%281%29.jpg</image:loc>
      <image:title>Blog - Hope’s The Compleat Fencing-Master</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1603921550395-Z03FGZ3BPNAQAH1ITCZO/hope%2Bfencing%2B2.jpg</image:loc>
      <image:title>Blog - Hope’s The Compleat Fencing-Master</image:title>
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      <image:title>Blog - Hope’s The Compleat Fencing-Master</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/suetonius</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1603260720168-798E64MHFYM778U6P40D/231.%2BSvetonius.jpg</image:loc>
      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
    </image:image>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
      <image:caption>Anthonis Moor. Portrait of Hubert Goltzius, 1573-74. Bruxelles, Musées Royaux des Beaux Arts de Belgique (public domain).</image:caption>
    </image:image>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1603262611032-GX70TT0NX0VLHCD10677/232.+Canaletto+3.jpg</image:loc>
      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
      <image:caption>From Canaletto’s Vedute Altre prese da i Luoghi altre ideate da Antonio Canal.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1603301758457-SJJAODSA6U0N5M0KIG8J/IMG_7832%2B%25281%2529.jpg</image:loc>
      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
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      <image:title>Blog - Twelve Blue Caesars and Numismatic Imagery in Venice</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/pino</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1564512265572-14KNKP6KU78M183KG3XF/Cenacolo.jpg</image:loc>
      <image:title>Blog - Pino’s history of Leonardo’s ‘The Last Supper'</image:title>
      <image:caption>Leonardo da Vinci, Cenacolo (The Last Supper), 1495–1498. Convent of Santa Maria delle Grazie, Milan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1602692286045-QR4BBQ387GXR7ILBM4DH/Pino%252B1.jpg</image:loc>
      <image:title>Blog - Pino’s history of Leonardo’s ‘The Last Supper'</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1602692239837-G87LO3KCI7SL71W708IO/Pino%2B2.jpg</image:loc>
      <image:title>Blog - Pino’s history of Leonardo’s ‘The Last Supper'</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1602691045051-C4RTLUAK9AEFCEC4LYRH/Leonardo+Portrait.png</image:loc>
      <image:title>Blog - Pino’s history of Leonardo’s ‘The Last Supper'</image:title>
      <image:caption>Attributed to Francesco Melzi (1491/3-C. 1570), Portrait of Leonardo, c. 1515–18. Royal Collection, UK. [Public domain]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/piranesi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1602095945198-8S0XOYVJM1SI4YKWUIFW/Piranesi+self-portrait</image:loc>
      <image:title>Blog - Celebrating Piranesi</image:title>
      <image:caption>Giovanni Battista Piranesi (1720-1778), engraved self-portrait, second half of the 18th century.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1602098363609-W14Y8KRMIW3TQ0WBBJUP/PIRANESI_%2BIncisionePzzaMonteCavallo.jpg</image:loc>
      <image:title>Blog - Celebrating Piranesi</image:title>
      <image:caption>Piranesi, Veduta della Piazza di Monte Cavallo, 1750, from Vedute di Roma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1602098401379-XBK85NSJ2L3WNQLZ77GJ/image.jpg</image:loc>
      <image:title>Blog - Celebrating Piranesi</image:title>
      <image:caption>Piranesi, Veduta in prospettiva della gran Fontana dell'Acqua Vergine detta di Trevi Architettura di Nicola Salvi , 1773, from Vedute di Roma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1602040666873-5GLIH24POSTHAWUWLOIN/Piranesi+2.jpg</image:loc>
      <image:title>Blog - Celebrating Piranesi</image:title>
      <image:caption>Piranesi, Carcere oscura con Antenna pel suplizio dè malfatori... (Dark prison with a courtyard for the punishment of criminals...), from Prima Parte di Architetture e Prospettive. See more details about this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1602040653587-ZHHK180Q3T52ATFAUG32/Piranesi+1.jpg</image:loc>
      <image:title>Blog - Celebrating Piranesi</image:title>
      <image:caption>Piranesi, Idea delle antiche vie Appia e Ardeatina, an imaginative reconstruction of two streets on the outskirts of Ancient Rome. This is a reduced version of the large frontispiece to vol. II of the Antichità Romane, bound here with Piranesi’s Prima parte di Architettura e Prospettive. See more details about this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1602100104717-IOFQL35B3HPY5T0M4M9P/Piranesi+-+Plate+11+Temple+of+Janus+%28Tempio+di+Giano%29+from+Antichita+Romane.jpg</image:loc>
      <image:title>Blog - Celebrating Piranesi</image:title>
      <image:caption>Piranesi, Tempio di Giano (Temple of Janus), from Antichità Romane.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1602094811462-CAO21MNH4Y2H83N5J7E2/Pietro_Labruzzi_portrait_of_Giovanni_Battista_Piranesi.jpg</image:loc>
      <image:title>Blog - Celebrating Piranesi</image:title>
      <image:caption>Pietro Labruzzi, Portrait of Giovanni Battista Piranesi, 1779.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/signing-off-for-a-summer-holiday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-22</lastmod>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/del-bene-civitas-veri</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594834821961-DDJAD4X8RCKG43B0GVJF/17th%252Bc%252Bdel%252Bbene.jpg</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
      <image:caption>Bartolomeo Del Bene (b. 1514). Civitas veri sive morum... Aristotelis de moribus doctrinam, carmine et picturis complexa, et illustrata commentariis Theodori Marcilii.... Paris, Ambroise and Jérôme Drouart, 1609. See the complete description here.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594839209039-JAQX6CH2PSYR7FEUQ2GQ/IMG_9891.jpg</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594824848941-MK983VZGQJYWQJSHCF3D/Fra+Carnevale+-The+Ideal+City.jpg</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
      <image:caption>The Ideal City, after design by Giulio da San Gallo, ca. 1480-ca. 1484. The Walters Art Museum, Baltimore. PD-US.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594831825162-E2H24PE9C7JXSN8DUSW2/Palmanova1600.jpg</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
      <image:caption>City plan of Palmanova, from Georg Braun and Frantz Hogenberg’s Civitates orbis terrarum. PD-US.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594832227975-DKQSNGL19R1HPCRQDF3R/17th%2Bc%2Bdel%2Bbene.jpg</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
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      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594756945983-KLDIS8QD353EY5QGD5ME/IMG_9470.JPG</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
      <image:caption>The Portal of Touch</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594838066703-9D8G67IAXXHHLQ7LTQSP/IMG_2947.jpg</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
      <image:caption>The Labyrinth of Avarice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594832327230-HERFM6GXE5BHR22B2WPO/IMG_1710.jpg</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
      <image:caption>The Palace of Fortitude</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594832701187-TA2F8UX6W31X8UNYKWNQ/IMG_3172.jpg</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
      <image:caption>At the centre of Del Bene’s City of Truth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594832836717-TEBIBTGP72X2WU0UHXKD/IMG_6006.jpg</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
      <image:caption>The Temple of Intelligence</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594833046522-NHQG4EHUVJV2VOLDVYXE/IMG_3172.jpg</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
      <image:caption>Detail of the centre of the City of Truth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594833134628-BY6A2V4SC76MDGFMCJLO/augustinus+2.jpg</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
      <image:caption>A remarkable wide-margined and illuminated copy of the rare second edition – the first printed in Rome – of Augustine’s City of God, a typographical monument. Aurelius Augustinus (354-430). De Civitate Dei. Rome, Conradus Sweynheym and Arnoldus Pannartz, in the house of Petrus de Maximo, 1468. See the full description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1594833329170-L78J4SAUDQPKF9MUCQ1R/Colona.jpg</image:loc>
      <image:title>Blog - “The City of Truth”: A Closer Look at Bartolomeo Del Bene’s Civitas veri sive morum</image:title>
      <image:caption>The rare second edition of the Poliphilo, the most famous illustrated book of the Renaissance. Francesco Colonna (ca. 1433-1527). La Hypnerotomachia di Poliphilo… Venice, Sons of Aldo Manuzio, 1545. See the complete description here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/sold-masterpieces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-21</lastmod>
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      <image:title>Blog - Sold Masterpieces</image:title>
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      <image:title>Blog - Sold Masterpieces</image:title>
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      <image:title>Blog - Sold Masterpieces</image:title>
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      <image:title>Blog - Sold Masterpieces</image:title>
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      <image:title>Blog - Sold Masterpieces</image:title>
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      <image:title>Blog - Sold Masterpieces</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1593901598104-XJKT7M8WR64P7K3B5DSL/38%2Bfirst%2Bfolio.jpg</image:loc>
      <image:title>Blog - Sold Masterpieces</image:title>
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      <image:title>Blog - Sold Masterpieces</image:title>
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      <image:title>Blog - Sold Masterpieces</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/canada-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1593634559081-QPCKUUR99GF57GZ61DZO/43153-Ptolemeo+taglio.jpg</image:loc>
      <image:title>Blog - Happy Canada Day!</image:title>
      <image:caption>Claudius Ptolemaeus (ca. 100-168) - Giacomo Gastaldi (ca. 1500-1566), Ptolemeo. La geografia di Claudio Ptolemeo alessandrino, con alcuni comenti et aggiunte fattevi da Sebastiano Munstero Alamanno, con le tavole non solamente antiche et moderne solite di stamparsi, ma altre nuove aggiuntevi di messer Iacopo Gastaldo piamontese cosmographo, ridotta in volgare italiano da m. Pietro Andrea Mattiolo [...], Venice, Niccolò Bascarini for Giovanni Battista Pederzano, October 1547.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1593637358636-5MIM1J964UVFMZ1985QE/GASTALDI+1.jpg</image:loc>
      <image:title>Blog - Happy Canada Day!</image:title>
      <image:caption>Tierra Nueva map by Giacomo Gastaldi (ca. 1500-1566), from Claudius Ptolemaeus (ca. 100-168) - Giacomo Gastaldi (ca. 1500-1566), Ptolemeo. La geografia di Claudio Ptolemeo alessandrino, con alcuni comenti et aggiunte fattevi da Sebastiano Munstero Alamanno, con le tavole non solamente antiche et moderne solite di stamparsi, ma altre nuove aggiuntevi di messer Iacopo Gastaldo piamontese cosmographo, ridotta in volgare italiano da m. Pietro Andrea Mattiolo [...], Venice, Niccolò Bascarini for Giovanni Battista Pederzano, October 1547.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1593635177057-NFXNZEXWB7VT9J8BVHY2/image-asset.jpeg</image:loc>
      <image:title>Blog - Happy Canada Day!</image:title>
      <image:caption>Girolamo Ruscelli’s “Tierra Nueva” map in Claudius Ptolemaeus (ca. 100-168) - Giuseppe Moleto (1531-1588), Geographia Cl. Ptolemaei Alexandrini Olim a Bilibaldo Pirckheimherio traslata, at nunc multis codicibus graecis collata, pluribusque in locis ad pristinam ueritatem redacta a Iosepho Moletio mathematico, Venice, Valgrisi Vincenzo, 1562.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1593635311177-PHP5H21VYIBK9RLSXWZX/image-asset.jpeg</image:loc>
      <image:title>Blog - Happy Canada Day!</image:title>
      <image:caption>Detail of Anania’s “America” map from his L’uniuersale fabrica del mondo, overo Cosmografia... Diuisa in quattro Trattati... Di nuouo ornata con le figure delle quattro parti del Mondo in Rame. Venice, Andrea Muschio for Giacomo Aniello De Maria, 1582.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590175940781-VSLI1TB4YL56VF2HACL2/image-asset.jpeg</image:loc>
      <image:title>Blog - Happy Canada Day!</image:title>
      <image:caption>Decorated lower cover by Cesare Vecellio (1521-1601), with map of the New World (Mondo Novo). Gianni Lorenzo da Anania (1545-1609), L’uniuersale fabrica del mondo, overo Cosmografia... Diuisa in quattro Trattati... Di nuouo ornata con le figure delle quattro parti del Mondo in Rame, Venice, Andrea Muschio for Giacomo Aniello De Maria, 1582.</image:caption>
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      <image:title>Blog - Happy Canada Day!</image:title>
      <image:caption>Universale Novo map by Giacomo Gastaldi (ca. 1500-1566), from Claudius Ptolemaeus (ca. 100-168) - Giacomo Gastaldi (ca. 1500-1566), Ptolemeo. La geografia di Claudio Ptolemeo alessandrino, con alcuni comenti et aggiunte fattevi da Sebastiano Munstero Alamanno, con le tavole non solamente antiche et moderne solite di stamparsi, ma altre nuove aggiuntevi di messer Iacopo Gastaldo piamontese cosmographo, ridotta in volgare italiano da m. Pietro Andrea Mattiolo [...], Venice, Niccolò Bascarini for Giovanni Battista Pederzano, October 1547.</image:caption>
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      <image:title>Blog - Happy Canada Day!</image:title>
      <image:caption>Arta Marina Nova Tabula map by Giacomo Gastaldi (ca. 1500-1566), from Claudius Ptolemaeus (ca. 100-168) - Giacomo Gastaldi (ca. 1500-1566), Ptolemeo. La geografia di Claudio Ptolemeo alessandrino, con alcuni comenti et aggiunte fattevi da Sebastiano Munstero Alamanno, con le tavole non solamente antiche et moderne solite di stamparsi, ma altre nuove aggiuntevi di messer Iacopo Gastaldo piamontese cosmographo, ridotta in volgare italiano da m. Pietro Andrea Mattiolo [...], Venice, Niccolò Bascarini for Giovanni Battista Pederzano, October 1547.</image:caption>
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      <image:title>Blog - Happy Canada Day!</image:title>
      <image:caption>Mosaic of Marco Polo, Municipal Palace of Genoa: Palazzo Grimaldi Doria-Tursi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/euclid-colbertina</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1593028430296-3JM7I9Z5I9RVHUNLT21A/150.%2BEuclides.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>Euclid’s Elements, finely bound for Jean-Baptiste Colbert and stamped with the coat of arms of Count Charles Henry Hoym. Euclides (fl. 3rd century BC). Elementorum Libri XV. Accessit XVI. De solidorum Regularium comparatione. Omnes perspicuis demonstrationibus, accuratisque scholjis illustrati. Auctore Christophoro Clavio Bambergensi. Societatis Iesu. Rome, Vincenzo Accolti, 1574. See the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592847959837-IOSIY2J5EUGEJHP3NYRO/Philippe+de+Champaigne%2C+Portrait+of+Jean-Baptiste+Colbert.png</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>Philippe de Champaigne, Portrait of Jean-Baptiste Colbert, 1655. Metropolitan Museum of Art, New York. Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592963614307-9X74LSUSQKSV9DT6YAJ5/Euclid+spines.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>The two volumes are uniformly bound in seventeenth-century red morocco over pasteboards, according to Colbert’s preference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592850389544-N29TGC4NFZYE5COOAF2D/colbert+1.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>Title page of volume I of this extraordinary copy of Euclid’s Elements, with the inscription stating ownership by the Bibliotheca Colbertina. See the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1593013484576-ZJ9LF8J8UV79JS47UYXZ/Hoym+portrait.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>Portrait of Hoym. Engraving by A. Morse after painting by Rigaud (1617). Public domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592850405485-IFG4IKOU5RG8SS2N3VNW/colbert2.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>Title page of volume II of this extraordinary copy of Euclid’s Elements, with the inscription stating ownership by the Bibliotheca Colbertina. See the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592978353658-7QJ6GG5J10GQ5NI50R6Z/arms.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592970043383-072AAPFVUWW17A4PQ1G1/IMG_5422.JPG</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>Each cover of the two-volume Euclid, originally bound for Colbert in fine red morocco, bears Hoym’s gilt coat of arms surrounded with a garland of oak leaves.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592954235429-I9W7W8GKJTTLGZ4GUDZT/150.+Euclides.JPG</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>The elegant binding on these volumes attests to their remarkable provenance, with the spines original to Colbert and Hoym’s gilt stamp on the covers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592978548525-RM8VX6H1E2SA2LM53WOQ/lectora.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592978584192-18KOK5HEF8ZXLRKN4HHR/1250%2Beuclides.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592970217107-UX1PRI4X3O4JA3XZY0DZ/IMG_9357.JPG</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1593015128122-WV6D4C6ROG9PCWFIZ44H/maccio%252Btitle.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>Maccio, Paolo (1576-1638). Emblemata. Bologna, Clemente Ferroni, April 1628. This copy of Maccio’s Emblemata was also once in the Bibliotheca Colbertina and likewise bears a remarkable provenance even after leaving that collection. See the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1593015054391-9FU2P1USYXPH5J38MJ4P/Maccio%2Bbinding.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>Calf binding of the Colbert-Heber-Beckford copy of Maccio’s Emblemata.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592971236690-R2PXC828KBYVD2OMSK5M/Heberiana+stamp.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>English book collector Richard Heber’s stamp, Bibliotheca Heberiana, appears on the front flyleaf.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592975437960-AN0255O1Y09GT7F69BKE/Beckford%25252Bpencilled%25252Bnotes.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>The copy was subsequently purchased by William Beckford, whose collection was bequeathed to his daughter Susan Euphemia following his death. It remained with her at Hamilton Palace until 1882.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592978681194-2A2V23TABJAW7IZU4MOP/Screen%2BShot%2B2020-06-23%2Bat%2B11.23.42%2BAM.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592976716566-OKIVHG0FKQVNZ0C4E2OR/Legatura+Sarpi+%281%29+%281%29.jpg</image:loc>
      <image:title>Blog - Bibliotheca Colbertina</image:title>
      <image:caption>A spectacular dogale binding made for Paolo Sarpi. [Aristoteles (384-322 A.C.)]. Ethicorum Nicomachiorum paraphrasis. Leiden, Jan Paedts Jacobszon, 1607. This item is sold, but the description is available to read in the 2009 catalogue The First 49 Stories about Books (number XLIV).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/bacon-peiresc-gassendi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592408722610-1QDZX7TO758ZMAHVLPEJ/Picture1.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592247463737-DTT6EFDRMNMO46A9P708/image-asset.png</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
      <image:caption>Portrait of Nicolas-Claude Fabri de Peiresc. Engraving by Claude Mellan, 1637.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592408858921-9MUPPJPX7ZHFKLH7M5O0/GalileoBarberini%25284%2529.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
      <image:caption>Galileo Galilei, Il Saggiatore nel quale con bilancia esquisita e giusta si ponderano le cose contenute nella Libra astronomica e filosofica di Lotario Sarsi Sigensano... Rome, Giacomo Mascardi, 1623. Title-page portrait of Galileo within a fine engraved architectural border by Francesco Villamena (ca. 1566-1626). This is one of only a few copies printed on thick paper, bound for the Barberini Family. See the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592247536076-FI26HW8N4IDVQBWB36XE/Picture3.png</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
      <image:caption>Portrait of Francis Bacon, Viscount St Albans. Line engraving by J. Houbraken, 1738.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592409406923-K640QI4XQ5XXL1HYYCBG/bacon%2Btitle%2Bpage.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
      <image:caption>Bacon, Francis (1561-1626). De dignitate et augmentis scientiarum, Libri ix. Ad Regem suum. Iuxta Exemplar Londini Impressum. Paris, Pierre Mettayer, 1624. See the complete description of this extraordinary association copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592248089450-FVBFMM9GALBVBRGMFSKQ/Claude+Mellan.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
      <image:caption>Portrait of Pierre Gassendi. Engraving by Claude Mellan, ca. 1637 or 1638</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592248242094-B9623ANUWTW2F8PNCFME/binding+cover.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592243463388-DX2V3K57K6XEFX76AZSM/191+Bacon.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592248325369-E6IY17QTQG1OIZ04O5GP/inscription.png</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1592408722610-1QDZX7TO758ZMAHVLPEJ/Picture1.jpg</image:loc>
      <image:title>Blog - A gift from Peiresc to his friend Gassendi</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/ficino-astrology-magic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1591772815256-K7PIVZZNUCFX2NWWZS5E/Spirito%2B1498%2Bwheel%2B%25281%2529.jpg</image:loc>
      <image:title>Blog - Marsilio Ficino, Astrology, and Renaissance Magic</image:title>
      <image:caption>Lorenzo Spirito, Libro de la Ventura, [Bologna, Caligola de Bazaleriis, 1498-1500]. The only known copy of this Bolognese incunable edition of the first fortune-telling game ever printed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1591771660586-3M0VF59WCAGPYBJHO45T/20.+Regiomontanus.JPG</image:loc>
      <image:title>Blog - Marsilio Ficino, Astrology, and Renaissance Magic</image:title>
      <image:caption>Johannes Regiomontanus, Kalendarium, Venice, Bernhard Maler, Peter Loeslein and Erhard Ratdolt, 1476. This Venetian publication is rightly famous for bearing the earliest known example of an ornamental title-page in the history of printing.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1591799879824-QNX8749EMOUQ61M0WQBX/Hermes+mosaic.jpg</image:loc>
      <image:title>Blog - Marsilio Ficino, Astrology, and Renaissance Magic</image:title>
      <image:caption>Mosaic at the Cathedral of Siena dating to the 1480s and presenting Hermes Mercurius Trismegistus as a contemporary of Moses. (Public domain)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1591812146017-N4L2TIW0UFG9J4INQ4QT/Marsilio%2BFicino.jpg</image:loc>
      <image:title>Blog - Marsilio Ficino, Astrology, and Renaissance Magic</image:title>
      <image:caption>Marsilio Ficino, De vita libri tres (De triplici vita); Apologia; Quod necessaria sit ad vitam securitas. Add: Poem by Amerigus Corsinus, Florence, Antonio di Bartolomeo Miscomini, 3 December 1489.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1591772039628-UE9EIPVQAYRXQ3LLP9AE/cancellieri+cover.jpg</image:loc>
      <image:title>Blog - Marsilio Ficino, Astrology, and Renaissance Magic</image:title>
      <image:caption>Francesco Cancellieri (1751-1826). Dissertazione... intorno agli uomini dotati di gran memoria ed a quelli divenuti smemorati. Con un’Appendice delle Biblioteche degli scrittori, sopra gli eruditi precoci, la memoria artificiale, l’arte di scegliere e di notare, ed il giuoco degli scacchi. Rome, Francesco Bourlie, 1815. See the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1591772192698-7OEDHPAY683JOKXQ6LOH/benivieni+inside.jpg</image:loc>
      <image:title>Blog - Marsilio Ficino, Astrology, and Renaissance Magic</image:title>
      <image:caption>Girolamo Benivieni (1453-1542), Canzoni e sonetti dell’amore e della bellezza divina, con commento, Florence, Antonio Tubini, Laurentius (Francisci) de Alopa, Venetus and Andrea Ghirlandi, 7 September 1500.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1591772244639-GLFYR6ECZJXC224D7ANP/153.+Cardano.jpg</image:loc>
      <image:title>Blog - Marsilio Ficino, Astrology, and Renaissance Magic</image:title>
      <image:caption>Girolamo Cardano, In Cl. Ptolemaei de astrorum iudiciis..., Basel, Heinrich Petri, September 1578. A magnificent copy – bound for the French cardinal Charles de Bourbon – of the third edition of this compilation of astrological works by the renowned physician, natural philosopher, mathematician, and astrologer from Milan Girolamo Cardano, including his Latin translation of Ptolemy’s Tetrabiblos, along with his commentary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1591772383230-964EHKX1NZF7JTVW1DOD/bruno+summa.jpg</image:loc>
      <image:title>Blog - Marsilio Ficino, Astrology, and Renaissance Magic</image:title>
      <image:caption>The rare second and definitive edition of a series of lectures given by Bruno in Zurich. The work aims to provide a lexicon of philosophical terms, divided here into fifty-two concepts according to the model of Aristotelian Metaphysics, among other systems of logic. Giordano Bruno, Summa terminorum metaphysicorum... Accessit eiusdem praxis Descensus, seu applicatio Entis ex manuscripto, per Raphaelem Eglinum Jconium Tigurinum, Marburg, Rudolph Hutwelcker, 1609.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1591772569662-M3FPZVV9XDLP7EDKXW59/Dee%2B1.jpg</image:loc>
      <image:title>Blog - Marsilio Ficino, Astrology, and Renaissance Magic</image:title>
      <image:caption>An extraordinary association copy, the rare first Latin edition of the first four books of the famous Apollonius of Perga's Conics, once belonging to John Dee. After Dee's death, the volume was acquired, in 1631, by John Winthrop Jr. (1606-1676), who in the same year crossed the ocean and brought his notable scientific library to Massachusetts Bay, including the Apollonius with the celebrated hieroglyphic monad invented by John Dee. This is the first recorded scientific book to reach the New World, and among the earliest books with an American provenance. Apollonius Pergaeus (late 3rd century BC - early 2nd century BC). Apollonii Pergei Philosophi, Mathematicique excellentissimi Opera. Per Doctissimum Philosophum Ioannem Baptistam Memum Patritium Venetum, Mathematicharum Artium in Urbe Veneta Lectorem Publicum. De Graeco in Latinum Traducta, &amp; Nouiter Impressa.... Venice, Bernardino Bindoni for Giambattista Memmo, 1537.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/blacklivesmatter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-03</lastmod>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/petrarch-counterfeit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1589955031203-HHHTXTSNPKN6LNGTSHLZ/petrarch+1.jpg</image:loc>
      <image:title>Blog - The Lyonnais counterfeit of the 1501 Aldine Petrarch</image:title>
      <image:caption>The Lyonnais counterfeit of the 1501 Aldine Petrarch. Petrarca, Francesco (1304-1374). Le cose vulgari di Messer Francesco Petrarcha. [Lyon, ca. 1502]. See the complete description here.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1589955062558-AU42ANS9CA7YFS0TIBFG/petrarch+text.jpg</image:loc>
      <image:title>Blog - The Lyonnais counterfeit of the 1501 Aldine Petrarch</image:title>
      <image:caption>The Lyonnais counterfeit of the 1501 Aldine Petrarch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1589920541363-335LJ1RAIC4ZUU5E9BLZ/PETRARCA+1+INCIPIT.jpg</image:loc>
      <image:title>Blog - The Lyonnais counterfeit of the 1501 Aldine Petrarch</image:title>
      <image:caption>The original Aldine Petrarch of 1501. This copy, presented in the 2016 catalogue Raccolta di Edizioni dantesche, n. 61, is now sold.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1589920510783-JYH4AQHLZ4NTFDXIMT9P/PETRARCA+1+COLOPHON.jpg</image:loc>
      <image:title>Blog - The Lyonnais counterfeit of the 1501 Aldine Petrarch</image:title>
      <image:caption>Colophon from the original Aldine Petrarch of 1501.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1589957793962-0YP7LITB190D0XM9UJ3P/petrarch%2Btitles.jpg</image:loc>
      <image:title>Blog - The Lyonnais counterfeit of the 1501 Aldine Petrarch</image:title>
      <image:caption>Only a slight variation exists in the titling between the 1502 Lyonnais counterfeit (left) and the original Aldine Petrarch of 1501 (right).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1589958186398-984CR147I6O8FJZ9KMZU/Dante%2B1544%2Bfugger.jpg</image:loc>
      <image:title>Blog - The Lyonnais counterfeit of the 1501 Aldine Petrarch</image:title>
      <image:caption>Alighieri, Dante (1265-1321). La Comedia di Dante Aligieri con la nova espositione di Alessandro Vellutello.... Venice, Francesco Marcolini, June 1544.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1589955177365-PDDS1L41X1E8WU2SQ9CR/petrarch+binding.jpg</image:loc>
      <image:title>Blog - The Lyonnais counterfeit of the 1501 Aldine Petrarch</image:title>
      <image:caption>Binding for the available copy of the Lyonnais counterfeit.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1589956358563-8ST7CDGGG0BKF9KJ4WZC/petrarch+1.jpg</image:loc>
      <image:title>Blog - The Lyonnais counterfeit of the 1501 Aldine Petrarch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1589957946164-DWSX9S8IUWJT6UPTF9WG/rhodes%252B-%252Bbarker.jpg</image:loc>
      <image:title>Blog - The Lyonnais counterfeit of the 1501 Aldine Petrarch</image:title>
      <image:caption>Excerpts from “Some English, Welsh, Scottish, and Irish Book-Collectors in Italy, 1467-1850” by Dennis E. Rhodes, included in the 1994 collection of essays in honour of A. Hobson (D. E. Rhodes ed., Bookbindings &amp; Other Bibliophily. Essays in Honour of Anthony Hobson, Verona 1994, pp. 247-276).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1590081453230-XYESPSWCE25W5C2UMBIT/Petrarch+Barker.jpg</image:loc>
      <image:title>Blog - The Lyonnais counterfeit of the 1501 Aldine Petrarch</image:title>
      <image:caption>John Barker’s ownership inscription in the Lyonnais counterfeit.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/phoenix-counterfeit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1589380598160-OLSXKM5GTK4GB7Q75RF5/Phoenix2%252B-%252Bblog%252B-%252Bcolophon%252B2.jpg</image:loc>
      <image:title>Blog - The First Case of Piracy in the History of Printing</image:title>
      <image:caption>Pietro Tomai, Phoenix seu De artificiosa memoria. Add: Verses by Antoninus Aegidius Canisius, Johannes Antonius Plebanus, Marcus Picardus, Hieronymus Butigella and C. Lycinius, [Bologna, Bazalerius de Bazaleriis, about 1492]. See the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1589378369688-CVZ28QB2UDUMOQQTOQO9/Bruno+phoenix.jpg</image:loc>
      <image:title>Blog - The First Case of Piracy in the History of Printing</image:title>
      <image:caption>Giordano Bruno, De compendiosa architectura, &amp; complementi artis Lullij, Paris, Gilles Gorbin, 1582. See the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1589380011132-G79EMRSJ8TLD82G34ESR/Phoenix%2B-%2Btitle%2B-%2Bblog.jpg</image:loc>
      <image:title>Blog - The First Case of Piracy in the History of Printing</image:title>
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      <image:title>Blog - The First Case of Piracy in the History of Printing</image:title>
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      <image:title>Blog - The First Case of Piracy in the History of Printing</image:title>
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      <image:title>Blog - The First Case of Piracy in the History of Printing</image:title>
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      <image:title>Blog - The First Case of Piracy in the History of Printing</image:title>
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      <image:title>Blog - The First Case of Piracy in the History of Printing</image:title>
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      <image:title>Blog - The First Case of Piracy in the History of Printing</image:title>
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      <image:title>Blog - The First Case of Piracy in the History of Printing</image:title>
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      <image:title>Blog - The First Case of Piracy in the History of Printing</image:title>
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      <image:title>Blog - The First Case of Piracy in the History of Printing</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/fanti-marcolini</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588789160267-5NSDANKMITYV6NJ3VE22/Spirito%2B1498%2Bwheel%2B%25281%2529.jpg</image:loc>
      <image:title>Blog - After Spirito: Fortune-Telling Books by Fanti and Marcolini</image:title>
      <image:caption>The first printed fortune-telling book: Lorenzo Spirito’s Libro de la Ventura [Bologna, Caligola de Bazaleriis, 1498-1500]. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588805310821-C9YASRHONTMS5NG0NU4V/Fanti%25283%2529.jpg</image:loc>
      <image:title>Blog - After Spirito: Fortune-Telling Books by Fanti and Marcolini</image:title>
      <image:caption>Fanti, Sigismondo (active 1510-1530 in Ferrara). Triompho di fortuna di S. Fanti Ferrarese. Venice, Agostino Zano for Giacomo Giunta, January 1527. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588807143750-CW087ZZHKNXCSZL1TODW/Fanti%252B-%252BMichelangelo%252Bsculpting.jpg</image:loc>
      <image:title>Blog - After Spirito: Fortune-Telling Books by Fanti and Marcolini</image:title>
      <image:caption>An early representation of Michelangelo in Fanti’s Triompho di fortuna di S. Fanti Ferrarese.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588807524207-WAI6MV7F3KM6AH5OATFP/Fanti%25282%2529.jpg</image:loc>
      <image:title>Blog - After Spirito: Fortune-Telling Books by Fanti and Marcolini</image:title>
      <image:caption>Frontispiece for Fanti’s Triompho di fortuna di S. Fanti Ferrarese (Venice, Agostino Zano for Giacomo Giunta, January 1527).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588808737416-6AL2I5DACTAQ53GULVQJ/image-asset.jpeg</image:loc>
      <image:title>Blog - After Spirito: Fortune-Telling Books by Fanti and Marcolini</image:title>
      <image:caption>A copy of Marcolini’s Sorti of 1540 bound in early 17th-century dark red full morocco, panels with gilt decoration ‘à la Du Seuil’. See the full description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588803339386-X5WI2STE1XAV9GOYW3FE/Screen+Shot+2020-05-06+at+6.15.12+PM.png</image:loc>
      <image:title>Blog - After Spirito: Fortune-Telling Books by Fanti and Marcolini</image:title>
      <image:caption>Marcolini, Francesco (ca. 1500-1559). Le Sorti. Intitolate Giardino dei Pensieri. Venice, Marcolini, 1540).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588783999065-T3AXFKYPLVLHOYUM2D0X/Sorti+frontispiece.jpg</image:loc>
      <image:title>Blog - After Spirito: Fortune-Telling Books by Fanti and Marcolini</image:title>
      <image:caption>Frontispiece for Marcolini’s Le Sorti. Intitolate Giardino dei Pensieri. Venice, Marcolini, 1540).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588801566667-C0OJLLIWDWULWP3NO3HJ/marcolini%2B1540%2Bportrait.jpg</image:loc>
      <image:title>Blog - After Spirito: Fortune-Telling Books by Fanti and Marcolini</image:title>
      <image:caption>Woodcut portrait of Marcolini attributed to Titian. Included in Marcolini’s Le Sorti. Intitolate Giardino dei Pensieri. (Venice, Marcolini, 1540).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586964222319-5X047IJGSQY94O90E2IM/serlio+blue+2.jpg</image:loc>
      <image:title>Blog - After Spirito: Fortune-Telling Books by Fanti and Marcolini</image:title>
      <image:caption>Title page of Sebastiano Serlio’s Regole generali di architettura... sopra le cinque maniere de gli edifici, cioe, thoscano, dorico, ionico, corinthio, e composito, con gli essempi de l’antiquita, che per la maggior parte concordano con la dottrina di Vitruvio. Venice, Francesco Marcolini, February 1540. (bound with:) Serlio. Il terzo libro... nel qual si figurano, e descrivono le antiquità di Roma, e le altre che sono in Italia, e fuori d’Italia. Venice, Francesco Marcolini, February 1540. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588741436099-A8PA3IYDEBG4UIBQY9IJ/Marcolini-title.jpg</image:loc>
      <image:title>Blog - After Spirito: Fortune-Telling Books by Fanti and Marcolini</image:title>
      <image:caption>Marcolini’s portrait after the woodcut of the 1550 edition, signed by Giuseppe Daniotto (1741-1789). Marcolini, Giardino dei Pensieri composta da Francesco Marcolini da Forli L’Anno mdl. Ristampata nel MDCCLXXXIV. [Venice, Santini], 1784. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588809384458-MVF6K54WIFNUC690G93U/Marcolini%252B2.jpg</image:loc>
      <image:title>Blog - After Spirito: Fortune-Telling Books by Fanti and Marcolini</image:title>
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      <image:title>Blog - After Spirito: Fortune-Telling Books by Fanti and Marcolini</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/fortune-telling-books</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588172411992-0MAWTJIKXH5WXZUK6Z6A/Spirito+1498+wheel.jpg</image:loc>
      <image:title>Blog - On Fortune-Telling Books: A Spirito Incunable and Two Later Manuscripts</image:title>
      <image:caption>The first printed fortune-telling book: Lorenzo Spirito’s Libro da la Ventura [Bologna, Caligola de Bazaleriis, 1498-1500]. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588172401364-QHHH3DUJZ8Z76ZI4MUHJ/Spirito+1498+title.jpg</image:loc>
      <image:title>Blog - On Fortune-Telling Books: A Spirito Incunable and Two Later Manuscripts</image:title>
      <image:caption>Title page of Lorenzo Spirito’s Libro da la Ventura [Bologna, Caligola de Bazaleriis, 1498-1500].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588174917372-KBV66BZHBQQE6WTCET1E/Spirito+incunable+-+KINGS.jpg</image:loc>
      <image:title>Blog - On Fortune-Telling Books: A Spirito Incunable and Two Later Manuscripts</image:title>
      <image:caption>The reader first encounters the wheel of fortune which is surrounded by four figures and a set of fortune-related questions the book will go on to answer. According to the player’s chosen question, they are to go to one of the represented kings …</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588177889484-WPLBFDEJJR053K66EONJ/Spirito+incunable+-+signs.jpg</image:loc>
      <image:title>Blog - On Fortune-Telling Books: A Spirito Incunable and Two Later Manuscripts</image:title>
      <image:caption>… and are subsequently referred to a specific astrological sign and related plate of dice. The player rolls three dice and matches the roll to the outcome listed on the page to determine what river they must travel to next.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588177567777-I3YVVWJKR8UNGYPI5MUH/Spirito+incunable+-+more+wheels+2.jpg</image:loc>
      <image:title>Blog - On Fortune-Telling Books: A Spirito Incunable and Two Later Manuscripts</image:title>
      <image:caption>The rivers are located on the edges of “spheres” characterized by a classical deity or another motif. Each sphere’s dial corresponds to a prophet’s name and number…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588177996979-JZZE9EUW1LKQQN2ACYX4/Spirito+incunable+-+final+terzines+.jpg</image:loc>
      <image:title>Blog - On Fortune-Telling Books: A Spirito Incunable and Two Later Manuscripts</image:title>
      <image:caption>…these refer to the last section of the book, where “answers” are revealed via prophets whose words are articulated through terzine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588172411992-0MAWTJIKXH5WXZUK6Z6A/Spirito+1498+wheel.jpg</image:loc>
      <image:title>Blog - On Fortune-Telling Books: A Spirito Incunable and Two Later Manuscripts</image:title>
      <image:caption>The initial Wheel of Fortune in Spirito’s Libro da la Ventura [Bologna, Caligola de Bazaleriis, 1498-1500]. Here the reader-player must choose which question to ask, which in turn decides which king they must “follow.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588172424974-GMB5U6D6MQQ4VJ0L3E6E/Spirito+manuscript+1.jpg</image:loc>
      <image:title>Blog - On Fortune-Telling Books: A Spirito Incunable and Two Later Manuscripts</image:title>
      <image:caption>[After Stefano della Bella]. Lorenzo Spirito, Libro della Ventura. Manuscript drawn and calligraphed in brown ink, in Italian. Italy (possibly Florence?) ca. 1650. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588172453812-CJ0PWLALY0SEF7VAJP9V/Spirito+manuscript+wheels.jpg</image:loc>
      <image:title>Blog - On Fortune-Telling Books: A Spirito Incunable and Two Later Manuscripts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588192837067-DX8RKIJD0D91LC47YX8H/Spirito%2Bmanuscript%2Btext.jpg</image:loc>
      <image:title>Blog - On Fortune-Telling Books: A Spirito Incunable and Two Later Manuscripts</image:title>
      <image:caption>The manuscript’s opening leaf, with the title in Roman capitals, beneath which are some introductory verses which are not present in the received text.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1588194013065-3XR5JOS78RHXO4VRSCAY/Spello+1.jpg</image:loc>
      <image:title>Blog - On Fortune-Telling Books: A Spirito Incunable and Two Later Manuscripts</image:title>
      <image:caption>[Spello?]. Vago e diletteuole giuoco della diuitia di Spello. Illustrated manuscript on paper, in Italian. Spello (?), end of the seventeenth century-beginning of the eighteenth century. See the full description of this manuscript here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/rampazetto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587588031363-11NC1GET8FL65FA33BR1/Rampazetto-title-page.jpg</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
      <image:caption>Title page of Dante Alighieri’s La Comedia di Dante Alighieri con la nova esposizione di Alessandro Vellutello.... Venice, Francesco Rampazetto, 1564 [at the end: Francesco Marcolini for Alessandro Vellutello, 1544]. See the complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587583316373-0P0HOTQI0FQ5XAB62C3D/Dante+b.png</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
      <image:caption>Title page from the Sessa brothers’ famous ‘del nasone’ edition of 1564.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587583874478-UEVZ406812Z7YTVQCRXW/Rampazetto-title-detail.png</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
      <image:caption>From the title page of Rampazetto’s Comedia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587588438391-CFG2GH38C1GFLNMHU2AM/two-dante-title-pages.jpg</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
      <image:caption>Title pages of Dante’s Comedia as printed by Marcolini in 1544 (left) and in Rampazetto’s re-issue of 1564 (right).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587585553948-T3JSA8CSTFVS3G130GGM/CON-PRIVILEGIO.jpg</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587588537507-ZDEDTHLNQ4YYYSN5S6PP/Rampazetto-initial.jpg</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
      <image:caption>Vellutello’s brief dedicatory letter to Paul III, from Rampazetto’s 1564 re-issue of Marcolini’s Commedia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587588693617-W48ZQ7C1LS2YKEUBIDCN/Rampazetto-address-to-reader.jpg</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
      <image:caption>Vellutello’s address to readers, from Rampazetto’s 1564 re-issue of Marcolini’s Commedia.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587590948524-U2SY2C2MFE5TZTBOY8TV/colophon%2525252Bredo.jpg</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587588827070-KQZSL09YEEOR641AYPW9/Rampazetto---inferno-description.jpg</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
      <image:caption>“Descrittione de lo Inferno” from Rampazetto’s re-issue of Marcolini’s Commedia.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587589004281-5CU6NS8RCOMJE7R4MEWN/Rampazetto-inside-2.jpg</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
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      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
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      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
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      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587589465527-VK7I3YT4AM6R58WR9UDS/Rapmzetto-paradise.jpg</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587589512428-L36JUI4KI1DD5WDV52M5/Rampazetto-secondo-white.jpg</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587587739481-I8QCLKKTT03LKR9BW1JD/bad-printing.jpg</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1587587595658-WAG7VDID0P8C7NS23SU5/in-venetia.jpg</image:loc>
      <image:title>Blog - An Extraordinarily Rare Book: The 1564 Rampazetto Re-Issue of Marcolini’s Commedia</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/marcolini</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586963885090-X4K07GXNF86JDRKGH9JG/Marcolini+Commedia+1544+title+page.jpg</image:loc>
      <image:title>Blog - The Marcolini Commedia of 1544</image:title>
      <image:caption>A copy of the Marcolini Commedia once belonging to Marcus Fugger. Alighieri, Dante (1265-1321). La Comedia di Dante Aligieri con la nova espositione di Alessandro Vellutello.... Venice, Francesco Marcolini, June 1544.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586312829294-BNSYPGGQLJI0KAC29OT9/1.%2BSERLIO.jpg</image:loc>
      <image:title>Blog - The Marcolini Commedia of 1544</image:title>
      <image:caption>Serlio, Sebastiano (1475-1554). Il terzo libro... nel qual si figurano, e descrivono le antiquità di Roma, e le altre che sono in Italia, e fuori d’Italia. Venice, Francesco Marcolini, February 1540 (bound with:) Idem. Regole generali di architettura... sopra le cinque maniere de gli edifici, cioe, thoscano, dorico, ionico, corinthio, e composito, con gli essempi de l’antiquita, che per la maggior parte concordano con la dottrina di Vitruvio. Venice, Francesco Marcolini, February 1540 (pictured below).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586964222319-5X047IJGSQY94O90E2IM/serlio+blue+2.jpg</image:loc>
      <image:title>Blog - The Marcolini Commedia of 1544</image:title>
      <image:caption>Title page of Sebastiano Serlio’s Regole generali di architettura... sopra le cinque maniere de gli edifici, cioe, thoscano, dorico, ionico, corinthio, e composito, con gli essempi de l’antiquita, che per la maggior parte concordano con la dottrina di Vitruvio. Venice, Francesco Marcolini, February 1540. (bound with:) Serlio. Il terzo libro... nel qual si figurano, e descrivono le antiquità di Roma, e le altre che sono in Italia, e fuori d’Italia. Venice, Francesco Marcolini, February 1540 (pictured above).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586964487752-467U4O5M285I1JAQ3CTK/Marcolini+with+portrait.jpg</image:loc>
      <image:title>Blog - The Marcolini Commedia of 1544</image:title>
      <image:caption>A portrait of Marcolini in what is likely the first numeroté book in Italian. This is one of only thirty-six published copies. Marcolini, Francesco (ca. 1500-1559). Giardino dei Pensieri composta da Francesco Marcolini da Forli L’Anno mdl. Ristampata nel MDCCLXXXIV. [Venice, Santini], 1784. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586964765518-AYGG771UIHR8PXCZ8YY5/Marmi%2BDoni.jpg</image:loc>
      <image:title>Blog - The Marcolini Commedia of 1544</image:title>
      <image:caption>Defending heliocentrism just nine years after the publication of Copernicus’ De Revolutionibus Doni, Anton Francesco (1513-1574). I Marmi del Doni, Academico Peregrino. Al Mag.co et Eccellente S. Antonio da Feltro Dedicati. Venice, Francesco Marcolini, 1552-1553. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586309800658-QZTWMCQMUHA5SLRXHDO5/DanteMarcolini%25286%2529.jpg</image:loc>
      <image:title>Blog - The Marcolini Commedia of 1544</image:title>
      <image:caption>A woodcut from the Marcolini Commedia of 1544.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586965675459-OYPPUQB8U4HAYZBTA1P8/Fugger%252Bsignature.jpg</image:loc>
      <image:title>Blog - The Marcolini Commedia of 1544</image:title>
      <image:caption>Marcus Fugger’s ownership inscription on the Marcolini Commedia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586960343276-848GPF3TNTXNUADTVC0E/Fugger+gilt+edges.jpg</image:loc>
      <image:title>Blog - The Marcolini Commedia of 1544</image:title>
      <image:caption>The gauffered edges of the Marcolini Commedia once owned by Marcus Fugger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586965023309-R8OSV1BDEV9QP4R55773/Marcolini%2BCommedia%2B1544%2Btitle%2Band%2Bportrait.jpg</image:loc>
      <image:title>Blog - The Marcolini Commedia of 1544</image:title>
      <image:caption>Marcus Fugger’s copy of the Marcolini Commedia, with a portrait of Dante by Tobias Stimmer as an unrecorded single sheet. Alighieri, Dante (1265-1321). La Comedia di Dante Aligieri con la nova espositione di Alessandro Vellutello.... Venice, Francesco Marcolini, June 1544.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586965164786-QSTNISKVFU11HY90HY2A/Doni+Inferni.jpg</image:loc>
      <image:title>Blog - The Marcolini Commedia of 1544</image:title>
      <image:caption>Fol. LL1r of the fourth part of Anton Francesco Doni’s I Marmi del Doni… (Venice, Francesco Marcolini, 1552-1553), reproducing the title-page of Doni’s Inferni to announce the forthcoming publication. This is followed by a description of the latter’s contents on fol. LL2r and LL2v and is probably the first time in the history of printing in which the imminent publication of a new work is promoted through the insertion of its soon-to-be-released title-page within another published work. See the full description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586965548566-HW6D6XJLGSFTOXKVFCBC/dante%252B1564-1544%2B%25281%2529.jpg</image:loc>
      <image:title>Blog - The Marcolini Commedia of 1544</image:title>
      <image:caption>Rampazetto’s re-Issue of the Marcolini Commedia, unrecorded in the Dante bibliography. Dante, Alighieri (1265-1321). La Comedia di Dante Alighieri con la nova esposizione di Alessandro Vellutello.... Venice, Francesco Rampazetto, 1564 [at the end: Francesco Marcolini for Alessandro Vellutello, 1544].</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/dennis-e-rhodes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586365087318-BM5V95SKABQ7B4NYCUUY/Rhodes+in+Athens.jpeg</image:loc>
      <image:title>Blog - Remembering Dennis E. Rhodes&amp;nbsp;(1923-2020)</image:title>
      <image:caption>Dennis E. Rhodes at the Acropolis in April 2019. Photo by Stephen Parkin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1586360472722-5G9EADD6ZHVL4LMTVGIC/IMG_6688.JPG</image:loc>
      <image:title>Blog - Remembering Dennis E. Rhodes&amp;nbsp;(1923-2020)</image:title>
      <image:caption>A view toward the Fondazione Cini taken from the Vaporetto on 14 October 2019. Photo by Margherita Palumbo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/quaritch-and-dante-hd4d2-t45xl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585705462441-JMJTH5BVY64UJ6UKO4XX/Portrait+of+Bernard+Quaritch+copy.jpg</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585702255096-RVKY3NYQIIJRBYKXHWYZ/1868+catalogue.png</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585702301994-V7H6GQNPH2TUXTQSEZKN/Desiderata.png</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585702363619-HC9CD5J00VPHOFH2TA6A/Joshua+Reynolds%2C+Portrait+of+William+Beckford%2C+1782.+National+Portrait+Gallery%2C+London.png</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
      <image:caption>Sir Joshua Reynolds, Portrait of William Beckford, 1782. National Portrait Gallery, London.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585702419871-O26RYRBZRSSBSGVUQ80T/1897+catalogue.png</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585751789978-DRHJV0ELLXOTGN8UEC5R/gutenberg+2.jpg</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585749638484-EOXWQJRNLKB7HAGX3O5A/Quaritch+gutenberg+2.jpg</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585750088460-6NDRMQQUQNRVAEEHGZT9/dante+quaritch.jpg</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585702600942-U33B946C1ZIOEEQZ84ZR/ashburnham.png</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585750309512-XIT8HVUGCW4NPC1U7FMA/price+list+2.jpg</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585751417058-J1S7FT4AT0P7XVD1KQ55/quaritch+last.jpg</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585702718788-71Y5IFDCO4L4P3VXCRKN/Maglione.png</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585751517683-V1BKNMBYFKKGDWXO32JS/Maglione%2Blabel.jpg</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585751569090-OXOMS1WGWI1I1FC7RF3V/image-asset.jpeg</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585702869892-WE1YQDDRZXVEF2E3L1IW/black+tulip.png</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585703663746-66GQTGKYT0ANEBQLNVIZ/Ariosto-exhibition-catalogue-web.jpg</image:loc>
      <image:title>Blog - Bernard Quaritch and Dante</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/dante-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585082700213-XGCHUVPGCZXHBEXC27GW/dante+day.jpg</image:loc>
      <image:title>Blog - E quindi uscimmo a riveder le stelle... Dante Day, 25 March 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585084702516-X94W79L3G1B3UPOG0F19/jpg+Domenico+di+Michelino%2C+Dante+and+his+Comedy%2C+1465.+Florence%2C+Santa+Maria+del+Fiore.jpg</image:loc>
      <image:title>Blog - E quindi uscimmo a riveder le stelle... Dante Day, 25 March 2020</image:title>
      <image:caption>Domenico di Michelino, Dante and his Comedy, 1465. Florence, Santa Maria del Fiore.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585156026120-BLZLFVBKE732J01XT8AS/Picture1+ed.jpg</image:loc>
      <image:title>Blog - E quindi uscimmo a riveder le stelle... Dante Day, 25 March 2020</image:title>
      <image:caption>From Catalogue des livres du Cabinet de feu M. Louis-Jean Gaignat, Paris 1769, p. 490.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585155083037-2GFAH438GXHPBGE9EB53/Picture2+%281%29.jpg</image:loc>
      <image:title>Blog - E quindi uscimmo a riveder le stelle... Dante Day, 25 March 2020</image:title>
      <image:caption>Catalogue des livres de la bibliothèque de feu M. le duc de La Vallière. Seconde Partie, Paris 1785.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585087295698-91VLBKUCG120AFUUZTO1/Joshua+Reynolds%2C+Portrait+of+George+John+Spencer%2C+2nd+Earl+Spencer%2C+1786.jpg</image:loc>
      <image:title>Blog - E quindi uscimmo a riveder le stelle... Dante Day, 25 March 2020</image:title>
      <image:caption>Sir Joshua Reynolds, Portrait of George John Spencer, 2nd Earl Spencer, 1786. The Spencer Collection at Althorp, Northamptonshire, UK.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585153000322-1158ETWOTK18J727TXMI/commedia+foligno+1472.jpg</image:loc>
      <image:title>Blog - E quindi uscimmo a riveder le stelle... Dante Day, 25 March 2020</image:title>
      <image:caption>Dante, Commedia, printed in Foligno in 1472.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585154879921-ER9H1MQB8UBBBP41RWJJ/Dante+Milan+2016+cover+%282%29.jpg</image:loc>
      <image:title>Blog - E quindi uscimmo a riveder le stelle... Dante Day, 25 March 2020</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585154903831-9T4FRGYFNJ0XXI2G2RO7/Dante+Fifty+Books+cover+%281%29.jpg</image:loc>
      <image:title>Blog - E quindi uscimmo a riveder le stelle... Dante Day, 25 March 2020</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/tiepolo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584480036916-C7IMKDARRE14ZEVNJ2UW/Tiepolo+family+portrait.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Giandomenico Tiepolo, The Tiepolo Family. Photo: Sotheby’s (PD-Art photographs).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584556523888-O240DRDNIAJ8Z8EPTXH1/image-asset.jpeg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Canaletto, The Portico with the Lantern, from a spectacular wide-margined and complete set of his etchings, in a contemporary binding, together with a series by Marieschi. Canaletto, Antonio Canal called (1697-1768). Vedute Altre prese da i Luoghi altre ideate... [Venice, Giambattista Pasquali, after June 1744]. (bound with:) Marieschi, Michele (1710-1743). Magnificentiores selectioresque Urbis Venetiarum prospectus... Venice, at the author’s atelier, 1741. See the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584545317902-5TIKRI8JFZU0K17KRETX/Giambattista+Tiepolo%2C+Capture+of+Carthage%2C+1728%E2%80%9329</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Giambattista Tiepolo, The Capture of Carthage, 1728-29. The Metropolitan Museum of Art, New York.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584579328595-DY5PVYNC63YZSXA7E3BK/16.%2BVictoria.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Rome versus Bologna. A defence of Raphael and Carracci printed on blue paper. Victoria, Vicente (1658-1712). Osseruazioni sopra il libro della Felsina pittrice per la difesa di Raffaello da Urbino, dei Caracci, e della loro scuola.... Rome, Gaetano Zenobi, 1703. See the full description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584574377344-FNM2SO8J6UWNOQDS2QHY/Watteau+F%C3%AAtes+V%C3%A9nitiennes.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Antoine Watteau, Fêtes Vénitiennes, 1719. National Galleries of Scotland, Edinburgh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584552654807-TK0PZY3NSU442RTOTPW7/Wurzburg+%28CC+BY-SA+4.0%29.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Giambattista and Giandomenico Tiepolo, Olympus and the Four Continents (1750—1753), (Residenz Palace, Würzburg, Germany). Photo: Maria (CC BY-SA 4.0).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584579436587-SYNOPEKZKV19W1QIWWI7/castiglione%252Btitle%252Bpage.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Title page from the extremely rare Cortegiano. Baldassarre Castiglione (1478-1529). Il libro del cortegiano del conte Baldesar Gastiglione [sic]. Florence, Benedetto Giunti, 1531 [probably Rome, 1537]. See a complete description of this copy here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584575962843-00O5ZZFCOBCHLSMI2YHM/Punctual+Folly.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Francisco José de Goya y Lucientes, Una Reina de Crico (Punctual Folly) 1816 - 1824 (printed 1877). Original etching with burnished aquatint engraved by the artist for Los Proverbios. See the full description here.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584556298592-N4G7KSEINM9KOVRPC19E/Giambattista+Tiepolo%2C+Angelica+and+Medoro+with+the+Shepherds%2C+1757.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Giambattista Tiepolo, Angelica and Medoro with the Shepherds, 1757.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584561384091-TWSRIVWHECY1YVF7U3U6/ariosto%2B1568.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>The Valgrisi Furioso, in a precious Islamic-style Venetian binding. Ariosto, Ludovico (1474-1533). Orlando furioso... Di nuouo aggiuntoui Li Cinque Canti.... Venice, Vincenzo Valgrisi, 1568. See the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584562448997-8HYM3VVF90XY79NMLDXS/Tiepolo+Mondo+Novo.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Giandomenico Tiepolo, Mondo Novo, 1791. Detached Fresco. Museo del Settecento Veneziano, Ca' Rezzonico, Venice. Photo: PD-US.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584566862263-6JQMDJC2886YTWEIY4CW/Commedia+dell%27arte++masquerade.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>[Commedia dell’Arte]. Album with representations of Italian, mainly Venetian, costumes and characters. Illuminated manuscript on parchment. Italy (Venice ?), first quarter of the 17th century. See the complete description here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584543416523-6RCRZZJ6OYRNU3OOWNCH/Giandomenico%2C+The+Burial+of+Punchinello%2C+ca.+1800.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Giandomenico, The Burial of Punchinello, ca. 1800</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584543830039-72KJ7FLBC83756NRP57B/Giambattista+Tiepolo%2C+The+Flight+into+Egypt%2C+ca.+1767-70.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Giambattista Tiepolo, The Flight into Egypt, ca. 1767-70. The Metropolitan Museum of Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584571204095-EPYU8RJ1Z1GJNRLBU4E1/Tiepolo+14+title.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Title leaf from Giandomenico Tiepolo, Idee pittoresche sopra la Fugga in Egitto. [1753].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584571961812-4Q92SV6CGI9WF8IF7TNA/Tiepolo++2+2.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters</image:title>
      <image:caption>Giandomenico Tiepolo, Mary helped by an Angel and Joseph carrying the basket and Mary helped by two Angels follows Joseph with the donkey (1753), from Idee pittoresche sopra la Fugga in Egitto. [1753].</image:caption>
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      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters - The Holy Family passing by a pyramid, 1753; The Holy Family descending a forest path, 1753</image:title>
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      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters - Under a Palm Tree, 1753; Leaving by a city gate, 1753</image:title>
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      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters - Mary holding the Child in her arms and Joseph with the basket, 1753; Joseph and Mary passing a shepherd and his flock, 1753</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584468777024-7GFZUL2QXELYV8XEO4FW/Tiepolo+4.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters - Mary, helped by Joseph and an Angel, stepping out of the boat, 1753; Joseph adoring the Child while two Angels sing, 1752</image:title>
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      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters - The Holy Family walking along a city wall, 1753; Joseph adoring the Child, 1753</image:title>
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      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters - The Holy Family passing by a statue, 1753; The Holy Family resting in a wood, 1753</image:title>
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      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters - Mary and Joseph, holding the Child, are escorted by an Angel, 1753; The Rest on the Flight, 1750</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1584468782672-FGMSR6TRUWGNIF9L83TL/Tiepolo+9.jpg</image:loc>
      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters - The Holy Family on the bank of a river, 1753; The Holy Family stepping off the bank, 1753</image:title>
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      <image:title>Blog - Giambattista and Giandomenico Tiepolo: The Real Otherworldliness of Two Rococo Masters - The Holy Family entering the boat with the help of the Angels, 1753; The Holy Family crossing the lake in the boat, 1753</image:title>
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    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/raphael</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1583941304566-9M37IO0T934CKQ8Z9T1Z/Raphael+1.jpg</image:loc>
      <image:title>Blog - A walk in Rome, celebrating Raphael’s 500th anniversary</image:title>
      <image:caption>Raphael, Self-portrait, 1506-1508. Florence, Gallerie degli Uffizi.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1583944239956-PNUFNP1EF1TV8L2GEXN7/Raphael+2.jpg</image:loc>
      <image:title>Blog - A walk in Rome, celebrating Raphael’s 500th anniversary</image:title>
      <image:caption>Raphael, Portrait of Pope Leo X with Cardinals Giulio de’ Medici and Luigi de’ Rossi, 1518. Florence, Gallerie degli Uffizi.</image:caption>
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      <image:title>Blog - A walk in Rome, celebrating Raphael’s 500th anniversary</image:title>
      <image:caption>Raphael, Room of the Segnatura, School of Athens, 1510-1511. Città del Vaticano, Musei Vaticani.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1583956280052-7IZQQQ8KNLK9SEPC208P/Massatbolsena.jpg</image:loc>
      <image:title>Blog - A walk in Rome, celebrating Raphael’s 500th anniversary</image:title>
      <image:caption>Raphael, Room of Heliodorus, Mass of Bolsena, 1512-1514. Città del Vaticano, Musei Vaticani.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1583953651213-FKJHCA4XCI0NEJYS220S/Raphael+6.jpg</image:loc>
      <image:title>Blog - A walk in Rome, celebrating Raphael’s 500th anniversary</image:title>
      <image:caption>Raphael, The Triumph of Galathea, 1514. Rome, Villa Farnesina.</image:caption>
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      <image:title>Blog - A walk in Rome, celebrating Raphael’s 500th anniversary</image:title>
      <image:caption>Raphael, Transfiguration, 1520. Città del Vaticano, Musei Vaticani, Pinacoteca.</image:caption>
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      <image:title>Blog - A walk in Rome, celebrating Raphael’s 500th anniversary</image:title>
      <image:caption>Raphael, Portrait of Baldassarre Castiglione, 1513. Paris, Musée du Louvre.</image:caption>
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      <image:title>Blog - A walk in Rome, celebrating Raphael’s 500th anniversary</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/italian-books-ii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1583173211204-MS18C35G7L25LHYQ46UF/IB+II+-+blue+background.jpg</image:loc>
      <image:title>Blog - Italian Books 2: Books in Blue</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/italianbooks2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1582761966815-3Y0UPT7EF1Q58Z7F7JFY/Italian%25252BBooks%25252BII%25252Bcover%25252Bin%25252Bsquare.jpg</image:loc>
      <image:title>Blog - Catalogue Announcement: Italian Books II</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/eco-anniversary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1582148278504-MWNLDO1RZ3Z6SH2M6LR1/Eco+cover+%281%29.jpg</image:loc>
      <image:title>Blog - Forty years later… stat rosa pristina nomine, nomina nuda tenemus</image:title>
      <image:caption>A first edition copy (not for sale) of Eco’s masterpiece, dedicated to my father Arturo Pregliasco. Umberto Eco (1932-2016). Il nome della rosa. Milano, Bompiani, 1980.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1582148333940-LSG6IZYF85OITPJ9YUDB/arturio+dedication.jpg</image:loc>
      <image:title>Blog - Forty years later… stat rosa pristina nomine, nomina nuda tenemus</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1582152416887-C2WSOKVX1UQ9OGZVU5AQ/eco%2Bautograph.jpg</image:loc>
      <image:title>Blog - Forty years later… stat rosa pristina nomine, nomina nuda tenemus</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/valentinesday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581548492655-4ISBKGLI50D6NIJGPDI7/IMG_6558.JPG</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>Dante and Beatrice in Canto II of the Paradiso, from a remarkable copy of the first edition of Dante's collected works. A monumental achievement, supplemented with numerous plates, and with the first illustrated Commedia to be published since 1596. Dante Alighieri (1265-1321). La Divina Commedia di Dante Alighieri Con varie Annotazioni, e copiosi Rami adornata... Tomo Primo [- Terzo]. Venice, Antonio Zatta, 1757. [Together with:] Idem. Prose, erime liriche edite, ed inedite di Dante Alighieri, con copiose ed erudite aggiunte... Tomo Quarto Parte Prima [-Seconda]. Venice, Antonio Zatta, 1758.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581534949457-670RSZ6ERIBZKB59SXG5/Sonetti+e+canzoni.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>The rare first edition of the remarkable collection known as the 'Giuntina di rime antiche', the first anthology in print which contains Dante's canzoniere along with lyrics composed by poets of the Dolce Stil Novo tradition. Dante Alighieri (1265-1321). Sonetti e’ Canzoni di diuersi antichi Autori Toscani in dieci libri raccolte. Di Dante Alaghieri Libri quattro. Di M. Cino da Pistoia Libro uno. Di Guido Cavalcanti Libro uno. Di Dante da Maiano Libro uno. Di Fra Guittone d’Arezzo Libro uno. Di diuerse Canzoni e’ Sonetti senza nome d’autore Libro uno. Florence, Filippo Giunta's heirs, 6 July 1527.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581553227734-5YKNY2XSNN2DH5XW4KWL/forti.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>A very rare edition of the Italian translation in verses – attributed to Teramo humanist Girolamo Forti – of the story of Renaud de Montauban, part of the French cycle of the Quatre fils of Aymon of Dordogne. The copy offered here bears a remarkable provenance, having passed through the hands of Charles Fairfaix Murray, Giuseppe Martini, Leo S. Olschki, Sylvain S. Brunschwig, and Pierre Berès. Girolamo Forti (d. 1489). Inamoramento de’ Rinaldo de monte Albano et diuerse ferocissime battaglie leq[ua]le fece lardito et francho Paladino et come occise Ma[m]brino di Leuante et moltissimi forti pagani.... Venice, Giovanni Tacuino, 8 August 1517.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581568802486-O7E9EDNEMPAW64MVLNM8/Boiardo%2B1.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>A rare edition – in a fine copy once belonging to the libraries of the great book collectors Giacomo Manzoni and Giuseppe Cavalieri – of the complete Orlando Innamorato printed by Nicolini da Sabbio. Matteo Maria Boiardo (ca. 1441-1494). Orlando innamorato. I tre libri dello innamoramento di Orlando... Tratti dal suo fedelissimo essemplare. Nuovamente con somma diligenza revisti, e castigati. Con molte stanze aggiunte del proprio auttore, quali gli mancavano. Insieme con gli altri tre Libri compidi. Venice, Pietro Nicolini da Sabbio, March-April 1539.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581571316614-6JNEFRNA3TXSQC7EE66Q/Blue+ariosto.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>The rare Giolito 1546 quarto edition of Orlando, in an extraordinary copy printed on blue paper: one of the finest illustrated books produced in the Italian Cinquecento. Ludovico Ariosto (1474-1533). Orlando furioso... nouißimamente alla sua integrita ridotto &amp; ornato di varie figure. Con alcune stanze del S. Aluigi Gonzaga in lode del medesimo. Aggiuntoui per ciascun Canto alcune allegorie, &amp; nel fine una breue espositione et tauola di tutto quello che nell’opera si contiene... Venice, Gabriele Giolito de’ Ferrari, 1546. [together with:] Dolce, Lodovico (1508-1568). L’Espositione di tutti i vocaboli, et luoghi difficili, che nel Libro si trouano; Con una brieue Dimostratione di molte comparationi &amp; sentenze dell’Ariosto in diuersi auttori imitate. Raccolte da M. Lodouico Dolce.... Venice, Gabriele Giolito de' Ferrari, 1547.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581568283105-H8TW07R6B6FEP8NL1FU1/ariosto.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>The handsome and rare Furioso in quarto of 1568, edited for the Venetian printer Vincenzo Valgrisi by the well-known poligrafo Girolamo Ruscelli (1504-1566), a fine copy, once belonging to the exquisite library formed by Robert Hoe and housed in an exceptional Venetian binding of Mamluk inspiration. Ludovico Ariosto (1474-1533). Orlando furioso di M. Lodovico Ariosto, tutto ricorretto, et di nuoue figure adornato. Con le Annotationi, gli Auuertimenti, &amp; le Dichiarationi di Ieronimo Ruscelli. La Vita dell’Autore, descritta dal Signor Giouan Battista Pigna... Di nuouo aggiuntoui Li Cinque Canti.... Venice, Vincenzo Valgrisi, 1568.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581567986595-T6NMGU131CTKGOKM28YN/Castiglione%252B1.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>The extremely rare Cortegiano bearing the colophon 'In Firenze per Benedetto Giunti MDXXXI', and the misspelling of Castiglione – printed as 'Gastiglione' – on the title-page: a fascinating case study for bibliographers. Baldassarre Castiglione (1478-1529). Il libro del cortegiano del conte Baldesar Gastiglione [sic]. Florence, Benedetto Giunti, 1531 [probably Rome, 1537].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581567590292-LHLSWCK16DMRK2PZLQBU/rime+et+prose.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>A very fine copy of the first edition of Della Casa's Rime et Prose, from the celebrated library of Italian bibliophile and bibliographer Giacomo Manzoni. Giovanni Della Casa (1503-1556). Rime, et Prose... Con le Concessioni, &amp; Priuilegij di tutti i Prencipi. Venice, Niccolò Bevilacqua for Erasmo Gemini, October 1558.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581538201761-1ZNSPWL950FJ5B8WN4EH/boccaccio+2.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>The very rare edition of Boccaccio's Teseida presented here is printed, exceptionally, on blue paper, and housed in a fine binding executed for Guglielmo Libri by the renowned Parisian binder Hippolyte Duru. Giovanni Boccaccio (1313-1375). La Theseide... Innamoramento piaceuole, &amp; honesto di due Giouani Thebani Arcita &amp; Palemone; D’ottaua Rima nuouamente ridotta In Prosa per Nicolao Granucci di Lucca. Aggiuntoui un breve Dialogo nel principio e fine dell’Opera diliteuole, &amp; vario. Lucca, Vincenzo Busdraghi for Giulio Guidoboni, 1579.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581550976447-S8H7YTMEOM4EVHWT7T7N/decameron.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>The lavishly illustrated Valgrisi Decameron, in a fine contemporary French binding possibly executed for Diane de Poitiers (1499-1566), mistress of King Henry II of France and from 1548 duchess of Valentinois. Giovanni Boccaccio (1313-1375). Il Decamerone... alla sua intera perfettione ridotto, et con dichiarationi et auuertimenti illustrato, per Girolamo Ruscelli.... Venice, Vincenzo Valgrisi and Baldassare Costantini, 1557.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581567062863-SDGHLUOL4YDEPKUIDIZW/cobraccio.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>A finely bound copy of this extremely rare Giuntina edition of one of Boccaccio’s most influential works. Giovanni Boccaccio (1313-1375). Laberinto d’amore... con una Epistola à Messer Pino de rossi confortatoria del medesimo autore. Florence, Heirs of Filippo Giunta, 1521.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581546490171-NE1M6QJBF578FESL1JGW/masuccio.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>Exceedingly rare separate edition of the thirty-third tale from a masterpiece of Italian popular literature, the Novellino by Masuccio Salernitano (born Tommaso Guardati), a collection of fifty novellas – each dedicated to prominent contemporary figures – first published in Naples in 1476. This tale is understood to be one of the sources of Shakespeare’s Romeo and Juliet. Masuccio Salernitano (1410-1475). Nouella di Marioto Senese. [Italy, 1530s?].</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581566853135-YOJ14N945PE8ZV3O6S9R/Foscolo%252B1.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>The extremely rare first edition – in the 'Austrian' issue known as '1799A' – of Foscolo's masterpiece, which is considered the first Italian epistolary novel. Foscolo, Ugo (1778-1827). Vera storia di due amanti infelici, ossia Ultime lettere di Jacopo Ortis.… [Bologna, Jacopo Marsigli, 1799].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1581564838506-7VP8HOF0BMHNTFPQBENK/40.+Neruda.jpg</image:loc>
      <image:title>Blog - On Courtly Love, Romance Literature, and St. Valentine's Day</image:title>
      <image:caption>The first edition of one of the rarest twentieth-century books, issued anonymously – or, as the colophon states, “de autor desconocido” – in only forty-four copies printed for friends and subscribers. Pablo Neruda (1904-1973). Los versos del capitan. Naples, Arte Tipografica, 8 July 1952.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/a-publishing-first</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-01</lastmod>
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      <image:title>Blog - A Publishing First: The Psalterium David et cantica aliqua of 1513, the first book printed in the Ge’Ez language</image:title>
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      <image:title>Blog - A Publishing First: The Psalterium David et cantica aliqua of 1513, the first book printed in the Ge’Ez language</image:title>
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      <image:title>Blog - A Publishing First: The Psalterium David et cantica aliqua of 1513, the first book printed in the Ge’Ez language</image:title>
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      <image:title>Blog - A Publishing First: The Psalterium David et cantica aliqua of 1513, the first book printed in the Ge’Ez language</image:title>
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      <image:title>Blog - A Publishing First: The Psalterium David et cantica aliqua of 1513, the first book printed in the Ge’Ez language</image:title>
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      <image:title>Blog - A Publishing First: The Psalterium David et cantica aliqua of 1513, the first book printed in the Ge’Ez language</image:title>
      <image:caption>L. Olschki, Le livre en Italie à travers les siècles (1914), no. 90</image:caption>
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      <image:title>Blog - A Publishing First: The Psalterium David et cantica aliqua of 1513, the first book printed in the Ge’Ez language</image:title>
      <image:caption>L. Olschki, Le livre en Italie à travers les siècles (1914), pl. 52.</image:caption>
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    <image:image>
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      <image:title>Blog - A Publishing First: The Psalterium David et cantica aliqua of 1513, the first book printed in the Ge’Ez language</image:title>
      <image:caption>L. Olschki, Le livre en Italie à travers les siècles (1914), figs. 91 and 92.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1580851816487-BYJL0DDV8NX51TRA82TQ/1926+cat+cover.jpg</image:loc>
      <image:title>Blog - A Publishing First: The Psalterium David et cantica aliqua of 1513, the first book printed in the Ge’Ez language</image:title>
      <image:caption>Exposition du Livre Italien. Catalogue des Manuscrits, Livres Imprimés, Reliures (1926).</image:caption>
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      <image:title>Blog - A Publishing First: The Psalterium David et cantica aliqua of 1513, the first book printed in the Ge’Ez language</image:title>
      <image:caption>Exposition du Livre Italien. Catalogue des Manuscrits, Livres Imprimés, Reliures (1926), no. 776</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/scuola-romana</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1580321782122-0QZ2JSPG96TNLHQTSP38/scuola+romana+cover.jpg</image:loc>
      <image:title>Blog - An album of drawings by the Scuola Romana</image:title>
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      <image:title>Blog - An album of drawings by the Scuola Romana</image:title>
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      <image:title>Blog - An album of drawings by the Scuola Romana</image:title>
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      <image:title>Blog - An album of drawings by the Scuola Romana</image:title>
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      <image:title>Blog - An album of drawings by the Scuola Romana</image:title>
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      <image:title>Blog - An album of drawings by the Scuola Romana</image:title>
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      <image:title>Blog - An album of drawings by the Scuola Romana</image:title>
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      <image:title>Blog - An album of drawings by the Scuola Romana</image:title>
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    <image:image>
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      <image:title>Blog - An album of drawings by the Scuola Romana</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1580359905875-QZVQFCLEP4VL3PSRXKT7/Scuola%25252BRomana%25252B2nd%25252Btranche%25252B%252525286%25252529%25252B-%25252BFranco%25252BSarnari.jpg</image:loc>
      <image:title>Blog - An album of drawings by the Scuola Romana</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/italian-books-in-rome</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1579731267921-D5GCSVF8HZDH7XUQ4JIH/Aliotti%2BGirolamo%2Bab.jpg</image:loc>
      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
      <image:caption>Girolamo Aliotti (1412-1480). Gratulatio ad Pium II pro foelici, ac secundo ex Mantuana peregrinatione reditu. Dialogus de optimo vitae genere deligendo. De monachis erudiendis. Illuminated manuscript on parchment, in Latin. [Florence, 1460].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1579731953262-LFRGCOAG006JAOB0H1YD/augustinus%2Bcomp%2B2.jpg</image:loc>
      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
      <image:caption>Aurelius Augustinus (354-430). De Civitate Dei. Rome, Conradus Sweynheym and Arnoldus Pannartz, in the house of Petrus de Maximo, 1468.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1579730308454-ROX0YCPUN30TLNXLTPEG/bruno+title+2.jpg</image:loc>
      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
      <image:caption>Giordano Bruno (1548-1600). Figuratio Aristotelici Physici auditus... Ad illustrem admodum atque reuerendum dominum D. Petrum Dalbenium Abbatem Belleuillae. Paris, Pierre Chevillot, 1586. [bound with:] Idem. Dialogi duo de Fabricii Mordentis Salernitani propè diuina adinuentione ad perfectam cosmimetriae praxim. Paris, Pierre Chevillot, 1586.</image:caption>
    </image:image>
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      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1579731118946-64ZP4P3NC8DBUB30PIDX/augustine+1551+5.jpg</image:loc>
      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1579727773668-CC7O77Z0VXSSA4J0RY5W/augustine+1551+2.jpg</image:loc>
      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1579727761196-1F0TUPW3N1A5QWK09XI1/augustine+1551+1.jpg</image:loc>
      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
      <image:caption>Aurelius Augustinus (354-430). Quintus tomus operum D. Aurelii Augustini Hipponensis Episcopi, contines XXII. libros de Civitate Dei. Cui accesserunt Commentarii Io. Ludo. Vivis ab Authore recogniti. Venetiis: ad Signum spei, 1551.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1579724034051-OPS8Y6IDBN75B5COPA9L/Caro+1.jpg</image:loc>
      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
      <image:caption>Annibal Caro (1507-1566). Apologia de gli Academici di Banchi di Roma, contra M. Lodouico Casteluetro da Modena. In forma d’uno Spaccio di Maestro Pasquino. Con alcune Operette del Predella, del Buratto, di Ser Fedocco.... Parma, Seth Viotti, November 1558.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1579728117803-W8FYU120TXCBUD9T0WJ4/collodi+1.jpg</image:loc>
      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
      <image:caption>Collodi, Carlo (1826-1890). Le avventure di Pinocchio. Storia di un burattino. Illustrata da E. Mazzanti. Firenze, Felice Paggi, 1883.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1579732516472-OIMI38U7S77ZTWVFFD0N/Collodi+1.jpg</image:loc>
      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
    </image:image>
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      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
    </image:image>
    <image:image>
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      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
      <image:caption>The so-called ‘Mantegna Tarocchi’. Set of fifty engravings, by the Masters of the Tarocchi. Northern Italy (possibly Ferrara), before 1467</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1579728514637-2UUVYQFKYX6V4CPHR7E7/Neruda.jpg</image:loc>
      <image:title>Blog - A selection of books for the upcoming ‘Italian Book’ exhibition</image:title>
      <image:caption>Neruda, Pablo (1904-1973). Los versos del capitan. Naples, Arte Tipografica, 8 July 1952.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/italianbook</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-10</lastmod>
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      <image:title>Blog - This weekend in Milan</image:title>
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      <image:title>Blog - This weekend in Milan</image:title>
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      <image:title>Blog - This weekend in Milan</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/updatingptolemy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578425477800-RJX1D317AR3LPAQXJSX5/Ptolemaeus+1475.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Claudius Ptolemaeus (ca. 100-168), Cosmographia. Tr: Jacobus Angelus. Ed: Angelus Vadius and Barnabas Picardus, Vicenza, Hermann Liechtenstein, 13 September 1475.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578425539871-TX2PR19BO2CRQWZET7NY/Ptolemaeus+1475+diagram.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Claudius Ptolemaeus (ca. 100-168), Cosmographia. Tr: Jacobus Angelus. Ed: Angelus Vadius and Barnabas Picardus, Vicenza, Hermann Liechtenstein, 13 September 1475.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578429471962-JILMMA2DGPPPTCVLLLF1/Geographia+1548+title+%281%29.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Title page from Claudius Ptolemaeus (ca. 100-168) - Giacomo Gastaldi (ca. 1500-1566), Ptolemeo. La geografia di Claudio Ptolemeo alessandrino, con alcuni comenti et aggiunte fattevi da Sebastiano Munstero Alamanno, con le tavole non solamente antiche et moderne solite di stamparsi, ma altre nuove aggiuntevi di messer Iacopo Gastaldo piamontese cosmographo, ridotta in volgare italiano da m. Pietro Andrea Mattiolo [...], Venice, Niccolò Bascarini for Giovanni Battista Pederzano, October 1547.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578429666829-EEJROSSKTP0FAHET632M/43153-Ptolemeo+taglio+%281%29.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Claudius Ptolemaeus (ca. 100-168) - Giacomo Gastaldi (ca. 1500-1566), Ptolemeo. La geografia di Claudio Ptolemeo alessandrino, con alcuni comenti et aggiunte fattevi da Sebastiano Munstero Alamanno, con le tavole non solamente antiche et moderne solite di stamparsi, ma altre nuove aggiuntevi di messer Iacopo Gastaldo piamontese cosmographo, ridotta in volgare italiano da m. Pietro Andrea Mattiolo [...], Venice, Niccolò Bascarini for Giovanni Battista Pederzano, October 1547.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578429950853-A2BBWSGKKAXRYP93IW6N/43153-Ptolemeo+leg+%281%29.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Claudius Ptolemaeus (ca. 100-168) - Giacomo Gastaldi (ca. 1500-1566), Ptolemeo. La geografia di Claudio Ptolemeo alessandrino, con alcuni comenti et aggiunte fattevi da Sebastiano Munstero Alamanno, con le tavole non solamente antiche et moderne solite di stamparsi, ma altre nuove aggiuntevi di messer Iacopo Gastaldo piamontese cosmographo, ridotta in volgare italiano da m. Pietro Andrea Mattiolo [...], Venice, Niccolò Bascarini for Giovanni Battista Pederzano, October 1547.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578516202049-UR5VVRISK1AVOG1KYELW/43153-Ptolemeo%2Bspagnola%2Bnuova%2B%25281%2529.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>“Isola Spagnola Nova” map by Giacomo Gastaldi (ca. 1500-1566), from Claudius Ptolemaeus (ca. 100-168) - Giacomo Gastaldi (ca. 1500-1566), Ptolemeo. La geografia di Claudio Ptolemeo alessandrino, con alcuni comenti et aggiunte fattevi da Sebastiano Munstero Alamanno, con le tavole non solamente antiche et moderne solite di stamparsi, ma altre nuove aggiuntevi di messer Iacopo Gastaldo piamontese cosmographo, ridotta in volgare italiano da m. Pietro Andrea Mattiolo [...], Venice, Niccolò Bascarini for Giovanni Battista Pederzano, October 1547.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578516261739-OT4WI023K8KAR6XC808H/43153-Ptolemeo%2Btierra%2Bnuova%2B%25281%2529.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>“Tierra Nueva” map by Giacomo Gastaldi (ca. 1500-1566), from Claudius Ptolemaeus (ca. 100-168) - Giacomo Gastaldi (ca. 1500-1566), Ptolemeo. La geografia di Claudio Ptolemeo alessandrino, con alcuni comenti et aggiunte fattevi da Sebastiano Munstero Alamanno, con le tavole non solamente antiche et moderne solite di stamparsi, ma altre nuove aggiuntevi di messer Iacopo Gastaldo piamontese cosmographo, ridotta in volgare italiano da m. Pietro Andrea Mattiolo [...], Venice, Niccolò Bascarini for Giovanni Battista Pederzano, October 1547.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578516303561-1OW72Q1J4JHUBQA7H46T/43153-Ptolemeo%2BUniversale%2B%25281%2529.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>“Universale Novo” map by Giacomo Gastaldi (ca. 1500-1566), from Claudius Ptolemaeus (ca. 100-168) - Giacomo Gastaldi (ca. 1500-1566), Ptolemeo. La geografia di Claudio Ptolemeo alessandrino, con alcuni comenti et aggiunte fattevi da Sebastiano Munstero Alamanno, con le tavole non solamente antiche et moderne solite di stamparsi, ma altre nuove aggiuntevi di messer Iacopo Gastaldo piamontese cosmographo, ridotta in volgare italiano da m. Pietro Andrea Mattiolo [...], Venice, Niccolò Bascarini for Giovanni Battista Pederzano, October 1547.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578516332818-FWPCFEZ6QY2BCT8OTI4Z/43153-Ptolemeo+marina+nova+%281%29.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>“Arta Marina Nova Tabula” map by Giacomo Gastaldi (ca. 1500-1566), from Claudius Ptolemaeus (ca. 100-168) - Giacomo Gastaldi (ca. 1500-1566), Ptolemeo. La geografia di Claudio Ptolemeo alessandrino, con alcuni comenti et aggiunte fattevi da Sebastiano Munstero Alamanno, con le tavole non solamente antiche et moderne solite di stamparsi, ma altre nuove aggiuntevi di messer Iacopo Gastaldo piamontese cosmographo, ridotta in volgare italiano da m. Pietro Andrea Mattiolo [...], Venice, Niccolò Bascarini for Giovanni Battista Pederzano, October 1547.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578426374840-9AWM9GNPI4R5J5BIQK0N/Moleti+1562+Ptolemy+title.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Title page from Claudius Ptolemaeus (ca. 100-168) - Giuseppe Moleto (1531-1588), Geographia Cl. Ptolemaei Alexandrini Olim a Bilibaldo Pirckheimherio traslata, at nunc multis codicibus graecis collata, pluribusque in locis ad pristinam ueritatem redacta a Iosepho Moletio mathematico, Venice, Valgrisi Vincenzo, 1562.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578510525031-7HYQHEJ4ZY3XXOBYVRVZ/valgrisi+1562+tierre+nueva+map.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Girolamo Ruscelli’s “Tierra Nueva” map in Claudius Ptolemaeus (ca. 100-168) - Giuseppe Moleto (1531-1588), Geographia Cl. Ptolemaei Alexandrini Olim a Bilibaldo Pirckheimherio traslata, at nunc multis codicibus graecis collata, pluribusque in locis ad pristinam ueritatem redacta a Iosepho Moletio mathematico, Venice, Valgrisi Vincenzo, 1562.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578500732282-EDNUUGEFURYTWOPS03WJ/Anania+America.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Detail of the “America” map, showing the reference to Norinbega, after Gastaldi’s model.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1575515400620-OYIROLRRFVB8GB0UPQNT/image-asset.jpeg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Decorated upper cover by Cesare Vecellio (1521-1601), with map of Europe, Asia, and Africa. Gianni Lorenzo da Anania (1545-1609), L’uniuersale fabrica del mondo, overo Cosmografia... Diuisa in quattro Trattati... Di nuouo ornata con le figure delle quattro parti del Mondo in Rame, Venice, Andrea Muschio for Giacomo Aniello De Maria, 1582.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578516703038-NO44FP67H373B22GIDPF/anania%2B1.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Decorated lower cover by Cesare Vecellio (1521-1601), with map of the New World (Mondo Novo). Gianni Lorenzo da Anania (1545-1609), L’uniuersale fabrica del mondo, overo Cosmografia... Diuisa in quattro Trattati... Di nuouo ornata con le figure delle quattro parti del Mondo in Rame, Venice, Andrea Muschio for Giacomo Aniello De Maria, 1582.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578426602509-PWJ48UXEK3BSBHXET0CN/padovani+1.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Title page from Fabrizio Padovani (fl. 16th-17th century), Tractatus duo, alter De Ventis, alter perbrevis De Terraemotu. Adiecto indice copiosissimo.... Bologna, Giovanni Battista Bellagamba, 1601.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578426865686-J2C76FX03M0QP7S8ESSL/179.%2BPadovani.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Wind rose engraving, from Fabrizio Padovani (fl. 16th-17th century), Tractatus duo, alter De Ventis, alter perbrevis De Terraemotu. Adiecto indice copiosissimo.... Bologna, Giovanni Battista Bellagamba, 1601.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578518365228-WWJ0R7XU8SY3QX4O2ERG/Padovani%2BCarta%2BMarina.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>“Carta Marina,” from Fabrizio Padovani (fl. 16th-17th century), Tractatus duo, alter De Ventis, alter perbrevis De Terraemotu. Adiecto indice copiosissimo.... Bologna, Giovanni Battista Bellagamba, 1601.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1578518390535-6SAQOR04OGAKR9LW2GML/Padovani+map+2.jpg</image:loc>
      <image:title>Blog - Updating Ptolemy</image:title>
      <image:caption>Map of world zones from Fabrizio Padovani (fl. 16th-17th century), Tractatus duo, alter De Ventis, alter perbrevis De Terraemotu. Adiecto indice copiosissimo.... Bologna, Giovanni Battista Bellagamba, 1601.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/2019/12/10/charlottederothschild</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1576087933143-L374XKT20MRJDETQKRJV/Charlotte_Rothschild%2C_by_Jean-Le%CC%81on_Ge%CC%81ro%CC%82me.jpg</image:loc>
      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
      <image:caption>Jean-Léon Gérôme, La baronne de Nathaniel Rothschild, 1866.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1576088327968-H0I3IGMN6QYMEKBKGOMX/Jean_auguste_dominique_ingres_baronne_james_de_rothschild.jpg</image:loc>
      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
      <image:caption>Jean Auguste Dominique Ingres, Baronne de Rothschild, 1848.</image:caption>
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      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
      <image:caption>Eugène Delacroix, detail of unfinished double portrait of Frédéric Chopin and George Sand, 1838.</image:caption>
    </image:image>
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      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
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      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
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      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
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      <image:title>Blog - Baroness Charlotte de Rothschild’s Art and Souvenirs of Italy</image:title>
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  <url>
    <loc>https://www.prphbooks.com/blog/2019/festivalbooks</loc>
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    <priority>0.5</priority>
    <lastmod>2021-02-18</lastmod>
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      <image:title>Blog - Bring on the festivities!</image:title>
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      <image:title>Blog - Bring on the festivities!</image:title>
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    <loc>https://www.prphbooks.com/blog/antichita-di-ercolano</loc>
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    <lastmod>2021-02-17</lastmod>
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      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
      <image:caption>Albrecht Kasimir August von Sachsen-Teschen, by an unknown painter (1777). Albertina, Vienna.</image:caption>
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      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
      <image:caption>Detail of The young Maria Christina of Austria, by Martin van Meytens (1750). Magyar Nemzeti Múzeum, Budapest.</image:caption>
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      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
      <image:caption>Sir William Hamilton, by Joshua Reynolds (1776). National Gallery, London.</image:caption>
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      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
      <image:caption>Detail of Albrecht Kasimir August von Sachsen-Teschen and his wife Maria Christina, by Friedrich Heinrich Füger (1776). Schloss Belvedere, Vienna.</image:caption>
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      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
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      <image:title>Blog - Printed for a King, Gifted to a Prince: Albert of Sachsen-Teschen’s copy of the Antichità di Ercolano</image:title>
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  <url>
    <loc>https://www.prphbooks.com/blog/picassoandjacob</loc>
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    <lastmod>2021-02-18</lastmod>
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      <image:title>Blog - Pablo Picasso and Max Jacob</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1573683043960-7PP45G64FC3C2XG1NC7N/New+Project+%281%29.jpg</image:loc>
      <image:title>Blog - Pablo Picasso and Max Jacob</image:title>
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      <image:title>Blog - Pablo Picasso and Max Jacob</image:title>
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      <image:title>Blog - Pablo Picasso and Max Jacob</image:title>
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      <image:title>Blog - Pablo Picasso and Max Jacob</image:title>
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      <image:title>Blog - Pablo Picasso and Max Jacob</image:title>
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  <url>
    <loc>https://www.prphbooks.com/blog/demarinis</loc>
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    <lastmod>2021-03-01</lastmod>
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      <image:title>Blog - Homage to Tammaro De Marinis</image:title>
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      <image:title>Blog - Homage to Tammaro De Marinis</image:title>
      <image:caption>San Giorgio Maggiore, seat of the Fondazione Giorgio Cini</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1572995452893-114JCFP5L79G2P0P8DJ4/Picture3.jpg</image:loc>
      <image:title>Blog - Homage to Tammaro De Marinis</image:title>
      <image:caption>The bookshop in via Vecchietti 3-5, near the Gabinetto Vieusseux (from the catalogue Manuscrits et livres rares mis en vente à la Librairie ancienne T. De Marinis &amp; C., 1908)</image:caption>
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      <image:title>Blog - Homage to Tammaro De Marinis</image:title>
      <image:caption>Villa Montalto</image:caption>
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      <image:title>Blog - Homage to Tammaro De Marinis</image:title>
      <image:caption>Villa Celle</image:caption>
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      <image:title>Blog - Homage to Tammaro De Marinis</image:title>
      <image:caption>The two-volume Giolito edition of Plutarchus’ Vite (1555). The first volume, offered for sale by Tammaro De Marinis in 1911, appears at left.</image:caption>
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      <image:title>Blog - Homage to Tammaro De Marinis</image:title>
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  <url>
    <loc>https://www.prphbooks.com/blog/typographicalmonument</loc>
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    <priority>0.5</priority>
    <lastmod>2021-02-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1572468091683-RBPMF1UQUTN8QYBQONUP/Augustine+colophon.jpg</image:loc>
      <image:title>Blog - A typographical monument over the centuries</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1572468263738-B8NC46HZ300Y7CZGWECB/9+augustinus+3+square.jpg</image:loc>
      <image:title>Blog - A typographical monument over the centuries</image:title>
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      <image:title>Blog - A typographical monument over the centuries</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1572468937335-LT60Y0TMCI53243GL0CF/Wheatley%2C+A+Short+History+of+Bond+Street.jpg</image:loc>
      <image:title>Blog - A typographical monument over the centuries</image:title>
      <image:caption>H. B. Wheatley, A Short History of Bond Street, Old and New (London 1911, p. 24).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1572469116819-T0VHKAOR1YFXD405Y9SO/John+Murray+III.jpg</image:loc>
      <image:title>Blog - A typographical monument over the centuries</image:title>
      <image:caption>John Murray III, by George Reid.</image:caption>
    </image:image>
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      <image:title>Blog - A typographical monument over the centuries</image:title>
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      <image:title>Blog - A typographical monument over the centuries</image:title>
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      <image:title>Blog - A typographical monument over the centuries</image:title>
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      <image:title>Blog - A typographical monument over the centuries</image:title>
    </image:image>
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      <image:title>Blog - A typographical monument over the centuries</image:title>
      <image:caption>Abraham Simon Wolf Rosenbach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1572471766482-OVH5UZ83H7DRP554Q8LF/From+our+Archives+.jpg</image:loc>
      <image:title>Blog - A typographical monument over the centuries</image:title>
      <image:caption>From our archives</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1572472842856-GGB8015AVB08EBSU2XP4/7_mille_anni_di_bibliofilia_2008.jpg</image:loc>
      <image:title>Blog - A typographical monument over the centuries</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/2019/10/23/picassos-first-book-contribution</loc>
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    <priority>0.5</priority>
    <lastmod>2021-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1571873982631-IOBKRTPPX4C3HAI1OQKA/1.4.jpg</image:loc>
      <image:title>Blog - Picasso and Les Saltimbanques</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1571880207262-4LM0C1GSPO3IRIFUHU33/1.3.jpg</image:loc>
      <image:title>Blog - Picasso and Les Saltimbanques</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/2019/10/9/picasso-livres-dartiste-collection-of-mr-a</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1571171943474-Y2IAXFQCYG4A4LNCVKWK/Picasso%2Bat%2BPrPh%2B-%2Bfor%2Bblog%2B2.jpg</image:loc>
      <image:title>Blog - Picasso: Les livres d'artiste | The collection of Mr. A ***</image:title>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/blog/2019/10/2/thetimesareachangin</loc>
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    <priority>0.5</priority>
    <lastmod>2020-06-17</lastmod>
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      <image:title>Blog - The Times They Are A Changin’ in the Rare Book Trade</image:title>
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      <image:title>Blog - The Times They Are A Changin’ in the Rare Book Trade</image:title>
      <image:caption>FORESI, Bastiano. Libro chiamato Ambizione. (Florence, Antonio di Bartolomeo Miscomini, ca. 1485).</image:caption>
    </image:image>
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      <image:title>Blog - The Times They Are A Changin’ in the Rare Book Trade</image:title>
      <image:caption>CLIMACO, Giovanni S. Climacho altramente Schala Paradisi. Venice, Benalius and Capcasa, 1491.</image:caption>
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    <image:image>
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      <image:title>Blog - The Times They Are A Changin’ in the Rare Book Trade</image:title>
      <image:caption>PULCI, Luca. Il Driadeo d'Amore. Florence, Laurentius Alamanus, 1479.</image:caption>
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      <image:title>Blog - The Times They Are A Changin’ in the Rare Book Trade</image:title>
      <image:caption>Linotype Model 31 Linotype Company, late 1940s</image:caption>
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      <image:title>Blog - Tzara and Picasso: A Modernist Take on the Historic Volvelle</image:title>
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      <image:title>Blog - Tzara and Picasso: A Modernist Take on the Historic Volvelle</image:title>
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      <image:title>Blog - Tzara and Picasso: A Modernist Take on the Historic Volvelle</image:title>
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      <image:title>Blog - Tzara and Picasso: A Modernist Take on the Historic Volvelle</image:title>
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    <lastmod>2021-02-18</lastmod>
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      <image:title>Blog - Volvelles, what a passion!</image:title>
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    <lastmod>2021-06-02</lastmod>
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      <image:title>Blog - A unique souvenir from Venice</image:title>
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      <image:title>Blog - A unique souvenir from Venice</image:title>
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      <image:title>Blog - A unique souvenir from Venice</image:title>
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      <image:title>Blog - A unique souvenir from Venice</image:title>
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      <image:title>Blog - A unique souvenir from Venice</image:title>
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      <image:title>Blog - A unique souvenir from Venice</image:title>
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      <image:title>Blog - A unique souvenir from Venice</image:title>
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      <image:title>Blog - A unique souvenir from Venice</image:title>
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    <lastmod>2021-02-18</lastmod>
    <image:image>
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      <image:title>Blog - Early Pictorial Paper Bindings</image:title>
      <image:caption>Upper cover of Monte de la oratione [Venice, Bernardinus Benalius (?), before June 1493].</image:caption>
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      <image:title>Blog - Early Pictorial Paper Bindings</image:title>
      <image:caption>Lower cover woodcut featuring St. John the Evangelist, St. Francis of Assisi, and the Virgin’s familial relations in a foliate Trinity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1567612087221-J9Z8ZY8WB6VYS5NZ4B8D/Benali%252Bintroduction%252Bwoodblock.jpg</image:loc>
      <image:title>Blog - Early Pictorial Paper Bindings</image:title>
      <image:caption>Introduction woodcut with an angel, a monk, and a representation of the Father performing a blessing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1565731591716-OY6ATTGI64W3VX1CDLFH/Funerary+binding+1.jpg</image:loc>
      <image:title>Blog - Early Pictorial Paper Bindings</image:title>
      <image:caption>Missae in agenda defunctorum tantum deservientes. Ex Missali Romano recognito desumptae, cum Ordinario, et Canone, ut in ispis servatur: ad usum, et commoditatem omnium Ecclesiarum. Bologna, Giulio Borzagni, 1690.</image:caption>
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      <image:title>Blog - Early Pictorial Paper Bindings</image:title>
      <image:caption>Missae in agenda defunctorum tantum deservientes juxta usum Ecclesiae Romanae cum Ordine et Canone extensae. Bologna, Lelio dalla Volpe, 1744.</image:caption>
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    <lastmod>2021-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1565122041037-6MUL5QYX49DY45JYOEXE/Lucian+1494.jpg</image:loc>
      <image:title>Blog - The cover of our Italian Books catalogue series: A masterpiece of early Venetian woodcut borders</image:title>
      <image:caption>Lucianus Samosatensis (125–after 180 BC). Vera historia. Tr: Lilius (Tifernas) Castellanus. Add: De asino aureo; Philosophorum vitae; Scipio; Tyrannus; Scaphidium (Dialogus de funerali pompa); Palinurus; Charon; Diogenes; Terpsion; Hercules; Virtus dea; In amorem; Timon; Sermo de calumnia; Laus muscae. Ed: Benedictus Bordonus; Maephus Vegius: De Felicitate et miseria. Venice, Simon Bevilaqua, for Benedetto Bordone, 25 August 1494.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1565122413784-9Q4YJVZMO36Q027C6VMS/Herodotus+1494+border.jpg</image:loc>
      <image:title>Blog - The cover of our Italian Books catalogue series: A masterpiece of early Venetian woodcut borders</image:title>
      <image:caption>Herodotus (ca. 484–430/20 BC). Historiae. Tr: Laurentius Valla. Ed: Antonius Mancinellus. Venice, Johannes and Gregorius de Gregoriis, de Forlivio, 8 March [actually not before 30 March] 1494.</image:caption>
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      <image:title>Blog - The cover of our Italian Books catalogue series: A masterpiece of early Venetian woodcut borders</image:title>
      <image:caption>Hieronymus, Sophronius Eusebius (347-420). Commentaria in Bibliam. Ed: Bernardinus Gadolus. Venice, Johannes and Gregorius de Gregoriis, de Forlivio, 1497 - 25 August 1498.</image:caption>
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      <image:title>Blog - The cover of our Italian Books catalogue series: A masterpiece of early Venetian woodcut borders</image:title>
      <image:caption>Gilbert Richard Redgrave’s inscription regarding Bordone’s splendid border.</image:caption>
    </image:image>
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    <loc>https://www.prphbooks.com/blog/2019/8/1/happy-birthday-herman-melville</loc>
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    <priority>0.5</priority>
    <lastmod>2021-02-18</lastmod>
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      <image:title>Blog - Happy Birthday, Herman Melville!</image:title>
      <image:caption>Herman Melville ca. 1860</image:caption>
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    <priority>0.5</priority>
    <lastmod>2021-02-18</lastmod>
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      <image:title>Blog - “It is better to have a retouched painting than to no longer have the painting at all”: Pino’s history of Leonardo’s ‘The Last Supper’</image:title>
      <image:caption>Leonardo da Vinci, Cenacolo (The Last Supper), 1495–1498. Convent of Santa Maria delle Grazie, Milan.</image:caption>
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      <image:title>Blog - “It is better to have a retouched painting than to no longer have the painting at all”: Pino’s history of Leonardo’s ‘The Last Supper’</image:title>
      <image:caption>The first monograph on Leonardo’s ‘The Last Supper’: Domenico Pino’s Storia genuina del Cenacolo insigne dipinto da Leonardo da Vinci nel refettorio de’ padri domenicani di Santa Maria delle Grazie di Milano (Milan, Cesare Orena in the Malatesta Press, 1796).</image:caption>
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    <loc>https://www.prphbooks.com/blog/2019/7/24/nardis-she-wolf</loc>
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    <priority>0.5</priority>
    <lastmod>2021-02-18</lastmod>
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      <image:title>Blog - Nardi’s 'she-wolf', one of the finest marks in the history of early Italian printing</image:title>
      <image:caption>Simone Nardi’s famous ‘she-wolf device’, an emblem of Siena’s legendary roots.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Nardi’s 'she-wolf', one of the finest marks in the history of early Italian printing</image:title>
      <image:caption>The Macrobean mappa mundi, reissued in this rare early sixteenth-century edition of De li homini illustri in lingua Senese traducto (Siena: Simone Nardi, 30 March 1506).</image:caption>
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      <image:title>Blog - Nardi’s 'she-wolf', one of the finest marks in the history of early Italian printing</image:title>
      <image:caption>Detail of Ambrogio Lorenzetti’s fresco Allegory of the Good Government (1338) in Siena’s Palazzo Pubblico, featuring the ‘she-wolf’ and suckling twins.</image:caption>
    </image:image>
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    <loc>https://www.prphbooks.com/blog/2019/7/2/pinocchio-publishers-green-cloth-binding</loc>
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    <priority>0.5</priority>
    <lastmod>2021-02-18</lastmod>
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      <image:title>Blog - The first edition of Pinocchio in the original publisher’s green cloth binding</image:title>
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      <image:title>19c - Foscolo, Ugo (1778-1827). Poesie inedite di Nicolò Ugo Foscolo tratte da un manoscritto originale. Lugano, Giuseppe Ruggia and Co, 1831.</image:title>
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      <image:title>19c - Foscolo, Ugo (1778-1827). Poesie inedite di Nicolò Ugo Foscolo tratte da un manoscritto originale. Lugano, Giuseppe Ruggia and Co, 1831.</image:title>
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      <image:title>19c - Croce, Giulio Cesare (1550-1609). [New Greek] Bios tou Bertoldinou diou tou panourgiou Mpertoldou, kai ai geloiótatai aito aplótetes. Venice, Nikolaos Glykys the Younger, 1818.</image:title>
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      <image:title>19c - Croce, Giulio Cesare (1550-1609). [New Greek] Bios tou Bertoldinou diou tou panourgiou Mpertoldou, kai ai geloiótatai aito aplótetes. Venice, Nikolaos Glykys the Younger, 1818.</image:title>
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      <image:title>19c - Croce, Giulio Cesare (1550-1609). [New Greek] Bios tou Bertoldinou diou tou panourgiou Mpertoldou, kai ai geloiótatai aito aplótetes. Venice, Nikolaos Glykys the Younger, 1818.</image:title>
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      <image:title>19c - Croce, Giulio Cesare (1550-1609). [New Greek] Bios tou Bertoldinou diou tou panourgiou Mpertoldou, kai ai geloiótatai aito aplótetes. Venice, Nikolaos Glykys the Younger, 1818.</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>17c - Olmo, Marco Antonio (fl. 16th-17th century).  Physiologia Barbae Humanae... Bologna, Giovanni Battista Bellagamba, 1601.</image:title>
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      <image:title>17c - Olmo, Marco Antonio (fl. 16th-17th century).  Physiologia Barbae Humanae... Bologna, Giovanni Battista Bellagamba, 1601.</image:title>
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      <image:title>17c - Olmo, Marco Antonio (fl. 16th-17th century).  Physiologia Barbae Humanae... Bologna, Giovanni Battista Bellagamba, 1601.</image:title>
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      <image:title>17c - Olmo, Marco Antonio (fl. 16th-17th century).  Physiologia Barbae Humanae... Bologna, Giovanni Battista Bellagamba, 1601.</image:title>
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      <image:title>18th century - Portable travel lap desk, in lacca povera. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>18th century - Gonzaga, Scipione (1542-1593). Commentariorum rerum suarum Libri tres. Rome, Giovanni Generoso Salomoni, Salvatore Bombelli, and Giuseppe Drudi, 1791.</image:title>
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      <image:title>18th century - Rime per le faustissime nozze del nobil uomo Signore Marchese Silvio Maccarani con la nobil Donna Signora Orsola Priuli Stazio. Rome, Fulgoni, 1787.</image:title>
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      <image:title>18th century - Rime per le faustissime nozze del nobil uomo Signore Marchese Silvio Maccarani con la nobil Donna Signora Orsola Priuli Stazio. Rome, Fulgoni, 1787.</image:title>
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    <loc>https://www.prphbooks.com/18c/blue-tacitus</loc>
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    <lastmod>2020-04-30</lastmod>
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      <image:title>18th century - Imperial Diet Ceremonies. Disegni dei sedili e banchi nelli varj Apartamenti dell’Imperiale Palazzo... Manuscript on paper, in French. Austria (?), mid-eighteenth century.</image:title>
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      <image:title>18th century - Imperial Diet Ceremonies. Disegni dei sedili e banchi nelli varj Apartamenti dell’Imperiale Palazzo... Manuscript on paper, in French. Austria (?), mid-eighteenth century.</image:title>
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      <image:title>18th century - Imperial Diet Ceremonies. Disegni dei sedili e banchi nelli varj Apartamenti dell’Imperiale Palazzo... Manuscript on paper, in French. Austria (?), mid-eighteenth century.</image:title>
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      <image:title>18th century - Imperial Diet Ceremonies. Disegni dei sedili e banchi nelli varj Apartamenti dell’Imperiale Palazzo... Manuscript on paper, in French. Austria (?), mid-eighteenth century.</image:title>
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      <image:title>18th century - Imperial Diet Ceremonies. Disegni dei sedili e banchi nelli varj Apartamenti dell’Imperiale Palazzo... Manuscript on paper, in French. Austria (?), mid-eighteenth century.</image:title>
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      <image:title>18th century - Imperial Diet Ceremonies. Disegni dei sedili e banchi nelli varj Apartamenti dell’Imperiale Palazzo... Manuscript on paper, in French. Austria (?), mid-eighteenth century.</image:title>
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      <image:title>18th century - Imperial Diet Ceremonies. Disegni dei sedili e banchi nelli varj Apartamenti dell’Imperiale Palazzo... Manuscript on paper, in French. Austria (?), mid-eighteenth century.</image:title>
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      <image:title>18th century - Imperial Diet Ceremonies. Disegni dei sedili e banchi nelli varj Apartamenti dell’Imperiale Palazzo... Manuscript on paper, in French. Austria (?), mid-eighteenth century.</image:title>
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    <lastmod>2020-10-21</lastmod>
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      <image:title>18th century - Svetonius Tranquillus, Gaius (70-126).  Le vite de’ dodici Cesari... Venice, Francesco Piacentini, 1738.</image:title>
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      <image:title>18th century - Svetonius Tranquillus, Gaius (70-126).  Le vite de’ dodici Cesari... Venice, Francesco Piacentini, 1738.</image:title>
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      <image:title>18th century - Svetonius Tranquillus, Gaius (70-126).  Le vite de’ dodici Cesari... Venice, Francesco Piacentini, 1738.</image:title>
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      <image:title>18th century - [Festival culture in Baroque Palermo] Vio, Ignazio de (1659-1749).  L’Emporio delle glorie palermitane... Palermo, Domenico Cortese, 1704.</image:title>
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      <image:title>18th century - [Festival culture in Baroque Palermo] Vio, Ignazio de (1659-1749).  L’Emporio delle glorie palermitane... Palermo, Domenico Cortese, 1704.</image:title>
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      <image:title>18th century - [Festival culture in Baroque Palermo] Vio, Ignazio de (1659-1749).  L’Emporio delle glorie palermitane... Palermo, Domenico Cortese, 1704.</image:title>
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      <image:title>18th century - [Festival culture in Baroque Palermo] Vio, Ignazio de (1659-1749).  L’Emporio delle glorie palermitane... Palermo, Domenico Cortese, 1704.</image:title>
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    <lastmod>2021-12-14</lastmod>
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      <image:title>18th century - Hope, William (1660- 1724). The Compleat Fencing-Master... The third edition.&amp;nbsp;London, W. Taylor, [1687]-1710.</image:title>
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      <image:title>18th century - Hope, William (1660- 1724). The Compleat Fencing-Master... The third edition.&amp;nbsp;London, W. Taylor, [1687]-1710.</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1658440068707-340H9WJKJCMAYXU9ZI9S/OCHSENBRUNNER+1494-06+cmyk.jpg</image:loc>
      <image:title>15c - Ochsenbrunner, Thomas (fl. ca. 1494). Priscorum heroum stemmata. Rome, Johann Besicken and Sigismundus Mayr, 18 February 1494. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.prphbooks.com/15c/strabo-geographia-venice-vindelinus-de-spira-1472</loc>
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    <lastmod>2025-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643665712278-PVE71584WDD1KD5DO8WQ/strabo2_.jpg</image:loc>
      <image:title>15c - Strabo. Geographia. Venice, Vindelinus de Spira, 1472.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643662997182-C08275GKBTP86CUGFUKY/strabo3_.jpg</image:loc>
      <image:title>15c - Strabo. Geographia. Venice, Vindelinus de Spira, 1472.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643662152849-6S8OIPPMJRMAWE8N5CTK/strabo4_.jpg</image:loc>
      <image:title>15c - Strabo. Geographia. Venice, Vindelinus de Spira, 1472.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643662152008-SW5LAJFPF9BE8VEKD6WM/strabo5_.jpg</image:loc>
      <image:title>15c - Strabo. Geographia. Venice, Vindelinus de Spira, 1472.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/fab21bed-ded1-463b-aff2-32a038c08896/Screen%2BShot%2B2025-03-25%2Bat%2B3.57.48%2BPM.jpg</image:loc>
      <image:title>15c - Strabo. Geographia. Venice, Vindelinus de Spira, 1472.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/15c/colonna-francesco-hypnerotomachia-poliphili-venice-aldus-manutius-december-1499</loc>
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    <priority>0.5</priority>
    <lastmod>2025-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643665171994-40DQCN2OFU0BO72YF5FZ/53+bis.Polifilo+%281%29_.jpg</image:loc>
      <image:title>15c - [Colonna, Francesco]. Hypnerotomachia Poliphili. Venice, Aldus Manutius, December 1499.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1643665254352-JN94OGEP6GUX6S67UOTI/53+bis.Polifilo+%282%29_w.jpg</image:loc>
      <image:title>15c - [Colonna, Francesco]. Hypnerotomachia Poliphili. Venice, Aldus Manutius, December 1499.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/15c/hieronymus-sophronius-eusebius-347-420-epistolae-italianferrara-laurentius-de-rubeis-de-valentia-12-october-1497</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1553799949632-IA6D316LRXMZQZUKXQKX/39+hieronymus+1+square.jpg</image:loc>
      <image:title>15c - Hieronymus, Sophronius Eusebius (347-420). Epistolae [Italian]...Ferrara, Laurentius de Rubeis, de Valentia, 12 October 1497.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/144b12ff-15af-4922-970e-4ae9e08a3274/39%2Bhieronymus%2B2%2Bsquare.jpg</image:loc>
      <image:title>15c - Hieronymus, Sophronius Eusebius (347-420). Epistolae [Italian]...Ferrara, Laurentius de Rubeis, de Valentia, 12 October 1497.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/15c/benedetto-bordone-lucianus-samosatensis-125after-180-bc-vera-historia-tr-lilius-tifernas-castellanus-venice-simon-bevilaqua-for-benedetto-bordone-25-august-1494</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/5fdd5577-1ac3-4392-a8cd-60f9c0f52284/Lucian1494%2B-%2Bborder%2Bcropped.jpg</image:loc>
      <image:title>15c - (Benedetto Bordone). Lucianus Samosatensis (125–after 180 BC).  Vera historia. Tr: Lilius (Tifernas) Castellanus... Venice, Simon Bevilaqua, for Benedetto Bordone, 25 August 1494.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1564692387152-GY8H6NB0VGQ3KV7AOMOT/Lucian1494+-+binding.jpg</image:loc>
      <image:title>15c - (Benedetto Bordone). Lucianus Samosatensis (125–after 180 BC).  Vera historia. Tr: Lilius (Tifernas) Castellanus... Venice, Simon Bevilaqua, for Benedetto Bordone, 25 August 1494.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1564692418112-25EZRGELTNUCU176CI60/Lucian1494+-+Redgrave+note.jpg</image:loc>
      <image:title>15c - (Benedetto Bordone). Lucianus Samosatensis (125–after 180 BC).  Vera historia. Tr: Lilius (Tifernas) Castellanus... Venice, Simon Bevilaqua, for Benedetto Bordone, 25 August 1494.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1564692404888-PVH7LVWHXIE3VNFUT0B4/Lucian1494+-+border.jpg</image:loc>
      <image:title>15c - (Benedetto Bordone). Lucianus Samosatensis (125–after 180 BC).  Vera historia. Tr: Lilius (Tifernas) Castellanus... Venice, Simon Bevilaqua, for Benedetto Bordone, 25 August 1494.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1564692084208-30Y5DTBU3RGK1SJBTNNA/Lucian1494+-+multi.jpg</image:loc>
      <image:title>15c - (Benedetto Bordone). Lucianus Samosatensis (125–after 180 BC).  Vera historia. Tr: Lilius (Tifernas) Castellanus... Venice, Simon Bevilaqua, for Benedetto Bordone, 25 August 1494.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1564692071388-G1EFRQW684LYHQ48LWNW/Lucian1494+-+binding.jpg</image:loc>
      <image:title>15c - (Benedetto Bordone). Lucianus Samosatensis (125–after 180 BC).  Vera historia. Tr: Lilius (Tifernas) Castellanus... Venice, Simon Bevilaqua, for Benedetto Bordone, 25 August 1494.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1564692264518-IG6A88JHDKK4CPNCD2IB/Lucian1494+-+border.jpg</image:loc>
      <image:title>15c - (Benedetto Bordone). Lucianus Samosatensis (125–after 180 BC).  Vera historia. Tr: Lilius (Tifernas) Castellanus... Venice, Simon Bevilaqua, for Benedetto Bordone, 25 August 1494.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1564692264602-4GNLGQN6ZUIDD2849N19/Lucian1494+-+Redgrave+note.jpg</image:loc>
      <image:title>15c - (Benedetto Bordone). Lucianus Samosatensis (125–after 180 BC).  Vera historia. Tr: Lilius (Tifernas) Castellanus... Venice, Simon Bevilaqua, for Benedetto Bordone, 25 August 1494.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/15c/ogwq250ga45tg8t3mxmm0ynsu15ahn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1553703412526-FV7EP36QXR4MM4WOT5PS/8+tarocchi+1+square.jpg</image:loc>
      <image:title>15c - The so-called ‘Mantegna Tarocchi’. Set of fifty engravings, by the Masters of the Tarocchi. Northern Italy (possibly Ferrara), before 1467.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1553703412189-YDLOD0YI88UKHBGEIYKH/8+tarocchi+2+square.jpg</image:loc>
      <image:title>15c - The so-called ‘Mantegna Tarocchi’. Set of fifty engravings, by the Masters of the Tarocchi. Northern Italy (possibly Ferrara), before 1467.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/e7519f3d-3b3b-4393-a843-d3169dcc7950/Screen%2BShot%2B2025-03-25%2Bat%2B3.55.57%2BPM.jpg</image:loc>
      <image:title>15c - The so-called ‘Mantegna Tarocchi’. Set of fifty engravings, by the Masters of the Tarocchi. Northern Italy (possibly Ferrara), before 1467.</image:title>
    </image:image>
  </url>
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    <loc>https://www.prphbooks.com/15c/book-of-hours-use-of-rome-illuminated-manuscript-on-parchment-in-latin-bruges-ca-1460-1475nbsp</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1585250920341-RMB7YWUU9OEPPSI1EXBX/7%2Bbook%2Bof%2Bhours%2Bsquare%2B2.jpg</image:loc>
      <image:title>15c - Book of Hours. (Use of Rome). Illuminated manuscript on parchment, in Latin. Bruges, ca. 1460-1475.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1553702842541-YAETO1CCC3HUUHH72TUS/7+book+of+hours+square+1.jpg</image:loc>
      <image:title>15c - Book of Hours. (Use of Rome). Illuminated manuscript on parchment, in Latin. Bruges, ca. 1460-1475.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1553702847890-JQ3P8DA3EEIRBIBUSX6P/7+book+of+hours+square+5.jpg</image:loc>
      <image:title>15c - Book of Hours. (Use of Rome). Illuminated manuscript on parchment, in Latin. Bruges, ca. 1460-1475.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1553702846675-X231KFBP5RB2XAPS2QJP/7+book+of+hours+square+4.jpg</image:loc>
      <image:title>15c - Book of Hours. (Use of Rome). Illuminated manuscript on parchment, in Latin. Bruges, ca. 1460-1475.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1553702855291-T0G8IDUJJVEPBJYHI1H9/7+book+of+hours+square+3.jpg</image:loc>
      <image:title>15c - Book of Hours. (Use of Rome). Illuminated manuscript on parchment, in Latin. Bruges, ca. 1460-1475.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/33720a6c-664c-4f38-96a6-c70ac33afacb/Screen%2BShot%2B2025-03-25%2Bat%2B3.52.47%2BPM.jpg</image:loc>
      <image:title>15c - Book of Hours. (Use of Rome). Illuminated manuscript on parchment, in Latin. Bruges, ca. 1460-1475.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prphbooks.com/italian-books-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
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      <image:title>Italian Books III - Eco, Umberto (1932-2016). Il problema estetico in San Tommaso. Turin, Edizioni di Filosofia, 1956. (Copy)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c748f03aadd346d92d68bd1/1658469604061-D26V3N3DXJYO3JTKCP23/Eco+inscription.jpg</image:loc>
      <image:title>Italian Books III - Eco, Umberto (1932-2016). Il problema estetico in San Tommaso. Turin, Edizioni di Filosofia, 1956. (Copy) - Make it stand out</image:title>
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      <image:title>Italian Books III - Céline, Louis-Ferdinand (1894-1961).  Bagatelle per un massacro.  Milan, Edizioni Corbaccio, 16 April 1938. (Copy)</image:title>
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      <image:title>Italian Books III - Cesarini, Emidio (1796-1875). Principj del diritto commerciale secondo lo spirito delle Leggi Pontificie. Opera di Emidio Cesarini Curiale Rotale...Rome, printed for the Author (tomes I-VII iss (Copy)</image:title>
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